ipl-logo

Reading Response Ghiberti

634 Words3 Pages

Reading Response 2: A Documentary History of Art
The narrative of art that Lorenzo Ghiberti tells in “The Second Commentary” is how the Christian faith was victorious in the time of Emperor Constantine and Pope Sylvester’s reign (152). But the decline of art began, when statutes of idols were destroyed and broken into pieces and that all ancient customs stop and temples were to made of all white (153). If anyone, made any statue or picture, they would suffer severe punishment (153). This form of punishment was created so that idol gods and people were not worshipped. This, in Ghiberti’s opinion ended the paintings of art and the teachings of art and sculpture for over six hundred years (153). He felt as though they created the art of paintings and sculpture that lack the little intensity of strength and the people that were sculptured were painted with such roughness and crudeness (153).
But, he does deny the ancients (Greeks), he states that they were very skillful in their craft (153). But, the rise of art and sculpture began during Christianity period and It was when Cimabue, one of the greatest painters from Florence took a young boy under his wing by …show more content…

Antonio Maneti has a different version of a story, and events. Maneti states that both Filippo and Lorenzo’s artwork were both great pieces of artwork, but when it came to decide who would do the bronze doors, the committee of judges wanted Filippo and Lorezeno to share the work instead (176). But, Filippo would not agree to the work unless all the work was his, he did not want to share the work with another artist (176). The commission even threatened, to give the project to Lorenzo, if he did not consider. But, Filippo did The judges decided that they would grant Filippo his wish and this is how he was granted the commission of the bronze doors of the

Show More
Related

  • Last Judgment Tympanum Analysis

    1148 Words  | 5 Pages

    Highly decorative scenes of the damned in agony, the saved ascending to heaven and a simple, yet historic note that reads “Gislebertus hoc fecit” which translates to “Gislebertus made this” (Stokstad and Cothern, 2013), makes the Last Judgment Tympanum at Autun, an important piece of artwork during the Romanesque period. While the connection to Roman sculpture is clearly visible, harkening the intricate, multi scene figures in examples like the Sarcophagus of Junius Bassus (Stokstad and Cothern, 2013), deeper scrutiny shows a connection to previous cultures and innately expounded upon one another. Resurrection of Roman art, in conjunction with the spread of Christianity, led to religious pilgrimages, where religious relics and elaborate artwork

    Read More

  • The Trouble With (The Term) Art By Carolyn Dean

    791 Words  | 4 Pages

    While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.

    Read More

  • The Byzantine Iconoclastic Controversy Of The Byzantine Empire

    1165 Words  | 5 Pages

    The Byzantine Iconoclastic Controversy began in 726 CE when Emperor Leo III issued a decree against the worship of icons.1 This action resulted in the removal and destruction of icons in churches and monasteries.2 There had been tensions rising between the church and the state over the use of icons for some time, but the culmination of these tensions along with the pressure of Muslim armies attacking the borders of Byzantium lead to the explosive Iconoclastic Controversy. The iconoclasts ardently believed that the creation of images depicting holy people was making God angry. The iconophiles believed that these images were sacred and used them as a means of worshiping God. This theological battle lead to the meeting of several ecumenical councils in order to resolve the controversy between the church and the state. This paper will examine the arguments for and against the use of icons from iconoclasts and iconophiles in the Byzantine Empire.

    Read More

  • The Silver Dish Of Constantius II: Depicting Religion In Art

    2787 Words  | 12 Pages

    Mary Margaret Hagood Ms. Katharine Hutson and Ms. Mary Webb English and Humanities ODP May 22, 2023 The Silver Dish of Constantius II Depicting religion in art was common throughout the 4th century CE. Prior to the reign of Constantine, polytheistic gods were portrayed in art as having human attributes and motives. Christian art depicted the godlike features of Jesus, God, and the Holy Spirit without intertwining them with human flaws. Christians believed that God was unlike previous gods because God valued each person's well-being.

    Read More

  • Analysis Of Di Credi's Madonna And Child

    1161 Words  | 5 Pages

    It’s one of the most treasured paintings in the world. When compared to the Italian standards, the panel is said to be very minor, but its regard is extensively expressed with respect to many other paintings that are said to be, in the ancient times, the most regarded.

    Read More

  • Expulsion From The Garden Of Eden Analysis

    799 Words  | 4 Pages

    Born Tommaso di Giovanni di Simone Cassai, Masaccio was born December 21, 1401, near Florence, Italy. Little is known about Masaccio’s childhood and his mentor for painting has never been found. In fact, no paper trail of the painter is found from birth until he entered the Arte dei Medici e Speziali on January 7, 1422, which was a painters’ guild. Despite being young throughout his artistic career, Masaccio’s techniques inspired Florentine paintings beyond the Renaissance era and heavily influenced Western

    Read More

  • Scientific Revolution Dbq

    726 Words  | 3 Pages

    During the 16th and 17th century areas that were forbidden before began to change. These were areas were humans were only entitled to know what God wanted to reveal, otherwise they were inaccessible or forbidden. The limits on the knowledge humans were able to possess became more accessible during the 16th and 17th centuries. The Reformation shows the decline of the Catholic Church and the rise of questioning authority leading to the Scientific Revolution. The Scientific Revolution showed that observations and conclusions became an acceptable source of knowledge and truth, where it had been less so in earlier times.

    Read More

  • Compare And Contrast Madonna And Child With The Two Angels

    1271 Words  | 6 Pages

    Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.

    Read More

  • Michelangelo's Influence On Modern Society

    1199 Words  | 5 Pages

    Michelangelo once said, “I saw the angel in the marble and carved until I set him free”. If Michelangelo actually did this with every sculptor could modern artist be doing the same thing to follow in his footsteps. Michelangelo’s artwork affects modern society by influencing many modern-day artists to become sculptors, painters and more. He also influenced types of art such as frescoes and ceiling paintings. To add to this his sculptures are discussed in today’s conversations.

    Read More

  • Baroque Compare And Contrast Essay

    648 Words  | 3 Pages

    A new divide in art and religion occurred during the 17th century. The Reformation occurred and caused a major divide between Protestants and Catholics. In northern Europe, Protestantism took root, especially in the city of Amsterdam. In southern Europe, Catholicism stood fast, especially in Rome. In this paper I will argue that Amsterdam and Rome developed unique political and religious environments that created two different painting styles within the Baroque period.

    Read More

  • Portraiture In Ancient Times

    1223 Words  | 5 Pages

    During the ancient times many cultures and races viewed art as something important for their lifestyles and part of their culture. Portraiture was one of the often used forms of art that either represented someone who once lived or a god that they worshipped. These forms of art were really important for various reasons, whether it was for worship, remembrance of the person or god, remembrance of an important day, tomb markers, etc. Three examples of portraitures made during the ancient times are: ‘Victory Stele of Naram-sin’, ‘Hatshepsut with Offering Jars’, and ‘Khafre Enthroned’. Each of these three pieces of art played a big role on the lives of the owners because it depicted them in the way that they wanted to be depicted.

    Read More

  • Michelangelo Research Paper

    1164 Words  | 5 Pages

    Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,

    Read More

  • How Did Culture Influence Ancient Greek Art

    1023 Words  | 5 Pages

    The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.

    Read More

  • Raphael's Ideas On The Four Paintings Of Raphael

    291 Words  | 2 Pages

    Essay 1 Liberty University Essay 1 Pope Julius II hired Raphael to paint the four walls of his library. Raphael described the four human knowledges: philosophy, poetry, theology, and judge. By displaying these four key pieces of human understanding, I believe his assembly of the paintings, exhibits his purpose to which he tried to convey to his civilization. Raphael purposefully chose to distinguish the four knowledges on the ramparts on which he painted them. He selected to have justice and poetry opposite of each other, displaying how they match with one another even though they may appear opposite.

    Read More

  • Visual Analysis Of Leonardo Da Vinci's The Last Supper

    1058 Words  | 5 Pages

    Leonardo Da Vinci 's The Last supper is a popular work of art that is Da Vinci 's rendition of the last supper as told in the bible. This paper will include an in depth visual analysis of the painting as it appeared on the original canvas. The paper will also address the cultural and religious significance of this work of art in that time period. I chose to do the analysis on The Last Supper because it is an artwork that i have seen many times in my life, but oddly enough do not know a lot about. In this paper i plan to not only inform you , but inform myself on the many aspects of The Last Supper by Leonardo Da Vinci.

    Read More

More about Reading Response Ghiberti

Open Document