Rhetorical Analysis Of The Scarlet Letter

For example, the author’s word choice in the sentence, “. . .graffiti-scarred building to the grim shadows.” The author wants the reader to understand the mood as eerie, creepy, and dark by describing the setting. Also, the sentence, “His father’s brows knitted over deep brown eyes.” allows the reader to comprehend how the author is trying to convey the character as. By doing so, the reader is able to infer the character as angry.

(Hawthorne 46). When describing the rose bush as wild, meaning it has been created by nature, this exhibits the evilness hidden within the bush. Hawthorne then continues by addressing how he wants the reader to portray his novel. He describes, “It may serve… some sweet moral blossom… or relieve the darkening close of a tale of human frailty and sorrow” (Hawthorne 46). While the novel

Startled, I looked up into Ultima’s brown, wrinkled face (Anaya 24).” The loss of innocence ties in with the mythical aspects of the novel because when Antonio feels saddened by an event that will eventually reflect on him, he turns to Ultima as a saving grace to treat him and make him feel better. The loss of innocence is an important theme in the novel considering it is a major issue that Antonio has to face upon aging, and Ultima acting as the supernatural force brings light to the hard-to-face

“ The Fall of the House of Usher “ by Edgar Allan Poe is a short story about a man named Roderick Usher who initiates some events such as evoking his friend The Narrator as a protagonist to the dreadful mansion. The images such as the house and gothic ambience are used to reinforce the idea of giving the mystery to the reader. Edgar Allan Poe uses gothic elements to show how they affect the atmosphere and the characters. In the beginning , the gothic atmosphere of the house is indicated with terrifying images such as “ dull, dark and soundless ” that the feeling of horror vaccinated into reader by the thoughts of the narrator.

Keats’s diction, including “soft incense,” “embalmed darkness,” “each sweet,” and “seasonable month,” encapsulates the sanctuary for which the speaker yearns, and which he projects upon the nightingale’s experience (Nightingale 42, 43, 44). The exclusively serene imagery quickly fades, though, as Keats combines negative and positive language. Keats exposes the speaker’s budding awareness of the impossibility of reaching a painless reality through the line, “Fast fading violets cover'd up in leaves” (Nightingale 47). Like the pleasurable images above, Keats’s imagery incorporates the speaker’s desire to escape awareness of mortality around him, but unlike the other lines, the diction acknowledges death. Here the speaker has awareness of the

Edgar Allan Poe uses figurative language to develop the theme of “The Masque of the Red Death.” He uses figurative language in this short story to give the reader a sense of gloomy feeling. By using personification, simile, metaphors, symbolism, imagery, and many other examples the theme of the short story is revealed to be greatly impacted and developed well.     Imagery is a great example of how figurative language develops the theme. Poe uses personification to give a very somber or gloomy tone and make the reader feel very uneasy and scared.

In “the boy detective loses love,” the character is in the second stage of grieving, which is anger (Kessler).The character’s memories of love are beginning to haunt him causing his anger to build inside of him. In contrast, the character in “Gospel” is in the fourth stage of grieving, which is depression (Kessler). This is the second to last stage of grieving, which shows how he has realized the truth about his situation, but is unwilling to accept it. In this stage of

In this passage from Hawthorne’s The Scarlet Letter, Hester Prynne begins her life out of prison after being labelled as an adulterer. Accordingly, the author uses the narrator to illustrate Hester’s tormented psyche through the use of contrasts, ambiguity, and erratic syntax. Inviting the reader into Hester’s thought process does not necessarily provide the certainty that she or the reader may long for.

The constant usage of punctuation marks, such as exclamation points, creates a jarring and uneasy tone, especially when paired with phrases like “Ha!” (line 27) in humorless context. The narrator uses exclamation points, trying to make light of the situation and stimulate reader involvement. When the narrator describes entering his victim’s room, he says, “Oh, you would have laughed to see how cunningly I thrust [my head] in!” (lines 23-24).

For example, the speaker metaphorically delineates his feelings, as “the bullet was a girl…” (4). The “bullet” has a negative connotation to it because it often is associated with gun violence, warfare, homicides, and death. The metaphor insinuates that the girl is hurting him on the inside because this literary device indicates the girl hurting him after they fell out of love. Moreover, the narrator describes a boy’s past situation by stating that “… his skin / was a boy with a sad laugh” (4-5). This “sad laugh” is an oxymoron that shows the boy appears

Reverend Arthur Dimmesdale, one of the protagonists of Nathaniel Hawthorne’s novel The Scarlet Letter, stands as a highly conflicted character. The source of his divide stems from the consequences of private sins, and is prevalent within the first paragraphs of Chapter 12, “The Minister’s Vigil,” where the narration chronicles Dimmesdale’s surroundings as he dream walks through the town in a state of limbo. He is portrayed as a model citizen who lacks moral imperfections to the general public yet suffers privately from the juxtaposition of his sins to his position within the community. In this specific passage, Hawthorne uses somber diction and imagery to illustrate Dimmesdale’s strife, while portraying his internal conflict through the formation

Hester, Dimmesdale, and Chillingworth all have sinned, although the question remains at the end of the book, has God forgiven the characters? Hawthorne writes where each side can be defended with points but the forgiven side exceeds the unforgiven. Whether or not from a biblical standpoint or an allegorical standpoint, there are a few signs in which the answer can be concluded. With all outlooks on the book and the story that it tells, they are forgiven.

Chapter 18 of Nathaniel Hawthorne’s The Scarlet Letter is titled A Flood Of Sunshine. In this chapter, Arthur Dimmesdale and Hester Prynne resolve to leave the Puritan colony together along with Pearl. Sunshine and floods are both elements of nature yet one brings light and sunshine and the other brings destruction and grief. Similarly, Arthur Dimmesdale is caught in a struggle with two parts of his nature that juxtapose each other.

Cassandra Abbarno Mrs. Melissa Lyons AP Lit 29 October 2015 The Scarlet Letter RRJ Chapters 11-13 In chapters 11-13 of The Scarlet Letter, Nathaniel Hawthorne focuses on just a few of the many motifs involved in the novel. The Day/Night motif as well as the Evocative names play an important role in the part of the book. If we recall just chapter 12 alone, “The Minister's Vigil”, we see Day vs Night play out in front of us.

Nathaniel Hawthorne’s The Scarlet Letter focuses on a small Puritan town in Massachusetts during the seventeenth century. Through the use of setting, The Scarlet Letter reflects the romantic idea of society as a destructive influence on humanity while presenting nature as a transcendent experience. In the novel, the town and the forest serve as opposing settings that affect how the characters express themselves and interact with others. The town forcibly prohibits the expression of true emotion, while conversely, the forest serves as an escape from the harsh rules of Puritan society.