Raymond Carver Cathedral Summary

Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.

The act of looking corresponds to physical vision, but in Raymond Carver’s “Cathedral” the act of seeing involves a much deeper level of engagement. The narrator is fully capable of looking. He looks at his house and wife, and he looks at Robert. The narrator is not blind and therefore assumes that he is superior to Robert. Robert’s blindness, the narrator believes, makes him unable to have any kind of normal life.

“Cathedral” is a short and warm story written by Raymond Carver. The author portrays the story in the first person narrative. Carver presents the interaction between an unnamed couple and a blind man by the name of Robert, who is visiting them. The story is told by the husband, the narrator, who is a prejudiced, jealous, and insecure man with very limited awareness of blindness. This theme is exposed through Carver’s description of the actions of the narrator whose lack of knowledge by stereotyping a blind man.

The short story, "Cathedral" is told through first person narrative. The author Raymond Carver uses this point of view to tell the story through the perspective of an unknown narrator. In the beginning of the story, the audience learns that the narrator is arrogant and closeminded.

Raymond Carver’s “Cathedral” is narrated by a man who is unhappy that his wife is friends with a blind man. He has not ever known any blind people in his life and he has many ill conceived conceptions about them and how they perceive the world. The narrator unfolds the story slowly to show his own lack of perception with regard to his wife and the world around him. He comes to realize that perhaps the man that cannot see with his eyes can “see” reality better than he can.

In Raymond Carver’s “Cathedral,” written in 1983, the author points out that empathy and perspective are the only way to truly experience profound emotion. The narrator is struggling is sucked into his own comfort zone, he drowns his dissatisfaction on life, marriage, and job in alcohol. A man of limited awareness breaks through his limitations by socializing with a blind man. Despite Roberts physical limitations, he is the one who saved narrator from himself and helped him to find the ones vies of the world.

Furthermore, the narrator is starting to realize that he enjoys Robert’s company as well as compelled to explore Robert’s eye sight limits, to help Robert visualize a cathedral. The narrator tries to describe a cathedral, but failed to do so, and retreats back into cynicism. The narrator’s response Robert’s question was, “the truth is, cathedrals don’t mean anything special to me. Nothing cathedrals.

An old friend of the narrator "Robert,'' is the blind man in the story. When the sighted man tries to explain what a cathedral is like to the blind man, his words fail. One man relies on vision to communicate, the other does not. It was like they spoke different languages. At the end of the story when the narrator says "My eyes were still closed.

Readers can appreciate the subtly placed examples of dramatic and situational irony throughout the works of Carver. Cathedral by Raymond Carver is the story about a blind man, Robert, who visits a husband and wife in their home. One would expect the husband

The protagonist in Raymond Carver’s essay “Cathedral” is the husband of the wife in the story. From the start he was never too thrilled to be having the blind man stay with him in his home. He felt uncomfortable and he also had no idea what to expect because he had never been around a blind man before. After his wife falls asleep the man seems to slowly start to have a more open mind when it comes to the blind man. They start to talk and connect.

In the world of literature, stories are often released for the purpose of social commentary or even to reflect on the authors past in a that its similar to an autobiography. Raymond Carver is a unique author often creating short stories that are of his own personal life through fictional characters that embody the turmoil he has gone through and social commentary on social issues. This is seen especially in his 1981 short story, Cathedral with a revised version being released in 1983, but we are gonna focus on the 1981 original.

Narrated in the first person, Raymond Carver’s “Cathedral” is bound to unfold due to the thoughts and feelings of one of the main characters, the husband. Expectedly, the conflict revolves around him and the way he responds to the conflict leads

He realizes how smart Robert is, and he keeps being shocked as the night goes on. While listening to a show about Cathedrals, Robert asks the narrator to describe him a Cathedral. The narrator tries his hardest, but can not do it. To combat this, Robert takes the narrator's hand and has him close his eyes and together they draw the church just from memory. After drawing the Cathedrals, the narrator describes the picture as, “ It’s really something” (103).He learns how seeing is not everything in life, and how wrong he was with his assumptions about Robert.

“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.

In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife.