The Romanesque Lion Located on the second floor of the Johnson Museum is a sculpture created around 1210 by the workshop of Master Pietro di Alberigo titled The Romanesque Portal Lioness with Cubs. About three feet tall, the lion sits in the center of the exhibit surrounded by different pieces of art from the Medieval times. From just a gaze, anyone can tell the piece of art is made out of marble. However, when taking a closer look, one will see that it is actually pink marble. This choice of material allows the sculptor to carve the necessary details such as the mane, the rolls, and even the tail from behind. Furthermore, the use of stone allows it to be used from something meant for stability. When standing directly in front of the lioness,
With every stone being placed they had to look at it and decide where that stone would fit. They once again got to show there amazing craft and skill with in every detail that they made and
The deity of Xiuhtecuhtli has been appreciated for many years by the Aztecs and still is held sacred today in the British Museum in London. Both the use of turquoise and the wood pine resin show how innovation is huge within the Aztec tribe as said previously. The connection among the Mesoamerican lands, resources, and the tribe show how much of an impact not only the artifact had on Mexico but the ancient Aztec tribe and culture as well. From the base of cedar wood to the decorum of turquoise gems, held by wood pine resin, we see how much detail was put into this piece, and how it remains in today's
The Roman Empire, at its height (c. 117 CE), was the most extensive political and social structure of western civilization. Under Trajan, the empire reached its greatest territorial expanse and his admiration for Greek culture spurred new building programs and classicizing works of art throughout the empire. The marble representation of Trajan at the San Antonio Museum of Art known as (The Lansdowne Trajan, 98-117 A.D.) establishes Trajan as a skilled military commander, an affluent ruler and a god that’s why the torso of this sculpture belonged to a statue of a youthful god and later consolidated with Trajan's head. In The Lansdowne Trajan, the unknown artist utilized fine marble, contrapposto pose, shape and line to capture the dynamism of
That is what the lion represents. The lion also represents his protectiveness over
The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the second and third centuries. The style of this art piece is classical Greek art, the Romans were influenced by Greek culture and literature, such as mythology.
Even though the ivory relief has a religious overtone, both are clearly done in the Old and New Rome classical esthetic. “Cast in glittering bronze, like the Equestrian Statue of Marcus Aurelius set up nearly 500 years earlier, it attests to the continuity between the art Old and New Rome, where pompous imperial images were commonly displayed at the apex of free standing columns” (Kleiner 258). Both art pieces are a classic example of power, prestige and clemency during their time of
It is not easy to recognize women’s face in this item hidden under the royal beard and head cloths. Only after looking carefully, I was attracted by her handsome facial lines with its petite lips and ideal nose. Massive with muscles lion’s body combined with woman’s face make you read in her eyes first “I am powerful” and only after time “ But I am a woman”. Why this item was broken into many fragments and was hidden?
The carving was made from sandstone and took mostly likely a stone or rock was used to chisel the details of the
There is a change in perspective once a person influences our lives. In “Cathedral” by Raymond Carver, the narrator’s wife brings home her blind friend to stay the night, but the narrator doesn’t like the idea. The narrator changes near the end, once he is finishes drawing a cathedral and feels it with his eyes closed. In “Gryphon” by Charles Baxter, the narrator gets an odd substitute teacher with wonderful stories. She eventually leaves because of a student telling the principal what is happening, and the narrator is sad by this because he is forced to return to the uneventful lifestyle he had before.
In conclusion, Both The lion hunt relief, and The stele of Naram-Sin are illustrations to glorify their kings. Kings depended mainly on art to further empower them. Assyrian art focuses more on royal affairs, hunting, and war making. Animals such as lions, and horses are commonly dominated in reliefs. Akkadian art uses propaganda to symbolize the king as the most powerful factor, and everyone else as
On our field trip to the Getty villa this semester, we had to choose an art piece that stood out to us among the many there. The task at hand seemed easier than it was, as there were many art pieces that held my attention. One thing I kept in mind was that many of the Greek art pieces were either recovered from the bottom of the sea or were Roman duplicates. This meant finding background and details about them would be challenging. Of the art pieces, the Statue of Hercules or the “Lansdowne Herakles” was the one that I chose to write about.
I was attracted by this piece among all the photographs in the museum. The obvious symmetric glass building in the front with a blurry reflection of other buildings that cought my eyes. The piece is named “Reflection, Old St.Louis County Courthouse,” and photographed by William Clift in 1976. It is a 30x40 cm black and white photography and the medium is Gelatin silver. The glass building is a rectangle shape with perpendicular to the side roads.
Both pieces are sculptures in the round, meaning they are not carved into a wall; they are freestanding. Both of the kings
It is the sculpture of a handsome and young ruler, namely, Augustus, sporting an ornamented cuirass and a tunic, with the figure of Cupid riding a dolphin on his side. The face reflects a youthful emperor, even though Augustus was about forty years of age when the statue was built. The Prima Porta style of facial composition comprises of, an expansive skull and slim chin, sharp-ridged eyebrows, hooked nose and a plump mouth and his hair is crowned with what is termed the Primaporta hairstyle. The breastplate is adorned with characters and is a composite of the narration of the Augustan and Tiberian propaganda, while he is barefoot. His right hand is
Japan is known for their beautiful lands, Tokyo, palaces and much more all started with a seed which grew and blossomed into what it is now. The Jomon Culture is one of seed 's root; The formation of Jomon culture started in 10 000 BCE. The Jomon Culture followed the paleolithic and mesolithic periods. It is estimated to have last 9000 years.