Cyrano de Bergerac, by Edmond Rostand, is the story of a plan based on love and deceit created by two friends to beguile a girl to fall in love with one, while the one that truly loves her is the mastermind behind the courtship. Even though Cyrano and Christian are close friends, Cyrano’s large nose and resulting insecurities prevent him from expressing his love for Roxane, so he uses his handsome friend to be the mouthpiece for his poetic charms, which makes Roxane happy and causes her to fall more deeply in love with Christian. Although some may say over time Christian will learn how to intellectually talk to Roxane by listening, reading, and practicing the way Cyrano has flattered her, this is not who he really is, and, therefore, their …show more content…
What’s the matter? (Rostand 63) These feelings based on Christian’s good looks are superficial and not a love that can stand the test of time. For a time Cyrano can feed romantic words to Christian and he can use this to capture Roxane’s love, but this is a temporary and unrealistic way to pursue a relationship with Roxane. First, because Christian doesn’t seem smart or witty enough to maintain the deceit he and Cyrano create, but also, while Roxane might display some shallowness in character, she proves she is smart enough in the story to eventually figure things out. Christian uses Cyrano’s intelligence and romanticism to engage Roxane, but this is not a true representation of who he is. In ACT II, Christian admits he is not intelligent. “Because...because I am a fool!/Stupid enough to hang myself!”(Rostand 84). This offers the reader a hint that eventually this plan will fail unless Cyrano is with them for the entire relationship because Christian does not have faith in his own dialogue, intelligence, and abilities with Roxane. Therefore, eventually, he will not be able to continue the charade. At one point he tries to talk to Roxane without Cyrano’s help and fails: CHRISTIAN. I love you. ROXANE. Yes,/Speak to me about love
Roxane: Cyrano: Then how do you know he loves you? Roxanne: Cyrano: You say he’s a Cadet?
After a short exchange of words, Christian confides his deceiving plan in Cyrano. I believe that Christian uses these insults to easily request Cyrano ’s help in his quest of love for
They banter for a bit, and we find out that they used to play together as children. Roxane, noting an injury on Cyrano’s hand from his battle, doctors it – just as she used to when they were children. She then reveals that she loves “someone.” Cyrano gets excited until Roxane describes this someone as “beautiful,” at which point Cyrano knows she can’t possibly be talking about him, which is depressing in more ways than one. That someone turns out to be Christian, the newly arrived cadet from Act I. Roxane asks Cyrano to protect Christian, since he’s basically a rookie, and to help him write her a love letter.
In the play Cyrano De Bergerac by Edmond Rostand, the main character Cyrano de Bergerac exhibits virtuous behaviors such as bravery, selflessness and loyalty. Cyrano discusses with Roxane about how she wants Cyrano to protect Christian so he does not gets hurt, she goes on to say that Cyrano exemplifies a sense of bravery for fighting 100 men, he replies with “ ‘I have shown more since’ ” (Rostand 47). Cyrano says that he has shown more courage in talking to Roxane than it took to fight 100 men. Seconds before Christian dies, Cyrano tells him “ ‘I’ve told her everything.
Cyrano loves Roxanne, his childhood friend and cousin, but is afraid to tell her his feelings because he is self-conscious of his big nose. However, when Roxanne tells him that she loves Christian and asks him to protect him and have him write to her. Even though Cyrano is proud and disappointed that Roxanne’s love is not for him, he agrees. This is motivated by his panache; he does not want to disappoint Roxanne or do anything to upset her, so he agrees to take up her request eloquently. In addition to this, although the white plume is not directly referred to in Act II, Cyrano once again declares that he is a free man because he does not have status or wealth, expressing his panache in the same manner as he had with Valvert in Act I.
Cyrano’s plan of Roxane loving him did not go accordingly. He was in love with her, but unfortunately she loved Christian. Roxane asks Cyrano to talk to him alone, Cyrano thinking she's going to tell him that she loves him.
Cyrano despises most people in his society for being so obsequious. He wants only to state the bold, insulting truth; this kind of openness is a reflection of his boldness and courage. A final example of Cyrano’s courage is when Cyrano describes the way he wants to die to the cadets. His reply to them, “‘Always the answer, yes! Let me die so, under some
Cyrano’s and Christian’s Silly Plan In Cyrano de Bergerac written by Edmond Rostand two men are in love with the beautiful precieuse, Roxane. One of the men, Cyrano, finds himself unattractive but what he lacks in looks, he makes up for in his astounding poetry and intellect. The other, Christian, whose defining features are his good looks, lacks wit and isn’t a good writer. An impractical plan is formulated between the men so Christian can gain the love of Roxane, despite all the problems that can be foreseen.
Cyrano is brave when it comes to fighting and competition, but not when it comes to love because he is afraid of rejection. In the book it says, “Madly. More. Tell her. No.
“though I walk through the valley of the shadow of death, I will fear no evil”-psalms 23:4. What this means is that whatever goal you're trying to accomplish there's going to be unpredictable obstacles. Some harsher than the last, and even might bring you to the brink of death; but in your mind you don't care about those obstacles. You fear nothing... You are unconquerable.
She isn’t falling in love with either of them. She is in love with a collaboration, a pure fantasy. If she had married Christian, how could she live with him, knowing that he could never be the one that she had loved before? While Cyrano has many faults, it must be said that he did have his honorable moments.
Cyrano leads himself to believe the hearsay that he is not worthy of anything, let alone love. His corrupted mind insists he is not, and never will be, striking enough because of his nose. Cyrano’s one true love, Roxanne, has no idea he loves her because he has allowed himself to believe that she could never be in love with his beastly semblance. It is human nature to believe oneself to have worse features and flaws, which in turn leads to self-devaluing or self-destruction, as Cyrano clearly demonstrates.
Although maintaining a commendable appearance is important, and having beauty isn’t necessarily unacceptable, true love is heavier in internal attributes. In “Cyrano de Bergerac”, Edmond Rostand uses conflict, tone, and diction to express the theme that true love is beyond beauty and instead about what’s on the inside. Edmond Rostand illustrates that one’s appearance is not the only factor to consider when falling in love by creating conflict between outer and inner beauty. When Roxane is talking to Christian about
From beginning to end she has made her mark as an intelligent woman. Roxane tricked De Guiche into keeping Christian’s regiment away from battle. She did this by persuading him into thinking it would be a good way to get back at Cyrano. This took a lot of wit. She also proved her intelligence when she convinced the Friar by saying the letter read “The Cardinal's wish is law; albeit.
After Cyrano is attacked with the wooden log, he is finally able to tell Roxane of his feelings. To some readers, Cyrano simply telling Roxane his true feelings, having a last-minute hallucinatory fight with emotions, and then dying, is an unsatisfactory ending. Truthfully, that is a fitting end to the play. The conflict in the play was not between Roxane and Cyrano, so just confessing his love to her would not have been a deserved ending. The true conflict in Cyrano De Bergerac was with Cyrano and his inner demons that plagued his psyche, such as cowardice and falsehood.