Over recent centuries, classical music has held a unique position in its ability to convey rich facets of expressions in a piece of composition. It is a music that expresses thoughts, concepts or a story. Because of its potential to communicate sophisticated messages, classical music has been worshipped and protected over many centuries by a philosophy of greatness. “Classical music” is not only a term that reflects the so-called “classical age” period of musical composition, but is also a term that refers to the musical expression from the 17th century until today. The trademark of classical music is how it conveys a narrative, an idea and a concept by strictly musical means. It provides listeners with a glimpse of the composers' mind and …show more content…
In order to apply the observations taken from the literature review, discourse analysis, quantitative research analysis, and two case studies will provide practical examination in the contemporary cultural sector. The multidisciplinary perspectives will guide the thesis towards how cultural organizations can, and are dealing with the notion of “old fashioned” music and classical music's irrelevance for being termed as such in contemporary society. This thesis consists of four chapters, the first of which will investigate the ideology and situation of classical music in contemporary society, and discuss the so-called “death of classical music”, that prevails among some critics, especially in musicologist Julian Johnson's Who Needs Classical Music?: Cultural Choice and Musical Values. It will also summarize literature by Bonita M. Kolb, a scholar of business and cultural marketing, as well as other …show more content…
In this digital era, classical music is understood in, but also limited to its rich historical context. Fluidity in society seems to make relatively little impact on the image of classical music and its focus on lasting tradition. However, it is undeniable that classical music is shaped by dynamics in society. This is clear if one compares today's practice of public classical performances in the context of consumption, to the times when it was dedicated to courts and churches. Tracing the history of classical music can therefore help to understand the ideology and the philosophy that have been formed and associated
“How We Listen” begins by providing us with a detailed description of Aaron Copland’s background and accomplishments, then moves on to briefly describe his views and ideas that are expressed in the rest of the passage. In the introduction, we are presented with Copland’s theory that divides the activity of listening to music (specifically the classical genre) into three categories; sensuous plane, the expressive plane, and the sheerly musical plane. The sensuous plane allows the listener to simply relax, take in, and appreciate the beauty of the music.
Henry Purcell’s The Fairy Queen: A Case Study The evolution of music can be viewed as a linear timeline of key, innovative composers who have far-reaching influences upon the musical continuum and perhaps epitomises the societal views which are relevant to their time period through their canonical pieces. As a result, in order to conduct a case study into any piece of music one must first realise said piece in regards to the concurrent political climate. Between 1642 and 1651 England was characterised by turmoil through civil war, which was essentially caused over the conduct of British government. This war was between the Parliamentarians and the Royalists, with the Parliamentarians being the victor.
Many listeners in this plane hold an individual attitude because the music always seems to play a role in the listener’s life, where as it might reminds them of something or someone. The author talks about how the question of “how close should the intelligent music lover wish to come to pinning a definite meaning” (Copeland, 1939). It becomes personal, going in their mind the true meaning of what they are listening to, yet they are unable to explain it. This helps the listeners to experience different types of feeling.
In 2016 our youth and society falls victim to the music industry and its impact on how we dress, dance and act. Music is a catalyst to allow others a glimpse into our minds. Rather you write a symphony or an R&B song the music we compose is a piece of ourselves. Through the power of music we change the world and people around us, much like the musicians before our
A comparison of the Beijing Opera and the Italian Opera reveals a significant contrast in almost all fundamental areas of music between the two examples. Because of cultural influences, the two performances share little commonalities, as the timbre, medium, elements of pitch, rhythm, dynamics, form and phonic structure are definitely not similar. For instance, the musical and physical performance dynamics of the Beijing opera music are forceful, the timbre is loud, tinny and harsh, the rhythm is lively and vigorous, while the Italian Opera music has a gentle dynamic, steady and rolling rhythm and an emotionally deep timbre. One commonality that is noted for both examples, is the powerful delivery of the entertainment.
The Classical era for music started in the 1750’s and ended in the 1820’s when the Romance era had started. Classical music is mainly homophonic and less complex than music that was formed in the romantic era. One of the main differences found within the two era’s is that in the romantic era music was all about telling a story something one might call “programmatic”. While classical music although it may tell a story to the composer it leaves more left to the imagination within the music letting your mind wander a bit. Two pieces of music that can be compared to one another are Beethoven’s 9th symphony and Symphonie fantastique written by Hector Berlioz.
Mozart’s Influence In the Enlightenment The Enlightenment was a train of thinking that started with philosophers in the eighteenth century. Philosophers warned against religious division, cultural division, and social inequality. Today, our Declaration of Independence is based upon these same values of equality. In the Enlightenment, music took a different shape.
Adorno, although not directly addressing the aura, did not see the aura’s degradation at the hands of technology as beneficial to the progression of art. Unlike Benjamin who focused on film, Adorno focused his piece on the changing in the music industry as a result of technology. Consequently, Adorno saw that a capitalist society was capable of burgeoning as a result of the technological progress. In response to the proliferation of music, Adorno saw that the appreciation for the music itself shifted towards the money used on behalf of the consumer: “The consumer is really worshipping the money he has paid for the ticket” (Adorno 278). Rather than music maintaining its identity as an art form, music was transformed into an industry as a result of consumerism.
Before this I had never attended a classical concert, so this was a new experience for me. This concert was worthwhile because not only was it affordable, it was also great for the price. Each song made me feel different, I could sense the emotion coming from these songs and the way the musicians played together added a feeling of satisfactory altogether. The venue had a large impact on the performance. The Nightingale Concert Hall provided great acoustics for the performances and fit well with the overall style of the concert.
Music Appreciation Essay Music today is something we can easily take for granted. Through class I have learned several important influences in music. The most significant composer in my opinion was Ludwig van Beethoven. I feel his works broadened music and took it to a whole new level.
The Baroque period was identified as the “Age of Absolutism” because it was a period where rulers practiced their full power to control subjects. Also during the Baroque time frame music became more leant about where it was played. Instead it only being played at churches and occasionally in some courts, it was being played at specific functions and operas. It was at this time that operas were established for the first time in history. Musicians at this time were employed for aristocrat’s courts, churches and operas although they were considered high positions yet still viewed as servants.
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.
Music has been around since the beginning of time. People use it for entertainment, expression, and a form of art. When thinking about classical music (and music in general) the one person that comes to mind is Wolfgang Amadeus Mozart. This paper will go into depth of the cultural significance and meaning of one of Mozart’s most famous pieces, Eine Kleine Nachtmusik. Mozart’s music was considered to be commercial theatrical and a form of cinematic exploitation, bringing different elements to music that the people have never heard before in the classical era.
This is exactly who he really is. Benjamin Zander’s presentation is inspiring. This video made me recognize the full worth of classical music. It is not just a music that makes someone sleepy. It is a music that can move an individual, and
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.