Everybody knows about the classic superhero story: a villain tries to destroy everything, the hero intervenes, saves the damsel in distress and the whole population is delighted and accepts him. Yet, behind the familiar, innocent narrative put forward is hidden a much darker tale of support to the elite. The conservative ideology publicized by superhero stories tends to support a worldview in which the interests of the upper-class and the stability of the system are protected. In that narrative, individuals are not expected to think critically or defy authority, but to follow orders and use their natural skills to benefit society as a whole. Benevolence, obedience and security are valued over individuality, creativity and progress. Hence, …show more content…
However, while the main storyline overall does promote the conservative ideology, multiple scenes of the book contain specific attacks on conservative elements. In particular, the story distinctly shows a rejection of the subjection to authority, the passivity of the community and the mindless preservation of stability. To begin with, according to the conservative view, obedience to authority is fundamental. To integrate into the society, individuals are expected to follow orders without questions rather than make their own choices. Consequently, promoting obedience benefits the upper-class by helping them maintain their status and control over the community without being challenged. While it might not be evident at first glance, this subjection to authority is opposed many times in Superman Earth One. Specifically, Clark’s internal debate leading to his decision to assume his Superman role, hence following his father’s advice, gives interesting insight on obedience. In this scene, Tyrell, the villain, is launching an attack on Metropolis. Trying to take pictures for the journal he works for, Olsen puts himself in danger by approaching enemy war robots. At the last minute, Clark saves him by destroying the robot, but without being seen. A …show more content…
Keeping in mind the ultimate goal of maintaining stability, the community’s passivity is essential to prevent the advent of change that would disrupt social order and endangers the dominant classes’ status. Reversely, an active community, helping individuals integrate, would be promoting change, which opposes the conservative ideology. The advocacy for passivity, ignoring the individual’s need for help, is opposed repeatedly in Superman Earth One, for instance in the second volume, after Clark’s second battle with the villain, a “Parasite” absorbing people’s energy. Right after the battle, Clark, still dressed as Superman, has to drag himself on the street, completely powerless, weak and unable to fly. Despite his injuries, he manages to change his clothes and walks back to his apartment, meeting many people on his way but never receiving any help. Once in his building, his neighbour and love interest, Lisa, welcomes him and takes care of him when he passes out from weakness until he wakes up. In the first place, the community is portrayed as extremely passive, as no one extends a helping hand when Clark is walking around the city, obviously weak and injured. People simply ignore him and he has to manage by himself. Additionally, this passivity is depicted as normal and expected, such that it suggests the very
How does the short story “Harrison Bergeron” by author Kurt Vonnegut, incorporate the common characteristics of dystopian literature? The short story “Harrison Bergeron” by author Kurt Vonnegut, typifies the characteristics commonly associated with dystopian literature. Whereas in the text, everyone is described as the same. “They were equal every which way.” (Vonnegut 1), In which “The society is an illusion of a perfect utopian world.”
In this article, “Why We Love TV’s Anti-heroes,” the author Stephen Garrett argues that in today’s society our whole perspective of heroes has changed since the mid-twentieth century. Garrett is appealing to all American’s who love watching their favorite TV heroes and heroines. In addition, Garrett’s main focus is the fact today’s heroes entirely different from what the idea of a “hero” was two or three decades ago. The author relies on generally accepted ideas from the American public to base his main idea; he uses sources from popular TV shows and movies which have anti-heroes that draw the attention of their audience.
Down goes society, falling to the ground. Destroyed because of the wisdom and curiosity of the crowd. Ray Bradbury writes Guy Montag as a man of curious and intelligent, but blundering nature. Montag is inquisitive about all things unanswered in the world and intends to find the answers. Author Ayn Rand composes main character Equality 7-2521 as strong, but vain .
In the fictional novel A Separate Peace by John Knowels, the reoccurring message sent to the reader is the relationship of conflict and resolution. He uses the characters in his novel to take his message even further by giving example of how rivalry has its consequences, don’t incriminate someone when it will only cause destruction between both parties and to be honest with the truth so it doesn’t come back and hurt you. In A Separate Peace Knowles continuously shows rivalry as always having a consequence good or bad. In the novel Phineas, Gene’s best friend, is seen to the reader as a star athlete in, what seems to be, every sport he tries.
For example, she does not fully address the potential harm that vigilantism can cause, nor does she explore alternative means of achieving justice beyond the confines of traditional systems. Additionally, her analysis of heroism and vigilantism seems limited to the context of Watchmen and needs to fully consider the broader implications of her arguments in real-world scenarios. Overall, while Van Ness’s argument provides valuable insights into the complexity of vigilantism and heroism, it is essential to consider alternative perspectives and explore the potential limitations of her
In To Kill A Mockingbird was written by Harper Lee in 1960. Through the book you notice many themes. One of the themes readers will pick up early on in the book is Man’s Inhumanity Towards Man. An example of this theme is in chapter nine.
The story's depiction of a world where individual liberties and freedoms have been sacrificed for the greater good is not entirely implausible, particularly in societies where the government is authoritarian or
The novel features motifs, particularly of glorified violence and self-destructive tendencies, to present the notion of extreme obedience developing internal and external conflicts. Like many dystopian novels, Bradbury includes motifs to "exaggerate certain tendencies in order to isolate and highlight them" (Brians 2). Thus, the purpose is to illustrate the dangers of over-compliance through an inflated, recurrent concept. The exaggerated violence portrayed in the novel accentuates the external debacles between the characters and society. This discrepancy is introduced when Clarisse McClellan admits: "I'm afraid of children my own age.
The society in this book is basically the epitome of a dystopia. It has a totalitarian government and everything about the world the people live in is a frightening nightmare. The government has completely dehumanized the way people live their lives. People in this dystopia aren’t even actually human any more. They aren’t even born the natural way through reproduction, they are created.
The government puts many people in a crossroad because they are forced to choose between their true beliefs or what the government wants to hear. Throughout the novel, people
Such a course of action may seem reasonable, but people like Matt Murdock decide to do good despite what society had done to them.
After reading this novel and studying up on Ralph Ellison, I felt something I never have with a book. I honestly had never read anything with as much style and originality as this book had. The ideology of Ellison is shown through his main character. The narrator’s journey ascribes racism and blindness as the factors of what is wrong with society. He, himself, was at one time blind to the individual identity.
We all grew up watching Sakthiman on TV and reading Batman comics. We saw these superheroes go out of their way to save people’s lives and restore peace. They are, of course, Good Samaritans and also, fictional. These altruistic characters are never going to be a part of our real life. But you don’t necessarily have to be a superhero to bring about changes.