Rear Window Final Scene Analysis

In Anthem, written by Ayn Rand, the main character Equality develops intellect and curiosity as he grows with the strict society around him. These traits make it difficult for him to survive in the collectivist society and follow the rules that his brothers easily obey. Throughout the selection, his curiosity and intellect grow into traits that make it near impossible for him to live in the world he was raised in. Ayn Rand’s descriptive style of writing helps the reader visualize the development of Equality’s curiosity and intellect, as well as the struggles he faces in his society because of these traits.

The protagonist of Alfred Hitchcock’s ‘Rear Window’ is trapped, stuck in a wheelchair with a broken leg and we share his pain, we are also trapped. In a different way of course. We are trapped in his point of view. As the successful photographer that is L.B Jeffries (Jeff to his fiancée), played by James Stewart, passes his long and limited days and nights sitting by his window and shamelessly keeping an eye on his neighbours around him, we too share this obsession. The fact that Jeff has no chose but to sit and stare out the window, he cannot stop looking into this inviting and every changing view. We are like Jeff in the way that once we sit down in a cinema we too can only look at what is put in front of us. Patrick Stewart’s character symbolises all cinema goers, a human being brazenly watching the life of an alien. One of the first shots we see in the film is the opening of Jeff’s curtains by his nurse Stella (Thelma Ritter). This

With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime. In this essay, I will discuss how the film is about film itself. The notions of gaze will also be analysed, through a discussion of voyeurism and Jeff and Lisa’s relationship.

In this era of movies and stories we have better graphics and word choice to make the stories more scary. Unlike now they did not have this in 1963 and 1843. But still the people who made it feel like it was a modern day story was Edgar Allan Poe and Alfred Hitchcock. One way they created suspense was by using foreshadowing to give a hint of what's coming next. Another way they created suspense is by using different wording than we would use than modern talking slang/wording. Lastly, they use onamonapias to create the story or film more scary and suspenseful.

Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.

Through viewing the film Rear Window and reading the Short story It had to be murder I saw various ways in which suspense was created both in the short story and film. In the film, Jeff was trying to work out his problems with Lisa as well as being a voyeur and peeping into his neighbor's rear windows. He mainly focuses on Thorwald's window but we have several scenes where Jeff addresses his problems with Lisa. The most climatic scenes happened towards the end of the movie when Lisa decided to enter Thorwald’s apartment without Jeff's approval. While the plot is very similar in the short story, we didn’t have a Lisa in that version so the plot was completely centered around Thorwald and Jeff’s obsession on solving the murder. One of the highest climactic

Both of Alfred Hitchcock’s films, North by Northwest and Rear Window, were great movies with lots of suspense. The suspense, however, would not have been created without the entire mise-en-scene of the movies. Hitchcock was a master at using the elements of lighting, sound, and cinematography to heighten the suspense in his movies.

Hitchcock creates the “big” suspense in the film. Let the audience guess when the other will discover the murders and watch the murders how to hide their crime during the time of the party. While Mrs. Wilson is tidying up the “table”, a scene keeps showing a chest on the left-hand side. After that, Mrs. Wilson wants to put the books back to the chest after she has tidied up. Hitchcock designs, these settings in the sequence to increase the tension between the chest and Mrs. Wilson. (Hitchcock "Rope") The viewer is being nervous of Mrs. Wilson will be the first person of discovering the crime or not. The period of Mrs. Wilson puts the books back before she opens the chest, the audience is agitated because want to know what will happen if she discovers the crime. (Hitchcock "Rope") To sum up this part, Hitchcock is successful to create the suspense and let the feeling or emotion of the audience fall into in Spellbound and

Liam O’Flaherty’s realistic fiction story, “The Sniper” takes place in Dublin, Ireland. The main character is a sniper fighting a civil war. He is on the Republican side who is fighting against the Free Staters. He does not put a lot of thought into his actions and it ends up costing him something big in the end. By using irony and description O’Flaherty shows that action without thought can lead to serious repercussions.

In fact, there are many mysterious doors belonging to the opposite apartments which the destinations to are never discovered. This is a device used to create fear of the ‘unknown,’ but also heighten suspense. Therefore, our gaze may not be as omnipotent as had been discussed in the previous chapter. Given that the movie is diegetic, it is impossible for us to see everything as Jeff is human and needs his sleep just like the rest of us. He becomes a prisoner of his own gaze, fearful of what incriminating evidence he may miss during his unconscious hours. However, on four occasions the camera plunges out of Jeff’s window, into the courtyard. These instances include the opening sequence, the scene where the body of the strangled dog is discovered, the scene where Thorwald pushes Jeff out of the window and the final scene, where Jeff is seen with both his legs in casts. These scenes are important as it gives the audience the opportunity to escapes Jeff’s gaze and adopt an unrestricted overview of the situation for once. The choice of using a non-voyeuristic viewpoint for the final scene is thoughtful as it suggests there is no longer a need to be a voyeur now that the murderer has been

Metacognition is the process of thinking about thinking or being aware and understanding of one’s own thought process. As students and members of society, this still is critical to creating a high functioning world. For the individual, this provides a way to view past experiences and optimize successful ways of the past. As one continues throughout their education path, this skill is critical to creating a high function learning environment. Simply by looking at what was successful in the past, it becomes easier to develop assessments that are flexible to all learning styles. This skill of metacognition can be used in everyday life, specifically when connecting it the course theme of consciousness and awareness. The respectable judge Antonin

Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene. He uses music to dramatize the scenes such as when Ruth catches the police spying on her in I Confess. A key element Hitchcock uses in most of his films are “MacGuffins.” MacGuffins is an object, event, or character that triggers the plot. Hitchcock uses MacGuffins because it allows him to proclaim

Without giving her any background information on the Hitchcock Etudes, I told her that I wanted her to listen to this song. I presented her with the video in a public and busy atmosphere, then after listening asked her what she thought. Overall, she enjoyed the piece. She felt that Lizeé expanded on the terror that Hitchcock created by using his intense cuts and repetition in audio and video. In her words, “These changes in the once familiar create a tension and anxiety in the piece. It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a

Her rejection puts Hitchcock in a frustrated and sadistic mood; his love for her shattered. Out of spite he sent her five-year-old daughter a doll that resembled her mother in a coffin shaped box. He also threatened to wipe Hedren’s face from stardom. The cruelest action Hitchcock committed in his revenge game was he replaced the mechanical birds with live ones in the film The Birds. He plays out his own mini film as he punishes Hedren for rejecting him. When watching the scene where Hedren in being attacked in the upstairs room, one will notice the bleeding of her face and her absolute terror. Her acting was not so much as acting as it was emotions expressed from real fear. Hitchcock took a week to film the one scene, and it led to Hedren passing out and having a bloody face. During the making of Marnie, Hitchcock tries one more time to have Hedren’s love by asking her for sexual favors. Hedren rejects Alfred and leaves the Hitchcock filming industry after the making of