Realities In The House On Mango Street

The narrator, Esperanza is telling the reader, her childhood innocence has disappeared and she knows the hard times her family is going through. And she was constantly put in an environment where she was starting to not believe in her parents or in

The House on Mango Street by Sandra Cisneros is a semi-autobiography shown through the eyes of the story’s narrator, Esperanza Cordero, an adolescent Mexican-American girl who is about thirteen and growing up in an impoverished, mostly Latino neighborhood in Chicago. The novel is a coming of age story, told over the course of about a year in a series of standalone vignettes, written in a non chronological order, that use poetic and figurative language, such as metaphors and similes, to convey its themes.

A house is not a home. A home is somewhere your heart feels content, a place where you feel safe. In fact, a wise person once said, “Home is not a place, it’s a feeling.” This particular theme of home appears several times during Sandra Cisneros’ novella The House on Mango Street. Cisneros uses indirect characterization to show that the main character, Esperanza, feels discontent with her house, and feels as if it is not really her home, because deep in her heart, deep in her mind, she feels that her home is somewhere else, and she feels lost.

In The House on Mango Street written by Sandra Cisneros, the dominant theme for these collection of vignettes is the dreams and beauty expressed throughout the book using poetic devices.

In the novel The House on Mango Street by Sandra Cisneros, the story is developed through the eyes of a young girl Esperanza. She learns about the realities of life in a house that she recently moved into. There are many characters that are written as she learns about her new neighborhood. The three most influential characters in the novel are Sally, her Mother ,and Marin.

As young men and women mature, barriers will appear in their everyday lives. Discovering how to move around these obstacles is challenging. In The House on Mango Street by Sandra Cisneros, various characters realize the struggle of breaking free from a trapped existence to move forward into independence. Using a variety of literary devices, Cisneros brings her readers on an adventure, showing them these hard encounters through motif and imagery.

Have you ever been hopeful for something that exceeds what you already have? You would do anything to make that one thing in your life better. Some people are like that and do whatever they can do to make it happen and some people simply just hope for it to happen there whole life. You will never understand why other people hope for what they are hopeful for. It’s like, always wanting more than you have and you have to do something big about it to make the littlest thing happen. Esperanza and her family, Alicia, and Sally feel the similar way throughout the book. Esperanza and her family have been hoping for a long time to get this house that would be extensive to fit her whole family. Alicia is hopeful to become prosperous in her life. Then unlike the other two situations, Sally is hopeful to get away from her abusive home. All of these situations are

Esperanza is young, but she already sees what she is meant to be in life. The women that surround her are silent, and many of them cannot leave the house. She watches girls have children and marry just to escape their home because that is the only thing they know in life. Esperanza already knows she wants to be more than what is expected of her as a poor, Latina girl, and will fight the expectations placed on her in the subtlest of ways. “I have begun my own quiet war. Simple. Sure. I am one

Numerous people stumble upon obstacles, but only a few can overcome them. Most obstacles are influenced by the values of the society. In The Book Thief by Markus Zusak, Liesel Meminger overcomes her lack of education and her different beliefs on Jewish people. In Romeo and Juliet by William Shakespeare, Romeo and Juliet both overcome the obstacle of not being able to be together because of the feud between their families. In “The House on Mango Street” by Sandra Cisneros, Esperanza overcomes the obstacle of not fitting into her society because of her lack of money. Liesel Meminger, Romeo and Juliet, and Esperanza all overcome many big obstacles influenced by their society.

The male-dominated society that Esperanza grows up in forces the idea that women are weak and should stay locked in their houses while men go off to work. The men are immoral and seedy, as expressed in the chapter in which a homeless man leers and asks for a kiss from the little girls. Esperanza experiences the evil of her community when she is sexually assaulted, causing her to lose her previous desire to explore her sexuality. Before being assaulted, she wanted to be “beautiful and cruel” like her friend Sally, because Sally was what she understood to be a perfect woman. However, after her rape she decides that she needs to discover her own identity for herself. Esperanza shifts from a follower into a confused individual, allowing her to begin her life as a woman outside of the oppressive nature of Mango Street.

It states, “I got up to join Lucy and Rachel who were already outside waiting by the door, wondering what I was doing talking to three old ladies who smelled like cinnamon. I didn't understand everything they had told me. I turned around. They smiled and waved in their smoky way. Then I didn't see them. Not once, or twice, or ever again.” (Cisneros 105). One of the reasons for this is her meeting the three old ladies who came for Rachel’s sister’s funeral. There prophesy that Esperanza will leave Mango Street boosts her self-confidence. The narrator also says, “Before Keeler it was Paulina, but what I remember most is Mango Street, sad red house, the house I belong but do not belong to.” (Cisneros 109). This is a radical change from the first vignette, in which she says that the house on Mango Street is not a real house. Esperanza says it isn’t a house you can belong to. It also states, “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever. One day I will go away.” (Cisneros 110). At the end of the book, Esperanza has fully accepted who she is. She accepts that fact that she grew up on Mango Street, but that will not hold her back from moving away and growing as a person. Esperanza says that she will come back, she will come back for “the ones I left behind... the ones who cannot out”. (Cisneros 110). Esperanza is able to go through a change and accept who she is through her community and her family. She is able to use her situation to empower herself, and to be hopeful in her own

“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence. The House on Mango Street shows that the basis of violence and poverty are social inequality. This social inequality limits lower class from getting employed. The neighbourhood in the novel is impoverished because of the inequality in their society.

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In the chapter “Sally”, Esperanza learns about sexual behavior from Sally. Sally represents a figure of sexual maturity that intrigues Esperanza. Paying attention to some details about Sally’s physical appearance, Esperanza notices how Sally dresses more provocative than other girls. “The boys at school think she's beautiful because her hair is shiny black like raven feathers and when she laughs, she flicks her hair back like a satin shawl over her shoulders and laughs” (Cisneros, 101). Like any other girl, Esperanza wants to be beautiful; she sees Sally as a beautiful doll, one she strives to be like. In the chapter “Red Clowns”, Esperanza experiences her first sexual encounter, although it was not what she thought it would be. She finds herself being sexually assaulted. Forcibly introduced into the adult world, Esperanza learn that fantasies are not always what they are said to be. Esperanza states, “They all lied. All the books and magazine, everything that told it wrong. Only his dirty fingernails against my skin, only his sour smell again” (Cisneros, 123). She realizes, bitterly, that sex and love do not always mix, and that boys are not always

The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.