10th February Drama Log Today was our first lesson in Drama, and Miss Cooper introduced herself. We were in 601, as we are every week.
Miss Cooper talked about what she expected of us and what we were going to learn. She handed out our drama log assessment notification, and read out the sheet and explained the assessment. She then read out the classroom rules, as followed. 1. Demonstrate control of your body. 2. Raise your hand politely to speak. 3. Always try your best. 4. Maintain concentration to stay on task. 5. Audience etiquette - watch, listen, learn and show respect.
After this we played a drama game called "Stage Names." We first sat in a circle in the centre of the room and first told the class our first name and then our stage
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First we briefly took notes on the "Elements of Drama". Role and character are emphasised in the following ways: • Directed by focus. • Driven by tension. • Made explicit in time.
Miss told us what these meant and why they were important, and the importance of an engaged audience in Drama. We then did a drama game where you split into two lines, both facing each other. Miss told us certain situations we had to act out, such as one person being a baby, and one person being an adult talking baby talk to the first person. We went through a variety of different situations, and this helped reinforce the "Elements of Drama" and boosted our drama confidence. After the first drama game the class split up into two groups, this time to play a drama game involving truths and lies. One person from one group had to make up two truths about themselves, and one lie. The person making up the lie picked somebody from the opposite group to pick and decide which one was the truth and which one was the lie. Regardless of whether they got it right or not, it was then their turn.
24th February Drama
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We then divided into two groups, boys and girls. We played a variation of charades where you acted out the scene Miss gave you from her phone. One player from one group came up and acted the scene out, and an opposite team member had to guess it. The player that guessed it then had to act out the scene. The girls acted out all their scenes, however the boys couldn 't do any. After this we did a mime performance, where we divided into groups and Miss gave us a situation to perform a mime performance on. My group was given a situation on an aeroplane, where my character was irritated by three people around me. One was behind me and was kicking my seat, the second was snoring and smelt bad and the third one wouldn 't move their legs when I asked them to. The third passenger then put an annoyed look on their face and make a hand gesture, letting my character through. I then came back and asked them to move again, however they wouldn 't move their legs so my character kicked them. This was a mime performance because it showed and expressed a feeling and idea without dialogue or sound, instead using gestures and
Pre-recordings and sound effects help elaborate what is happening, but can be problematic if the offstage sounds are too loud or sound like they not are coming from a source. In this production of Fuddy Meers, they solved this problem by having 5 different speaker positions in different part of the theatre. By playing a sound effect from only one of the speakers, the audience know unconsciously knows that it is coming from that direction in the show. With a speaker set near the entrance of the basement, whenever the audience hears noise coming from that direction they know it is cause by the characters still in the
Make sure they are using academic language, if are not, correct them. 7. Explain, “We have 1 more minute to look.” 8. Say, “Times up my friends.
The production ‘Chores´ had a fantastic impact on the audience. It successfully covered all elements of drama into the production
This was one of the many aspects that really gave the audience the feeling that they were no longer at a theater to watch a play, but that they were now a part of the story and this story has
Students would get up and move seats, laugh
Chores by Hoopla Clique was humorous and playful show that involved acrobatics and was performed at Ferny Grove State High School. During the play the humorous mood was created by the two actors Julian Roberts and Patrick Heilmann with their effective use of movement, tension of task and tension of surprise. This essay will analyse the humorous mood, tension of task and tension of surprise that the two actors created with the effective use of movement. In the resuscitation scene Heilmann who was the actor in the Pikachu pyjamas and Roberts the actor in the Sully pyjamas created the comedic mood through tension of task and tension of surprise.
Theatre people, most of the time, are visual learners; so showing them the pictures and explaining the process will help them understand
5) Outline and assess the dramaturgical approach of Erving Goffman. In your answer you should consider how Goffman’s ideas could be applied to an everyday situation of your choice. This essay will examine Erving Goffman’s dramaturgical approach to everyday living, including the social roles we play and social behaviours that we convey. A number of Goffman’s concepts will be discussed such as front and back stage, dramatic realisation and impression management with each idea applying to the everyday situation of interacting with friends over lunch.
I made some key notes about the way they spoke, body language and their posture which has helped me adapt my character by looking how doctors communicate with patients which helped me convey to the audience I am demonstrating the role of a psychiatrist as I would have to convey a role of perfectionists who is friendly and keen to help others and my voice will have to be clam and friendly tone to ease Todd’s nerves in scene 5 part 2 and throughout this scene I learnt that my character is trying to help Todd and found what is wrong
2015, 129). Each performer acquires roles which contain expected behaviours that are appropriate to the performance of that role (Willmott, 2018). When we perform our roles to other actors and to our audience, we view them as theatrical productions. Our performance displays
These are so significant to understanding the work, that a reader of this script can recognize them, even if he or she has never seen a production of A Doll’s House. This story could not be conveyed properly without including the significant examples of spectacle in a production. According to Aristotle, there are six elements of drama. In simplest terms, they are referred to as plot, character, diction, music, thought, and spectacle.
At the end of the play he is not the same well recognize person as he is at the beginning of the play, a noble man. The two key literary techniques and elements of drama that aid in developing the conflict are the tone, and foreshadowing. The tone in the play is an important role in this play because for the most it provides the feeling of dark, shadowy,
Before a play begins, I see people sitting in hard metal chairs. Seeing the people fills me with nervousness and excitement. Every person looks different than the last. I see different faces, different clothes, and different expectations on what they are about to see. The sound of quiet talking fills the air, traveling about the room, causing each person to speak just a little louder so he will be heard.
Process drama ‘is a whole-group drama process, improvised in nature, in which attitude is of greater concern than character’ (Bowell and Heap (2001), 7). In this type of drama students get to share their ideas and bring them to life. In process drama the emphasis is placed on participants experiencing personal growth through an exploration of their understanding of the issues within dramatic experience. In process drama the students will be presented with a theme or a scenario rather than a script and they are expected to present this scenario in a creative way and by doing this students will add their own personal experiences to the play. Unlike product drama, in process drama student and teacher share equal places in the development, analysis and production of the drama.