It starts out when the boys are eating the pig and it starts to rain. The little children get scared of the thunder and start running wild. In order to keep them together, Jack orders they start the dance. During this time, the children run wild and act crazy, but under Jack’s rule. Unfortunately, Simon comes back to the group at just this time.
‘Kill the beast! Cut his throat! Spill his blood’” (Golding, 152) The boys, kill a friend they know and chant as though Simon was the beast, which they want to kill, but really the beast is the savagery inside of them.
He began to dance and his laughter became a bloodthirsty snarling... the mask was a thing of its own, behind which Jack hid, liberated from shame and self-consciousness”(64). These pagan rituals of putting on the face paint and transforming into a savage is very destructive. The face paint gives the boys leeway and excuses to become ravenous and unsympathetic. Their judgement and perception is clouded by the need to kill and hunt.
Spill his blood!” (Golding 138). But for poor Simon who runs into the savage celebration, screaming. The boys see him as the beast which leads to a truly gruesome and animal like attack “There was no words and no movements but the tearing of teeth and claws” (Golding 139). Golding uses this depiction of the savage attack on Simon, to imprint into the reader the sense of loss of reasoning, morals, and intelligence within the boys on the island.
Jack’s influence is once again shown in chapter 4, “ Then Maurice pretended to be the pig and ran squealing to the center and the hunters, circling still, pretended to beat him. As they danced, as they sang. ‘ Kill the pig. Cut her throat. Bash her in” (75).
In LTF the boys struggle in deciding whether or not to become savage and wild or continue as a peaceful, orderly society. An example of the boys turning savage is the chant that Jack's hunters sing, “Kill the beast! Cut his throat! Spill his blood!” Jack and his hunters chanting the beast's death chant.
Bash him in!’”. The kids on the island see nothing wrong with continually singing this and recreating it. They can’t apprehend that they’ve turned into bloodthirsty beasts. Once they have gotten a taste of blood, they keep wanting more. With no realization of their actions, they have become inherently
A littlun spots Simon and thinking it is the beast cries out scaring the other boys who kill Simon. In this chapter, we see how far the boys will go when full of fear, discomfort, and unknowing. Golding use of animal imagery, juxtaposition, and symbolism in Lord of the Flies helps convey the theme that
When Ralph and his people were being attacked, "Two figures rushed at the fire and he prepared to defend himself but they grabbed half-burnt branches and raced away along the beach" (Golding, 140). Jack's tribe cannot make fire without the help of Piggy's glasses, so they run to Ralph's camp and steal some of their fire. They are eating not because they are hungry, but because they killed a pig. The boys are completely oblivious to the fact that fire is their only hope of rescue and their using it for fun and hunting. A little bit after Jack and his people invade Ralph's camp out he exclaimed, "We hunt and feast and have fun" (Golding, 140).
Jack and his hunters paint their faces to go hunt like that of a tribe and come back with pig's blood all over their faces. This is showcased as crazy and acting animalistic. Their behavior resembles the behavior much like a pig. The quote, “Jack began to dance and his laughter became a bloodthirsty snarling” shows how the boys actions, as they continue on this island, become more and more animalistic.
The boys have now developed a daily routine and are talking about the “beastie” lurking around the island. Jack is now obsessed with the idea of killing a pig, so he paints his face and approaches the jungle chanting, “Kill the pig. Cut her throat. Bash her in.’ Ralph watched them envious and resentful.
Chanting “Kill the beast! Cut his throat! Spill his blood!” , the boys are psyched and begin to leap and strike, bite, and tear at the “beast”. Golding addresses Simon as the beast to portray the boy’s perspective.
Another symbol that Golding uses is a pig 's head. The pig 's head is symbolic of the inner beasts of men. As they (the boys) become more enthralled in the hunt and its bloodlust, they even begin to worship this beast, leaving it sacrifices, such as the sow 's head on a pike, as if it were a tribal god (Neighbors). This event occurred in front of Simon without the hunters ' knowledge. Simon was left to think to himself about the event that had just occured.
In the beginning of the novel Lord of the Flies, by William Golding, Ralph was voted as chief of all the boys on the island because their was something different about him that the boys seemed to like. Jack, another boy on the island around Ralph's age, becomes a little bit bothered because he does not have the role of authority. However, he soon gets infuriated because he believes that he should have the role of leadership on the island. Later on, Jack is not satisfied with Ralph's rules, so he goes off on his own. Jack tells the boys that if they want to come and join him they can.