Relationship Between Romanticism And Nature

Romanticism and Nature

Topic chosen for my research is based on romanticism and nature. Romanticism and nature are almost of same meaning to each other. Romanticism (also the romantic era or the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe towards the end of 18th century and in most areas was at its peak in the approximate period from 1800 to 1850. To set a typical example we can take it as romantic lyric which suggest a mystical relationship with nature. Many romantic poets has its ability to connect romanticism with nature through their expression of love, imagination and his experience in a natural setting to go beyond his/her everyday life. Some of those poets such as William Wordsworth,

However there is a deeper connection between romanticism and nature all together. Many poets consider nature as the source of human ideas and emotions. “Henry David Thoreau says a poet who lived in a cabin on Walden Pond for two years, believed that people were meant to live in the world of nature”. Although the work of nature is characterized by search for self or identity, the poet William Wordsworth getting inspiration from Coleridge and nature wrote of the deeper emotions. Romanticism and nature are connected because the artists and philosophers of the romantic period romanticized the beauty of nature, and the power of the natural world. Some scholars of romanticism such as William Wordsworth believe that the romanticists treated nature in an almost religious way. “Reasons for the development of this strong connection between nature and romanticism include the Industrial Revolution, which led many people to leave rural areas and live in cities, separated from the natural world”. The best way to reflect this topic is by knowing

Although Coleridge reflects on nature as being that “one Life within us and abroad “in most of his other poem, but coming In “Dejection: An Ode” we see more of the dialects between the imagination’s role in creating perception and nature guiding the soul. In the opening stanzas of “Dejection” the flipside to the romantic celebration of nature –the romantic emphasize on subjective experience, individual consciousness, and imagination. If our experience derives from ourselves, then nature can do nothing on its own. Beginning with the fifth stanza, Coleridge suggests that there is a power –personified joy that allows us to reconnect with nature and for it to renew us and that comes both from within and from without: “the spirit and the power, / Which wedding Nature to us gives in dower / A new Earth and new Heaven” (67–69). That reconnection with nature will renew the world for us. The speaker in the next stanzas reflects how he has lost this connection, as his “afflictions bow me down to the earth” (82) and his “viper thoughts” have stolen his “shaping spirit of Imagination” (86). Coleridge speaks of the wind’s inability to raise him out of his