Nikolai Gogol, most known as one of the famous authors who defined Russia’s Golden Age. “Gogol is seen by most critics as the first Russian realist. His biting satire, comic realism, and descriptions of Russian provincials and petty bureaucrats influenced later Russian masters Leo Tolstoy, Ivan Turgenev, and especially Fyodor Dostoyevsky.” (“Gogol”). One of Gogol’s works includes his famous Russian horror novel called The Viy, published in 1835. “Gogol assures his readers in a footnote, is a creature of Ukrainian folklore, “the chief of the gnomes.” Competent investigators of the matter have branded that footnote a mystification; but they have also recognized the masterful way in which Gogol’s imagination reproduces the effects of authentic folklore.” (Terras 175). In the novel The Viy, Gogol symbolizes prayer most, while exploring the theme of evil spirits. In other words explained by Terras, “This tale of terror deals with the intrusion of nocturnal, supernatural forces into the daylight world of a Ukrainian schoolboy, via symbolically rendered erotic experience; an obscure sense of guilt increases as the …show more content…
Gogol the artist investigates the nature of the mystical essence in the light of laughter;” (qtd. in Stauffer 24). Gogol recognized the devil and saw this as being real so he included this a part in his novels. He set this as an important part of his stories, hence “evil spirits” as this novel 's theme. Such example added emphasis of his imagination as the narrator consoles that Thomas had drew a circle around him. This action adds imagination to not only the character but the reader. The character in that he believes the witch cannot get at him with a circle draw around him and the reader in that such circle can protect this
The characters’ frightfulness of witches/witchcraft and the devil drives them to take extreme measures to try to prevent it. Resulting in the gruesome deaths and false accusations of many innocent people. Alongside that theme, Miller also explores the themes of truth and dishonesty. The characters are continually forced to choose between telling the truth or lying to protect themselves or loved ones. As the book goes on it becomes clear that being honest is the only way to fight the chaos and bring themselves justice.
This shows that people need to do the right thing no matter how hard it is so that events in real life do not get out of hand like they did in the play and like they did in the real Salem Witch
This gives the witches an unsettling vibe to them. I believe that this was the main concept that the director wanted to portray onto the
Not only does this make him drift from his family, but drift from his Indian Culture. “At times, as the laughter at Gerald and Lydia’s table swells, and another bottle of wine is opened, and Gogol raises his glass to be filled yet again, he is conscious of the fact that his immersion in Maxine’s family is a betrayal of his own” (141). Gogol has been following the “American” ways with Maxine’s family and he has become aware of the disconnection between him and his culture. It seems as if he is starting to feel quite guilty because of this and he feels as if he is being
Gogol, the son of Ashima and Ashoke, was born in America and spends the first half of his life trying to run away from his Bengali roots. Although Gogol does not feel as lost and detached as his parents in America, he has a difficult time trying to balance the Bengali culture he was born into as well as the American culture he sees and experiences all around him as he is growing up. Throughout the novel, The Namesake, Gogol struggles to develop his identity due to the clashing of Bengali and American culture in his life. Gogol’s first obstacle in his search for self-identity occurs only a couple days after his birth, when his parents must decide on a name in order to be released from the hospital. Ashima and Ashoke eventually decide on Gogol, after the writer who saved Ashoke’s life during a train crash.
If someone were to read Beowulf straight through and not think into any of the deeper meanings or symbolism in the story, the whole tale would come off as fairly superficial and typical. It would seem like just another story of a powerful hero slaying monsters and receiving lavish rewards in return. Going through the story in that fashion would be doing it a great disservice because there is so much more to Beowulf underneath all of the grandeur of the basic story. There are many recurring themes that hint at much deeper messages and even some darker, more nihilistic themes. As if ripping the arm off of a creature and then hunting down and killing its mother wasn’t already dark enough.
During that time, people held deep fears of the unknown, demonic, and supernatural. One particular aspect of the text that may strike us as surprising, strange, and even bizarre is the belief
“Do I remind you of that night?” “Not at all,” his father says eventually, one hand going in his ribs, a habitual gesture that has baffled Gogol until now. “You remind me of everything that followed.” Chapter 5, page 124.
Bradbury does this to show that even though the Witch is a being of great power, she, like all of the freaks at the carnival, must succumb to the orders of it’s ringmaster, and perform in carnavalistic, yet evil
As Gogol is more familiar with American culture, he feels his parents’ way of inviting people to dinner is vaguely foolish, and that leads to the fact that he prefers to spend more time with Maxine’s family rather than his own. The gap also widens in the relationship aspect. When they are curling up on the sofa in the evenings, Gogol is reminded that, “in all his life he has never witnessed a single moment of physical affection between his parents. Whatever love exists between them is an utterly private, uncelebrated thing.”(p138) He loves every companion and that is why he chooses to be with thim.
The nature of Russian society is characterized by a sense of idealism. Russia’s beliefs of the potential for an ideal future have been pervasive throughout history. In 1920, Yevgeny Zamyatin wrote the short story “The Cave” during the midst of the Russian Civil War, a time when nationalism was at an all time low and people were hoping for a brighter future. In contrast to the goals that sparked the revolution, Zamyatin argues that the Russian Civil War will result in a primitive and decimated society that is ultimately worse off than the society that existed prior to the rebellion.
In the poem Beowulf, there is a contrast between good and evil. This distinction is presented through the monsters Grendel and his mother, in parallel to the hero Beowulf. The themes of evil and monstrosity are therefore used in the story, as a way to create the notion of Grendel and his mother as monsters. Beowulf therefore appears as a character representing good. Although Beowulf shows traits of abnormal power, like Grendel and his mother, his motifs are interpreted differently.
There Is More Than One Type of Hero In “Notes from the Underground”, a fiction book by Fyodor Dostoyevsky, the Underground Man is not like the traditional main character in most other fiction books. Often books have a tragic hero where he or she either saves the days or unfortunately is killed. But that is not the case for this book, the main character shows characteristics that do not fit along the lines of a tragic hero at all. This paper argues that the Underground Man is most definitely not the tragic hero, but instead an anti-hero.
Although John Milton’s Paradise Lost remains to be a celebrated piece recounting the spiritual, moral, and cosmological origin of man’s existence, the imagery that Milton places within the novel remains heavily overlooked. The imagery, although initially difficult to recognize, embodies the plight and odyssey of Satan and the general essence of the novel, as the imagery unravels the consequences of temptation that the human soul faces in the descent from heaven into the secular realms. Though various forms of imagery exist within the piece, the contrast between light and dark imagery portrays this viewpoint accurately, but its interplay and intermingling with other imagery, specifically the contrasting imagery of height and depth as well as cold and warmth, remain to be strong points
LANGUAGE TECHNIQUE USED IN JOSEPH CONRAD’S HEART OF DARKNESS ABSTRACT The nineteenth century has been called "the age of the novel", as the last of the major forms of literature to appear. The novel was one of the most fluent, diverse, and unpredictable of literary forms. It was the dominant literary form which reached its apotheosis in the Last century. The novel may seem modern but is historically related to other literary forms such as drama and the epic.