Magic
Will Seelman
A few days ago, I travelled up to the Art Institute of Chicago along with a couple of friends to check out what there was in store there. It was my first time at the Institute, but my friends are regulars, so they showed me the ropes. We made our way through the exhibits until we reached a certain painting that absolutely struck me. Going in, I wasn’t sure what medium I wanted to use for my Slow Looking Assignment. I personally do not have a background in art, so I do not have an in depth perspective when viewing art. However, I use my natural senses, and I see where that takes me. Red-Haired Girl by Emil Nolde is the piece that struck me the most. It is an oil painting on a regular canvas, but it was so unique that it absolutely captivated my attention. The array of warm colors put together by Nolde was the subject of my gaze for 45 straight minutes. I analyzed every single inch of the artwork. Everything from the frame consistency to the colors was ingrained into my brain.
…show more content…
After about 10 minutes I already evaluated this painting. However, the next 35 minutes were used for dissecting it. I had already established that the picture was showing a girl who was constructed with an array of unclear physical features. However, when dissecting it, I realized the WHY in the painting. Nolde had to have used these colors for a certain reason, it didn’t happen by accident. The act of looking for such an extended period of time allows me to unlock this new perspective on the art. Going into the whole thing, I chose not to pre-plan what piece of art I was going to investigate because I truly wanted to allow myself to become ‘lost’ the art. The prompt gave us the option to research the artwork and its artwork if we would like. I decided against it because I wanted to be surprised and discover all I could with the art in 45
I also grasped a better understanding of what kind of person and intensions the most prominent modern Australian artist to date, had in mind when producing his world-renowned pieces
Also, in terms of style, Roy Lichtenstein’s way to use the strokes really inspired me, and I believe, using visible and heavy strokes is a sign that shows artist’s control on
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
The Lady in Red Noga Sklar After the first (and foremost?) presidential debate between Donald Trump and Hillary Clinton, the most rejected presidential candidates in recent American history, I asked my brilliant (and authoritative) husband Alan: “Nu, after all these documentaries and debates, are you still in favor of Donald Trump as President of the United States?” At first he was quiet.
“The Girl with Bangs” “The Girl with Bangs” was written in 2001 by Zadie Smith. Smith was born in 1975 in London, England. At twenty-one, she wrote her first book called White Teeth. Soon, her work took off and won many awards such as the Whitebread First Novel Award. She continued to write more novels and short stories and they were soon a sensation.
“In the silence of their studios, busied for days at a time with works which leave the mind relatively free, painters become like women; their thoughts can revolve around the minor facts of life and penetrate their hidden meaning.” There’s a hidden meaning or objective behind every artist’s work. We all interpret paintings differently; some art can be forms of phi phenomenon (illusion of movement created by presenting visual stimuli in rapid succession), or others could be interpreting cues such as Monocular and Binocular. We can’t fully understand what the artist is trying to present unless there is an outline, but we can surely look at the texture, colour, line and shape of each painting to get a meaning for ourselves. A person that demonstrates a form of interpreting his art is Stu Oxley.
My piece that I chose to stare at for 20 minutes was Gino Severini’s Armored Train in Action. I chose this piece to spend my time at, particularly because of the way the composition is set up so that the train looks like it’s coming right at you, and the way that the artist uses not only tone, but his brush strokes also to create depth in the painting. Severini paints very colorfully and uses lighting and shadow, and if you look closer depending how the thing he is drawing or painting bends or folds, he will keep his brush strokes in that direction to show the bend not only with color but with the strokes in the paint themselves. George Seurat’s brush strokes come a lot to mind when i see them, but more in an organized fashion. Gino Severini was born April 7th, 1883 in Cortona Italy.
In the painting there is a great detail that is shown. The tassels on the bed and the way the curtain falls gives a textural component to the painting. The artist also chose to use vertical repetitive lines in the tiles, and the tassels are feminine. There is also a slight curve in her body shape and her backbone, and her voluptuous yet curvy silhouette that shows femininity. Her legs overlapping each other, turban on her head and having her
There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
The painting itself only has a few objects where your eyes can go and three that it does have, two of them immediately catches your gaze due to the amount of space their difference in value take . The setting itself has only
The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.