Rhetorical Devices In My Last Duchess

When fighting Satan, instead of using a reasonable explanation that makes sense to him, Ransom should have used the Bible. Ransom should have made the Lady understand that she should obey Maleldil because she loves Him, to disobey Him is to hate and distrust Him. To obey Him is to love and trust Him. Ransom did not use it and so could not defend the Lady properly. Only till he acts and attacks the Un-man does he fulfill his role as Kinsman

I am firmly opposed to the manipulation of one’s subjects for the better of the ruler. Machiavelli’s concept for a prince’s soldiers is a malicious brainwash. A feared ruler will only induce despise from his people. I regard Machiavelli’s justification for a prince containing aspects of evil to be a unethical form of governing a society. His depiction of a feared ruler disregards the prosperity of his people and does not account for their pursuit of happiness.

By rejecting the opponent’s definition, Jack avoids validating Irwin’s argument (Heinrichs 117). Due to its immorality, Willie’s decision to blackmail Irwin resulted in the corruption of justice, symbolized through Irwin, and ultimately lead to his suicide. Thus, Irwin’s death showed that the unfairness of blackmail overpowered Willie’s logic behind extortion, but in reality, both sides lost since Willie’s threat failed and Irwin’s newfound information led to his demise. Throughout the entire book of All the King's Men, Warren describes blackmailing through two views: the blackmailers themselves who support threats as logic and those being blackmailed who view threats as unethical.

An era not only exploring love but rather the mortality of character and the shape of which identity takes place. Contrastingly, Browning explores a romantic vision of love through the subversion of the traditional petrarchan form, whilst also exploring the transcendence of life and the social aspects of identity. Thus, through the comparison of The Great Gatsby and Sonnets From The Portuguese one is able to witness human desire in a (something) of context. The desire for a spiritual and transcendent love is a key motivator behind Barrett Browning 's sonnet sequence, with her ideals greatly contrasting the rational and restricting notions associated within the Victorian period.

This creates dramatic irony because the audience knows the truth while Beatrice is left in the dark. Eventually, she learns that her secret lover’s identity and leads to her iconic soliloquy, “What fire is in mine ears? Can this be true? Stand I condemn’d for pride and scorn so much? Contempt, fare well!

Moreover, Claudio's quickness on believing that Broachio, who claims to be Hero’s supposed lover, comes to show that he is unworthy of her. On their wedding he publicly shamed her by stating, “Give not this rotten orange to your friend…Behold how like a maid she blushes here” (4.1.32-34). This then causes Leonato to fake Hero’s “death” so that Claudio can grieve her memory and admit that he was wrong on publicly bashing her. Shakespeare’s

Arthur Miller argues that being fearful or damaging one's reputation is what caused people to act irrationally and against their morals, coming off as selfish and arrogant, and leading to the Salem Witch Hysteria. Through the characterization of Hale, Parris and Danforth, it is evident how excessive pride makes people unwilling to admit to their mistakes, with the fear of a reputation damage. Miller's descriptions of the frailty of arrogance, can be used as an example of how arrogance turns people against each

In this case both definitions are applicable; one to each story. 5In Lanval this evil is shown through Queen Guenevere when she offers herself to Lanval despite her being married to King Henry and Lanval being a knight in service of King Henry (lines 261-274); she attempts and fails to corrupt him but her intent is still there. Lanval however politely refuses her because this would obviously be treason and his heart is already taken so he won’t betray his king nor his love. When this happens the Queen gets angry and lies to the king. She tells him that Lanval has come onto him and that when she refused him he insulted her by saying that the lowliest in his lover’s court is many times lovelier than the queen.

Men find themselves drawn to Daisy and her alluring tone when she speaks. While the image of money is so captivating, money causes problems of envy and greed in this materialistic society they live in. Upholding Daisy as a golden girl, an ideal that is unrealistic, portrays Daisy as only an object of Gatsby’s affection. After Daisy chooses not to reject Tom’s love for Gatsby’s, Gatsby frustration is expressed to Nick as he says, "You must remember, old sport, she was very excited this afternoon. He told her those things in a way that frightened her – that made it look as if I was some kind of cheap sharper.

However, this truth remains unknown to Parris, so one has to analyze the situation from his point of view. Disregarding the truth, the first thing Parris worries about is his own name and reputation, instead of his daughter’s wellbeing. Thus, having his estate and daughter involved with witchcraft and unnatural events obviously threatens his rank as a revered. While arguing with Abigail, he says “my ministry’s at stake, my ministry and perhaps your cousin’s life”(Miller, 11), explicitly revealing how he places the importance of his name before Betty’s own sake. Parris is afraid of what others might think of him and avoids facing the congregation in order to evade the topic of witchcraft.

Jane Austin satires Mr. Collins by making him so conceited that he doesn’t consider how others feel. Mr. Collins is so sure that he is a desirable match that he refuses to believe that Elizabeth doesn’t want to marry him. He tells Elizabeth, “You can hardly doubt the purport of my discourse, however your natural delicacy may lead you to disassemble” (lines 6-7). In this quote Mr. Collins refers to Elizabeth’s “natural delicacy” as if only modesty or doubt of his intentions would prevent her from immediately agreeing to marry him. It is his conceit that prevents him from even considering a third reason for her rejection—a reason such as her not liking him or really not wanting to marry him.

For example, Feste says to Olivia, “I wear not motley in my brain.” (i.v.54-55). So although he may dress like a fool he does not have the intelligence of a fool and therefore should not be seen as someone who is dull. Feste is cautioning against making connections between what can be seen and what cannot, the actions and appearance of Feste do not shed light on his sanity as they are mutually exclusive. He later addresses this point again when interrogating Malvolio, “

However, Machiavelli suggest that “when Prince and Minister are upon this footing they can mutually trust one another; but when the contrary is the case, it will always fare ill with one or other of them” (Machiavelli 63). Due to his hypocrisy and stubbornness, the brave soldiers of the country of Thebes are afraid him to report to him, and his wise subjects refuse to advise him. Creon’s inflexible mind and behavior provoke a clash between him and his subjects which would ultimately lead to his

William Shakespeare’s play, Romeo and Juliet, is surface on the tale of love. Somewhere within the play we see many different connections between violence, hate, and death. Romeo and Juliet’s death are cause by the unbending and strict society that would not allow them to be together. The connection between violence and love is to be determined. The drama is able to advice readers more or less with the meaning of gender, love, and fate, and it will provide examples of how our society is today.

However, due to their lack of trust, suspense is built to sustain a plot. Just as the problem arises quickly, the complication is resolved just as simply with the marriage of the young lovers. Throughout the play, the relationship between Beatrice and Benedict serve as a comedic relief. There snarky replies are well crafted such as Benedict’s view on Beatrice’s replies: “she speaks poniards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would infect to the north star.” In the final act, audience find compassion that Benedict and Beatrice hate relationship settles to a love relationship.