Redemption In Much Ado About Nothing

Within the play, Much Ado About Nothing, there is a central theme of deceitfulness, as a way to solve a problem or an issue amongst the characters. Though this deception may be evil, it can often lead to positive endings after several conflicts. In the creation of this theme, Shakespeare uses both negative and positive examples to contribute to his lesson on ruses. Within this particular scene, all of the cons the various characters have put on are officially revealed to each other. This scene highlights that deception is not always evil, nor is it always moral, but is always solved. Shakespeare’s use of honesty within this particular scene highlights how deception can be used as a justifiable means to an end, if it is eventually revealed.

Throughout Much Ado About Nothing, William Shakespeare develops the theme of deception through Beatrice and Benedick, who change their points of view on how life should be lived as a result of their experiences. The first encounter that we witness between Beatrice and Benedick has them

Hero express that you must manipulate someone's love life no matter the consequences when she explains, “some cupids kill with arrows, some with traps” (3.2.112). You must use trickery, to reveal their true feelings for the other person. In Much Ado About Nothing trickery and deception are central themes in the play. At least, every character in this play have been a victim of trickery or deception. This comes to show that manipulation can reveal the true feelings and thoughts about one another.

As you put them together get an idea of how this deception is used in the story. There are two main characters in Much Ado About Nothing and there names are Beatrice and Benedick. These two characters are very stubborn and wants nothing to do with love. Infact

The heart wants what it wants. Before this obvious, but quite metaphorical statement , became a well known saying, it isn’t always true as pride in the way of the authenticity of love. In William Shakespeare’s Much Ado About Nothing, he shows a clear exposition of this. Love can only grow if an individual is able to set aside their pride and allow themselves to be both vulnerable and receptive to authentic feelings. Benedick depicts that although many people fall in love and enjoy it, he will not be vulnerable to give himself to the world of love.

John Ruskin once said, “It is better to lose your pride with someone you love than to lose that someone you love with your useless pride.” Similarly, in Much Ado About Nothing, Shakespeare also suggests that the biggest barrier between romantic love is pride. He asserts, this by telling the readers that love is a far more authentic feeling than pride, and that love can only grow if an individual is able to set aside their pride and allow themselves to be both vulnerable and receptive to authentic feelings. The first thing that is emphasized in the play, Much Ado About Nothing is the vulnerability and dangers of love. It’s shown that falling in love is a constant danger, and that no one gets out of the ordeal unharmed.

The play “Much Ado About Nothing” by William Shakespeare is a comedy that tells the tale of two pairs of lovers: Hero and Claudio, and Beatrice and Benedict. Though the main plot of the story revolves around Hero and Claudio, Benedict and Beatrice’s romantic relationship is an important subplot to the story. In “Much Ado About Nothing”, Shakespeare uses irony, hyperbole, and use of language to illustrate Benedict and Beatrice as a nontraditional spin on the ideal couple through the strength and security of their love, as can be shown in dialogue not traditionally associated with love. The love story of Beatrice and Benedict, though the irony of how it was founded makes it non-traditional, has real feelings behind it, making them an ideal

Even though she and Hero are close, they are not much alike. While Hero is polite, quit, respectful and gentle, Beatrice is feisty, cynical, witty and sharp. Although Beatrice is outspoken and seems hard she is vulnerable. Once she hears Hero talking about how Benedick is in love with her she opens herself to the sensitivitis and weaknesses of love. Unlike Hero who is will do anything her father asks and will agree to an arranged marraige to marry anybody that her father picks, Beatrice refuses to marry because she feels that she has not found the perfect man for her?

(I, I, Pg.4). Benedick tries to say that Beatrice is the only lady that he doesn’t love. He tries to hide the way he feels. At the party Benedick and Beatrice seem to find their way to each other, and Benedick doesn’t know that Beatrice knows that it is him, and she starts to talk about him, “ Beat. Why, he is the prince’s jester: a very dull fool; only his gift is in devising impossible slanders: none but libertines delight in him; and the commendation is not in his wit, but in his villany; for he both pleases men and angers them, and then they laugh at him and beat him.

In Act 3 Scene 1, Beatrice is overwhelmed with the thought of people judging her proud and scornful ways. Beatrice addresses this revolution by agreeing to leave her past self behind and seal this newfound affection with Benedick. Beatrice’s view of rejecting a man who will rule her with an iron fist is quite independent. In this case, Shakespeare’s Much Ado About Nothing suggests Beatrice was once in love with Benedick, but his title of lord and soldier of Padua negatively effected their relationship.

It is an intrinsic battle that takes place over the course of the play, but comes to a head during the concluding moments, in which Claudio is deceived by his apprehensions of marriage into rejecting Hero, showing that perhaps he prides his honor above the love he so freely professes. Hero is placed in the uncomfortable position of being rejected by nearly everybody she cares for, necessitating that she fake her demise and be reborn as a new woman, resurrected from the grave and cleansed of the impurities she was accused of. Benedick and Beatrice have both pledged never to find love, and therefore must remove the guises behind which they labor- for indeed, both characters desire love, but hide their wish for fear of being rejected. In each instance, past beliefs must be discarded in the name of securing future happiness, which causes consternation in each individual. In the case of Benedick, he is forced to challenge his best friend to a duel in order to win the hand of his lover- an appendage of the central conflict, which is the inner battle between love and personal reservations which takes precedence over life and death (at least for the Christ-figure maiden

Before Benedick and Beatrice decided to marry each other or start a relationship at all, they took a period of time to ponder their feelings and realize the best solution, something Claudio and Hero completely ignored. Once they decided to finally start a relationship, their joking nature didn 't change, displaying their friendship and love for each other as a main component that has not wavered. Even when announcing their relationship, a serious matter, Benedick joked, “But by this light, I take thee/ for pity”(5.4.92-93). It is obvious that Benedick does not actually think Beatrice is ugly, but their relationship is so strong that he can jokingly insult her. In contrast, Hero and Claudio had to remain respectful towards each other in order to not risk the marriage.

Play Analysis – Essay 1 “Much Ado About Nothing “ Submitted by Noor Ul Ain Shaikh (BSMS 2A) What seems to be a comedy play for an audience who enjoys a theatre with good humor and romance, “Much Ado About Nothing” contains much more than just entertainment. If we dig in deep, William Shakespeare’s play has much more than a tragic story with happy ending; even that is debatable. The theme of this play revolves around deception, plotting against your own, personal gains and rejection.

Are Benedick and Beatrice the Ideal Couple? Beatrice and Benedick are the ideal couple, I will be explain them in four different quotes why they are. Also, by their attitude towards love and their romance is more satisfying than Claudio and Hero’s. How they get tricked into confessing their love to each other by the help of their friends and family.

It was a set up marriage and she would just try to make the male proud. Relationships, in the modern day, are more egalitarian than they use to be. This allows Benedick and Beatrice to represent more of a modern time ideal couple, than Claudio and Hero. A great quote about relationships is “ Respect is as important as love in a relationships”