Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
Esperanza and her family are always moving because they do not have much money, but they finally moved into a house on Mango Street where they “Don’t have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise” (703). Although it sounded like a nice place, when a nun from her school saw where Esperanza lived, she said, “You live there?” (703). That made Esperanza feel like nothing and made her realize she needs a real house, one that is really nice. Esperanza wants to change her life and make the best of what she has.
Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,” Esperanza claims, for this is nothing like the house she longs for.
Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their lack of power to overcome them. Very early on in The House on Mango Street Esperanza encounters multiple women who are living in abusive relationships or are stuck raising and providing for children on their own. One example of these women is Rosa Vargas. She is a mother to one too many children, who often misbehave: “…how can they help it with only one mother who is tired all the time from buttoning and bottling and babying, and who cries every day
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros
Esperanza’s Odyssey Esperanza ’s journey of self-identification is apparent in the novel “House on Mango Street”. Her hopes of leaving the barrio were clearly shown in different vignettes: “House on Mango Street”, “Bums in the attic”, “Beautiful and Cruel”, and so on. Her process of self-identification will entail her realizing that she is growing more mature, figuring out her sexuality, and understanding her culture as a Latina.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Cisneros uses Esperanza’s friend, Sally, to show that young women are also mistreated. Esperanza explains that “Sally doesn’t tell about that time he hit her with his hands just like a dog, she said, like if I was an animal”(92). This quote references Sally, who is only 13, being beaten by her dad. Esperanza explains that even though Sally is beaten, she still lies to protect her father. This shows how many cases of abuse are unknown even in the hispanic community because the women want to protect their abusers.
The nun's immediate reaction disturbed her because in her mind poverty is an embarrassment. The house on mango street represents everything she does not have, which is privilege. She is angry that she must be identified by it. 7. The narrator, Esperanza is telling the reader, her childhood innocence has disappeared and she knows the hard times her family is going through.
The House On Mango Street is written in a series of vignettes to emphasize essential events in Esperanza's life. Each of these contain important literary choices made by Cisneros to emphasize different things of importance in the book. The vignette “Four Skinny Trees” is extremely prominent in the book. Here, the use of symbolism, personification, and diction illustrates Esperanza's growth from a child to a young women, and the strength she has.
Esperanza attempt multiple times to mature much faster than necessary making her feel as though she is stuck. Relying on the literary devices of motif and imagery, Sandra Cisneros, in her novella, The House on Mango Street, shows her audience Esperanza’s struggle to escape into independence. Cisneros encourages her readers to move past the hardships of growing up, despite the barriers in life. Not only is Cisneros’ use of motif showing Esperanza, and her friends, in a tough situation, but also how she is now becoming confused about and growing
Esperanza acquires a sense of who she is as a young woman. These characters aid in her decided stance on gender roles and how she wants to evade them as she starts to build her own life. Through Esperanza’s narration, the darkness that correlates with the roles of women is brought into light. The gender roles found in the book are still issues today. Such ideas ruin much of society because people have yet to question and altar them.
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.