Racism is an important feature of Shakespeare’s Othello.The play was written in a time were ethnic minorities were so unimportant that they were almost ignored. In the play “Othello”, a black man, is a well-respected and trusted general in Venice. However, when Othello marries Desdemona, the young and beautiful white daughter of Branbantio, boundaries seem to be broken. Racism is one of the most important themes in “Othello”. Race is one of the factors that Othello feels makes him an outsider, someone who comes from a foreign land and doesn’t quite belong. The doubts and insecurities he experiences along the way are,in part, due to his skin color. Iago capitalises on this insecurity, making his color affect his interactions with others, …show more content…
Othello has his own view of his racial identity. He is aware of how he is different to the other Venetians and recognizes his role as an outsider. He knows people view him differently, yet he never seems struck by it. In Act One while he addresses the noblemen of Venice, he reveals his barbarian origins by saying that he is “rude ... in speech, and little bless’d with the soft phrase of peace.” Even though he is never “rude” in his speech, he uses his eloquence to persuade the noblemen to view him with pity. He is well aware of the fact that he is different, yet the thought does not struck him. On the contrary, he uses it as a weapon to persuade the people around him. By saying that he is “little bless’d” he is trying to charm the noblemen into thinking that it is not his fault if god did not bless him with the privilege of …show more content…
The opening scene sets the theme for the entire play. Roderigo and Iago wake up Desdemona’s father to inform him of his daughter elopement. They never call Othello by name, he is always referred as “the Moore”, which is a reference to his African heritage . Iago tells Brabantio that “that great black ram is tupping (his) gentle white ewe”. This metaphor is used to symbolize society's opinion on interracial marriages, Othello is associated with evil because of his skin color. Iago uses racism as the spark to inflame Brabantio’s anger. Iago is referring to Othello as a “black ram”, comparing him to an animal who is depriving his pure “white” daughter of her innocence. Iago plays on the senator’s fears, making him imagine a barbarous and threatening Moor, whose bestial sexual appetite is violating his daughter. In Elizabethan times black men were considered inhuman, thus, Shakespeare uses animal imagery when describing Othello. The imagery association of animals with black skin is further solidified when Iago tries to scare Brabantio by telling him he will have his “daughter covered with a Barbary horse, (and his) nephews neigh to you.” Shakespeare uses animal imagery to describe Othello; stating that because of his “animal” blood his grandsons will be half horses. The word “neigh” creates an animalistic view of Othello in the audience mind. They view him as beast whose desire to
In Shakespeare’s ‘Othello’, Desdemona is spoken about as if she is Brabantio’s possession; his ‘white ewe’. Not only does the
The tragedy that unfolds in Shakespeare's Othello (1604) is caused by societal prejudice that triggers Othello's inherent naivety and susceptibility to jealousy. The Jacobean era's newfound creative nature influenced Shakespeare to include certain religious ideologies such as The Great Chain of Being. Through consistent racial prejudice directed towards Othello, we witness the belief that those of African descent are low class. Through prejudice, Othello gains a reverence for social status, which manifests into jealousy that allows him to be easily manipulated. The nature of Venetian society made it exceptionally difficult for Othello to gain social status.
Since Othello utters that since he is with Desdemona, her reputation “is now begrimed and black,” it presents how a black man can tarnish the “fresh” identity of a white women. Since Othello is accepted and praised as a war hero, but not accepted as lover, love becomes a barrier that leads to a tragedy. Societal expectations push people to the point where they try to surpass society’s norms. Though, when they reach this tipping point, tragedy will
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
(III.iii.230-234). Thus he reminded Othello that possibly he was not considered suitable for her love. Knowing that his blackness placed him in society as an outsider, Othello began to suspect that his personality and accomplishments could never overcome his inferior background. He questioned his confidence in the reputation and social standing he thought he had gained, and he failed to notice the presence of evil and dishonesty in others. Iago’s appearance, as a
The correlation between relationships and experiences are co-existing functions that assist in operating societies. Since ancient times, social classes have existed within all communities and cultures; a sense of belonging is often determined by one’s position in the social hierarchy. Shakespeare’s Othello highlights determinants including race and gender that affect one’s standing in the hierarchy. An excerpt of Act 1, Scene 1 (Lines 110-112) explores this concept when Iago exclaims “Because we come to do you service and you think we are ruffians, you’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you.” Shakespeare cleverly incorporates animalistic imagery to showcase the role that race has in a society
A wise philosopher once stated, “Racism is man’s gravest threat to man — the maximum of hatred for a minimum of reason” (Schwartsz). It is no revelation that racism often manifests hatred towards minorities. This concept has been widespread throughout the world for centuries. Racism has prevailed through several works of literature including “Othello” by William Shakespeare. In this particular play, the character, Othello, is allegedly a black man who experiences several accounts of racism from other characters, which eventually leads to his downfall.
Iago’s constant animalistic language shows that he views others as animals rather than people, thus, Iago dehumanizing the other characters. In Act One, scene one, Iago describes Othello as an “old black ram” (Shakespeare 1276). This description of Othello is comparing him to a ram, and such animalistic references show that Iago does not view Othello an equal. In his view of Othello as unhumanistic, Iago is most likely willing to treat him as an animal. The audience sees this treatment through his constant manipulations of Othello’s mind, planting seeds of jealousy.
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
In the beginning of the tragedy Othello tells Brabantio to “Keep up your bright swords signior, for the dew will rust them” (1.2.72-73). This statement gives the reader insight to Othello’s level-head and smart decisions, before he allowed jealousy to cloud his vision. Othello becomes convinced that Desdemona has cheated on him with Cassio; therefore, he is angered and beings to seek revenge for a crime that was never committed. Iago tells Othello “O, beware, my lord, of jealousy! It is the green-eyed monster, which doth mock the meat it feeds on” (3.3.187-189).
Othello’s Role in Venetian Society If we take the textbook definition of ethnic groups and apply it to Othello and the Venetian society it is striking that he lacks a lot of features when compared to the “regular” Venetian society: no common background nor history and no shared customs. Therefore, not only his skin color sets him apart, but also his origin from another ethnic group, opening all kinds of
Manipulation of the African Race in Othello In William Shakespeare’s Othello, racism is a principal theme that drives the plot of the entire play. An outlier in Venice, Othello the moor or African, is targeted by his ensign Iago because Cassio who seems to be unqualified, was promoted to a lieutenant before he was. Iago is driven by envy and jealousy and creates a confusing and elaborate plan to deprive Cassio of his position. Iago also shares these envious motives with Roderigo, a man lusting over Othello’s wife.
In the opening act of the play, Iago and Roderigo wake Brabantio, Desdemona’s father, from his sleep, informing him of his daughter’s marriage to the Moor, Othello. Knowing of Brabantio’s prejudice towards Othello because of his race, Iago says, “Even now, now, very now, an old black ram is tupping your white ewe.” (1.1.94-95). Iago feeds anger into Brabantio’s mind using
Throughout history, societies have succumbed to the toxic concepts of racism, causing an unthinkable amount of chaos and devastation. While racism on its own can lead to many societal evils, racism coupled with jealousy can create a truly catastrophic force that can only lead to pure destruction. When someone of a different race and culture is placed in this kind of society, this destruction will only naturally follow. In the play Othello, William Shakespeare focuses on the tragic outcomes of Othello, a Venetian general and black Turkish Moor, and Desdemona, his white Venetian wife. Throughout the play, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello.
Comparing Othello to an “old black ram” introduces animalistic imagery, and puts him at a level below humans on the Great Chain of Being. The coming together of an animal and a human would disrupt the chain, and was thought to also disrupt the laws of nature and cause bizarre events to occur. The descriptive word, “black” highlighted that in the Renaissance times, black stood for sin and evilness. Emilia’s views on men are discovered through the metaphor comparing men to “stomachs” and women to “food”. Men “eat us hungrily, and when they are full they belch us”, implies men get rid of women as soon as they have had enough of them, and therefore should not be trusted.