Name Course Lecturer Date Rhetorical Analysis: Why We Crave Horror Movies Stephen King’s ‘Why We Crave Horror Movies’ contains lots of ideas regarding the issue of horror movies. Human beings are unique creation; their behaviors are varied from one to another. Humans tend to go to the extreme and conduct themselves in inhumane manner. He describes lots of matters that constitute the life of a person and what makes him or her tend to have some behaviors. He associates different animal characters with that of the human beings and puts more force into it in terms of what pushes people to be close to horror activities.
Summary of “Why We Crave Horror Movies” In Stephen King's essay,“Why We Crave Horror movies,” King describes the reasons why people desire to watch horror movies. King elaborates on the fact that we are all mentally ill in our own way; going to horror movies just provokes those terrors. The young are more inclined to admire the excitement and thrill; however, as people grow older they lose interest. Horror movies, King describes, are for making oneself feel normal by comparison to the mentally insane. For entertainment and joy, people see horror movies, but the fun is morbid.
It may not be Halloween, or October, but rather there are a few authentically good horror movies out there that are traumatizing and unforgettably frightening. I am not going to lie, I was quite the most sizably voluminous scaredy-cat. After visually examining a horror movie, I would become paranoid to be solitary. And sometimes I would even be frightened to scrub down. This was me as a child incidentally.
Rhetorical Analysis of “Monsters and the Moral Imagination” Many people believe monsters are imaginary creatures that are seen in movies or even for others, it could be a serial killer that was heard about on the news. Stephen T. Asma wrote “Monsters and the Moral Imagination” which “first appeared in the Chronicle of Higher Education in October 2009” (Hoffman 61). Asma, who is a professor of philosophy, examines how different individual’s perceptions of a monster can be different depending on the era or even events happening around them. In “Monsters and the Moral Imagination,” Stephen T. Asma wrote a nonfiction, persuasive article for an educated and possibly specialized audience to examine how the idea of monsters have changed over time, what could be the motivation to create them, or even how life experiences could change an individual’s perceptions. Asma shows that his article was written for an educated or specialized audience by his continual use of complex vocabulary, as well as the place of which the article was first published.
Other times we watch the movies for enjoyment, which is a very weird enjoyment since we are watching people get killed. Horror movies are a “fairytale” to us and allow us to “ become children again, seeing things in pure blacks and whites.” Insanity is a matter of degree.
Who is responsible for Macbeth’s downfall, the witches, or Macbeth? Who is responsible for the scorpions in Macbeth’s mind, the savage killing of several people in cold blood, the conception near the end of the play that Macbeth grasps of nihilism, and Macbeth getting so shielded in the prophecies that he can barely see straight? Is it Macbeth... or the witches? The play by William Shakespeare, Macbeth, has many motifs and famous quotes. However, it raises a lot of questions.
While witches in the sense that they believed did not exist; in the popular mind they did, and it was this hysteria that was dangerous. Miller himself exemplifies this. Through his lense of The Red Scare he couldn’t see the true hysteria behind the witch trials only the facade. This within itself is a major piece of the social commentary. History repeats itself.
In the movie Psycho, Hitchcock used suspense in several ways to shock his audience and keep them intrigued. Hitchcock does this by using scary music and lighting. One of the false suspense that was created in the movie is when Lila's sister screams when she sees her own reflection in the mirror in mother's bedroom. She screams when she sees herself in many reflections in a long mirror, but she is soon relieved when she discovered that she is only seeing a reflection of herself. The shower scene created the biggest shock in the movie.
Frankenstein essay Joel Edgerton said “Where does guilt and punishment lie, and we are not more expressive over remorse or guilt when other people see the badness in us?” In Mary Shelley’s “Frankenstein” guilt and remorse play a crucial role. On an occasion it can even affect fate. Victor’s fate to be precise. Guilt and remorse add a base plot line of the story, along with thrusting the plot forward. Victor along with the creature’s guilt and remorse effected everyone in the story how his fate and everyone around him.
If the emotions were not able to roam free then there may have been a more severe level of insanity within the community. The build up of emotions may have led to all of the people killing one another. There are various ways to express the variety emotions. Horror films bring out the frightful emotions within everyone. The answer to “how is lynching a lot like horror films today?” is quite simple.