Though it is wise to doubt rhetoric and what is presented as fact, people are often convinced by both. Victor warns Walton against believing what the monster says, instead he encourages him to believe the appearance of the monster. The thoughts and feelings of the characters, when written in this style, allows the character to choose what they say they think about. This allows the reader to see how the characters want to present themselves. As one’s personality is more reflected in their thoughts than in their actions, and because one’s actions either did or did not happen, it is better to discern a person's sense of self by how they present what they think. Victor fails to convince Walton to view the monster as instructed. Instead, he listens …show more content…
Victor presents his childhood as idyllic and free from contempt, whereas, he presents his adulthood as the extreme opposite. He very strongly believes, or at least acts as if he believes, that his family and childhood were perfect, that he was the happiest child, his relationships as the epitome of mutual care for one another. This strikes me as naive because he presents such a binary between his childhood and adulthood. It is likely he views these times in this way to either support his point about the monster ruining his life or because people generally frame times of happiness and despair in the two extremes. Further, all the people murdered are presented as completely innocent and perfect. Additionally, he acts as if everything affects him so greatly and that there are rarely times of delight and anguish mixed with each other. Perhaps Shelley chose to present him in this way to say that he is an unreliable narrator who frames events according to what he should have been thinking. After realizing that he caused his brother’s death, Victor remarks on the guilt he felt, “No one can conceive the anguish I suffered...” (Shelley 50). Because he believes he feels so strong that no one else would understand, this shows ignorance of other people’s hardships. Further, it shows that people tend to believe they see reality as it is, and thus the feelings …show more content…
When Elizabeth learns of Justine’s innocence, she tells Victor, “I never could again have known peace, if I had been deceived in my reliance on her… Now my heart is lightened. The innocent suffers; but she whom I thought amiable and good has not betrayed the trust I reposed in her, and I am consoled.” (Shelley 59). Through stating how Elizabeth is consoled knowing that she hasn’t been deceived, Shelley points out that Victor is deceiving everyone because he is the creator of the murderer. Justine and the family’s ignorance of this fact represent how sometimes the person you would least expect is to blame. Additionally, the father remarks “I had rather have been forever ignorant than have discovered so much depravity and ingratitude in one I valued so highly” (Shelley 52). This is indicative of why people hide from those they love - to protect them so they remain ignorant of reality while serving one’s own interest. These statements reveal that in civilization, people would prefer to remain ignorant than be enlightened to facts which disrupt their view of reality and destroy their
Victor’s complete control over how Walton views his life indicates that Shelley supports the claim that people “put on a mask of benevolence” (Rousseau 29). To persuade Walton to continue his ambition of revenge on the monster, Victor tactfully proposes the reality of his circumstances and the role of the monster. As Rousseau claims, Victor acts to serve his own interests and must employ the help of another person to help him achieve his ambition. Further, when requesting Walton fulfill his ambition, he acknowledges that it is selfish to ask, yet as he dies he claims to be motivated by virtue. Though this could be read as an honest request of a dying man to do the virtuous thing for humanity, I see it as a manipulative tactic to achieve one’s goal by using the service others to get security for one’s self.
All humans find themselves obsessively determined to succeed in gaining something, whether it be knowledge, a promotion, or someone’s love, only to find out that what they thought they were going to get is not what they actually wanted at all. In her novel Frankenstein, Mary Shelley describes this phenomena occurring within Victor Frankenstein’s internal narrative. He is obsessed and determined to discover the secret of life, and once he does he realizes its effects on not only his life, but others’ as well. Throughout the passage found on pages 30-31, Mary Shelley reveals the attitudes of curiosity, wonder, and determination through descriptive characterization of Victor Frankenstein and his thoughts, effectively bringing her own attitudes to fruition through language, symbols, and sentence structure.
Khang Nguyen Jasmine Le Ms. Brooks English 4 P4 February 6, 2018 Socratic Seminar Critical Questions 1.Why did Frankenstein run from his creation? Victor is the type of person that cannot handle responsibility well. We first see this in Chapter 3, after his mother’s death, “My mother was dead, but we had still duties which we ought to perform; we must continue our course with the rest and learn to think ourselves fortunate whilst one remains whom the spoiler has not seized.”
Victor is an object of their love, but not a participant in it; he is "their plaything and their idol" (Shelley 33). In his recollections of his parents' relationship he mentions their devotion to each other mainly, and not that of their child. In addition, if everything was centered on fulfilling his mother’s wishes and needs, one wonders at the son's account of the love left over for him: "they seemed to draw inexhaustible stores of affection from a very mine of love to bestow them upon me" (Shelley 33). The narrator claims to be too credible when he assures us
Throughout literature, nature is used as a symbol that can emphasize many different things. It can be used to show emotion, to build suspense and create a nervous feeling, or to show peace and chaos like how it is used in Frankenstein. In Frankenstein, Shelley uses the word nature in opposing settings to show the importance of its laws. The word nature is used in this novel to show peace throughout the story.
I undertsand that He is angry at Victor because he didn’t follow his requests. A quote that shows Victor going against the request is “I do not break my promise; never will I create another like yourself, equal in deformity and wickedness” (Shelley 157). His request also goes against the naturual cycle of nature. Victor will have to isk messing up the natural cycle of life again.
Frankenstein Rhetorical Analysis Essay An abandoned life from society and that doesn’t follow normal activities could make you a romantic hero. In Mary Shelly’s Frankenstein, she portrays the main character, Victor, as a man that is intent of learning more about nature. Victor begins to make mistakes which causes him to be full of sorrow and exiled from society. Victor begins to possess some traits from Byronic list of traits that romantic heroes possess.
Victors lack of a guilty conscious can be seen in his own words. Victor reflects many times on his past mistakes and blames other people and the monster in order to calm his mind. One instance is when
These actions show more responsibility than before, but still not full responsibility. As a result, even more catastrophe is brought upon Victor: Elizabeth dies, and Victor’s father dies. These deaths show how Victor isn’t yet living up to Mary Shelley’s standards for a responsible
Victor is being hypocritical toward the monster, yelling at him for murdering his friends, while Victor is so selfishly
Glory is the focus of the first part of Mary Shelly’s Frankenstein. Glory is an impersonal relationship where one is held above as superior to many. In the characters Robert Walton and Victor Frankenstein we see a perfect example of this pursuit for glory. Both men are compelled to seek glory, out of an inner passion which at its heart is illogical. The quest for glory is a potentially fatal flaw in Walton and was the downfall of Frankenstein.
In the novel Frankenstein by Mary Shelly, the Creature makes an allusion to John Milton’s Paradise Lost while recalling his experiences in isolation for the last two years. The Creature claims he read the text “…as a true history,” of mankind and often related to several situations, stating “...their similarity struck [him as] his own.” He goes on to compare himself to the First Man, Adam, then later to Satan the fallen angel. This allusion to Paradise Lost works to further characterize the Monster, while also foreshadowing upcoming important events.
Displaying deep denial when his mother dies, “My mother was dead but we still had duties,” Like the other main characters, Victor also longs for a companion. Even though he has a childhood friend, Henry, Victor lives in a constant state of guilt. After creating the monster, Victor regrets his decision immediately, rejecting his creation, much like how he believes everyone is rejecting him. This can be represented through the killings that the monster commits, William, Justine, Henry, Alphonse, Elizabeth. Victor believes that because his mother left him and his father never approves of his studies that they reject him.
Walton argues that the emotions a reader or view ‘feels’ are constituted as quasi-emotion, due to the account we are participating in a role of make-belief. The expression exterted in his concept of Charles and the green slime, or the emotional sensation felt towards the death of Anne Karina. These occurences are not real, yet the emotional sensation is merely the audience reacting appropriately to the authors intended desires. Wheras Wilson argues the otherwise, and asserts the emotions we feel from literature, or movies are genuine. I will be arguing against waltons perspective that the emotions undergone through literature or movies are genuine due to Wilson arguing on the internal emotions that are reflected from the viewer to whatever
Victor Frankenstein is inadequate to “mother” his creation. Victor is so horrified that he runs away from the creation in two different ways. When he finds his creation missing, instead of looking for him, he tries to forget about it all. Victor didn’t want to deal with the effects of his actions. Victor doesn’t show affection and care outside of his immediate family and friends, so “mothering” was not in his instincts.