Reality In Plato's Allegory Of The Cave

In life, the world one lives in is always assumed to be the reality, without anyone questioning its credibility. As Iris Murdoch once said, “[People] live in a fantasy world, a world of illusion. The great task in life is to find reality.”(Iris Murdoch Quotes). In The Allegory of the Cave by Plato, prisoners are trapped in a cave and chained so that they are to face a wall and only see the shadows of objects that pass behind them. However, one prisoner is released and forced out into the reality, allowing the reader to understand that the world one sees and experiences is not the reality, but rather an illusion. Similarly, in The Truman Show by Andrew Niccol, Truman Bank has been growing up in Seahaven Island, a place created just for him to live in for a television show that is all about him. Throughout the film, Truman realizes that Seahaven is not the real world, and viewers see his journey to get out of this illusion, and into reality outside the false world. Both The Allegory of the Cave and The Truman Show prove that the physical world is an illusion that prevents one from discovering reality. The concept of illusion versus reality is evident in both works through similarities in plot, similarities in symbolism, and differences in character.

Plato’s “Allegory of the Cave” has a variety of rhetorical devices that play a major role in the story. Right off the bat this whole story is an allegory because it has a very powerful meaning behind it. The story has metaphors in the passage that supports the story. There are personification that gives human like qualities to non living things. There are many more rhetorical devices used throughout the whole story that supports the entire meaning for example; metaphor, polysyndeton, personification and allegory.

In “ The Allegory of the Cave” 360 BCE, Plato emphasises that the cave explains human existence and envisions the world as a dark cave, and humans trapped as prisoners in that cave. Using symbolism he supports this statement by demonstrating to his students that our minds conceive the sources of shadows and the material world we live in as false truths. His purpose is directed towards his students, to help others out of the cave, to reveal the burden of false truths also know as the shadows. Plato uses a didactic tone to help his students understand and encourage them not to stay in the cave, but to free themselves and help others become free of the shadows the

Socrates’s allegory of the cave in Plato’s Republic Book VII is an accurate depiction of how people can be blinded by what they are only allowed to see. The allegory does have relevance to our modern world. In fact, all of us as a species are still in the “cave” no matter how intelligent or enlightened we think we have become.

Plato’s Allegory of the Cave was an interpretation of the aversion humans have to things that are outside of their experienced reality, as well as a proposed solution.

Plato’s Allegory of the cave represents life/death/rebirth. Life/death/rebirth is a popular archetype that most authors use in fictional books. Plato’s Allegory of the cave begins with people that are locked in chains inside of a cave. The people inside the cave see shadows on the wall of animals and creatures that they think represents their life. This cave is an illusion of life that the people are experiencing. The people who are chained up get set free by the keeper, who is a symbol of the sun, or the “Rooster” who wakes people up from their illusions. The people are blinded by the sun and they want to go back to their illusion of life. This is when the people are in the Belly of the Whale or when they are symbolically dead. Once the people realize there is no way of going back to the way it was, they are “reborn” from their illusions and live their lives to the fullest and not take for granted what they have. Plato’s Allegory of the cave is

In Plato’s allegory of the cave, it also suggests an alternate world, a world that isn’t recognizably like, in " Allegory of the Cave “and in "The Machine Stops" they both throughout the story

In “The allegory of the Cave by Plato”, great philosophers offer a theory concerning human perception. Plato described it starting with three prisoners; these prisoners would have face the wall of the cave in a set position. They would not be allowed to move. A fire would be placed behind them with a walkway between. Along the walkway, people would walk carrying different items. These people as well as items would cast a shadow on wall for the prisoners to see. Socrates suggest that the prisoner would start identifying different items and classifying them, “Now if they were able to say something about what they saw and to talk it over, do you not think that they would regard that which they saw on the wall as beings” (Plato 1).

Plato’s “Allegory of the Cave” is about the human perspective and enlightenment. In todays society Plato’s allegory is still relevant and is deeply rooted in education. College students are a perfect analogy for the “Allegory of the Cave”.

Plato’s theory, ‘The Allegory of the Cave’, aims to explain the nature of reality and human perception. With this theory of his, he aims to answer questions like ‘why are we here and what is reality?’ He explains this theory as a conversation between his mentor, Socrates and one of his students, Glaucon. Plato claimed that the knowledge gained through our senses is not real knowledge. In fact, real knowledge is the knowledge that is gained through deep philosophical reasoning. Knowledge gained through our senses is very opinionated and thus is not valuable enough.

Plato’s short story the Allegory of the Cave, Plato portrays a scene in a cave to the reader that analyzes human actions. The story is about a group of men that are chained for their entire life. The only thing they are exposed to are shadows on the wall of a fire burning by people behind them. The people exposing these men are hiding the truth of the outside world. Plato reveals that humans are easily fooled into believing what they see. In Plato’s Allegory of the Cave the people think that their entire reality is the shadows that they see on the walls of the cave. Plato explores the truth and criticizes that humanity does not question what is real.

Plato tells of a group of prisoners held in a dark cave chained to the walls. These people have never stepped outside into the world and can only experience shadows that are displayed on the opposite side of the cave through the light outside of the cave. One of the slaves, now liberated steps outside of the cave and is able to experience reality, or what we can distinguish as objective truth. After returning to explain to the other what he has seen there seems to be quite a difference in opinions(Plato). In his article Plato’s Cave, T.F Morris attempts to dissect Plato’s allegory and explains his belief that “… the shadows on the wall of the cave correspond to what we call reality…(Morris 417)” As Adler previously stated objective truth exists whether or not the human being has experienced it, in this instance the forms that cast shadows while passing by the cave. It can be inferred that both Adler and Morris agree that the negative response of the remaining prisoners in the cave towards stepping out and experiencing reality is a subjective truth and depends on the opinion of each prisoner, thereby belonging to the sphere of taste. Plato is able to present a situation in which both objective and subjective truth can cause a rift in the relationships that human beings can

Plato, a famous Greek philosopher wrote the Allegory of the Cave. He tried to answer some of the profound questions which arose about the nature of reality. He tells the story of 'Allegory of the Cave' as a conversation between his mentor, Socrates (Plato’s mentor), who inspired many of Plato's philosophical theories, and one of Socrates' students, Glaucon (Plato’s older brother). He uses an allegory as a short informative story, to illustrate 'forms' and the 'cave,' in his main work, The Republic (which first appeared around 380 BC). It is one of the most perceptive attempts to explain the nature of reality. The state of most human beings is depicted in this myth of the cave and the tale of a thrilling exit from the cave is the source of true understanding. Plato has portrayed the concept of reality and illusion through the allegory of the cave.

In Plato’s dialogue, the cave allegory, I am given a story about a prisoner and allowed to depict an image of what the cave looks like. Inside the cave are prisoners, a fire, a rocky path, and people who carried various artifacts that project shadows on the wall in front of the prisoners. The fire represents the sun, the rocky path symbolizes the journey of the soul, the prisoners represent us, the shadows were what they believed to be the truth, the people carrying the artifacts symbolize influences in life for example parents or teachers. The cave as a whole represents the visible realm. In the dialogue, the prisoners are chained so that they can only see what is in front of them and being depicted on the wall. “They’ve been there since childhood, fixed in the same place, with their necks and legs fettered, able to see only in front of them,” (514b). A prisoner is freed and dragged outside the cave,

Also, outside the cave realm, people were engaged in their daily work; however, a wall had been built between these two worlds and restricted the cavemen from seeing the world. They could only see the shadows of people along the wall and accepted those shadows as the reality (Plato, trans. 1997, p. 514b-515b). This masterpiece of Plato is one of the most famous and perceptive assay to illustrate the nature of reality. The cave stands for the state of most human beings, and the tale of escape from the cave is the origin of the true understanding. In this composition, Plato believes that the world is made up of two parts; the forms, and the reality. The first part, material world, which one can see, touch, hear, and smell is really the half-seen images of the reality of forms. Relying on one’s physical senses alone, trusting what one sees, or hears make him or her effectively blind. Plato, in the story of the prisoners in the cave, represents metaphorically how far is one’s perceptions through physical senses from the reality. Those prisoners in the cave who were kept there since their childhood, had been chained in a manner that they were unable to move around their heads and incompetent to experience the happenings and real things in their surroundings. They were only able to see the opposite wall and the reflections of the statues, objects and other items in the form of humans and animals which were projected by the fire behind them to opposite wall, they presumed to accept those shadowy images on the wall to be real. Comparing this situation from the story to one’s real life, it can be inferred that in most cases people just see one side of a coin while the reality is perceivable only when one be aware of the two sides. The allegory of the cave also portrays that understanding of the reality is obtainable