Ramlee Literature Review
Literature Review
Allahyarham Tan Sri P. Ramlee is a legend in the film world Malay homeland. French film world colored by various shades of golden P. Ramlee and seen as human beings is unmatched to this day. There are many people make a research about his life, music and his film. P.Ramlee give a biggest impact to public through his film. Elements do not stereotype joke, not a pretender or a made-up look, do not look stupid and said he joke bytes in place of teaching. Actors and actresses extra bonus they also liven things up. Every scene, every speech, movement and all of which will raise a laugh. Their acting was understated looks. Most work in the film revolves around the problem of all the nations in the implied values of patriotism in
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Ramlee in the field of film-making. In this journal story about most of his films involve the issues among the races in Malaysia, which possess the essential patriotic principles. The spirit of teamwork that has been portrayed through his films gives the audience areflection of the reality of the society in Malaysia during his time. However, the depiction shown in these films may still be valid for current referenceand guidance as moral value lessons for this multi-cultural nation. Themulti-racial society in which the audience lives in would be referred to thedesire to live with one motive, one mission that is for a life of harmony and peace. The spirit of patriotism that is depicted in these films explicitly or implicitly shows the true reality of life as Malaysians before and after they have achieved …show more content…
It was later followed by five to six films until the invasion of Japanese in Tanah Melayu. In 1959, the late film actor-cum-producer, Tan Sri P.Ramlee stars in Pendekar Bujang Lapok, a film that brings Malay, Chinese and Indian actors together under one roof. This film is a symbol of unity that should have in every Malaysian film in order to generate unity towards the audience.
The conclusion, the after effects of the Japanese occupation, challenges of modernity, tensions in the understanding of Islam and poverty mirrored P. Ramlee’s personal struggle as well as the challenges and anxieties faced by Malays then. It is therefore not surprising that these themes were oft-repeated in most, if not, all of P. Ramlee’s productions. Most importantly, the following narratives has demonstrated to us that films can be a useful addition alongside other sources of social history such as oral records, memoirs, newspapers, coroner’s records and governmental
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