Cyrano De Bergerac Raymond Rostand Analysis

In his classical historical fiction play, Cyrano de Bergerac (1897), Edmond Rostand outlines the life of a charismatic Gascon officer and romantic poet named Cyrano who is plagued by an unappealing physical attribute to show the insecurities of society and the struggle between appearance and candor. By presenting romantic conflicts, Rostand allows the characters to reveal their inner selves and adapt into developed human beings with powerful and poor aspects. He utilizes symbolism, allusion, and characterization to reinforce his audiences’ awareness to the characters’ dynamic transfigurations. Rostand enlightens his audience by accentuating that the true nature of a person lays in their actions and intentions not aesthetics.
Firstly, Rostand encompasses symbolism highlight the adaptation of Cyrano and De Guiche. Initially, Cyrano is portrayed as a courageous hero and articulate poet with an immense nose. It is expressed that he is passionately in love with his cousin, Roxane but is too insecure to declare his unwavering compassion to her. As time progresses, his self-consciousness increases tremendously, but at the end of work he is shown to be true to himself and carry uncompromising

From their initial to their concluding appearances in the play, they exhibited immense and beneficial changes. The most essential ideal that can be extracted from Cyrano de Bergerac is that we all are flawed humans with voids we think we may have, but is up to us to strive to refashion into the best versions of ourselves. It is acceptable to feel doubtful of ourselves but our imperfections will never define us. We all have the strength and capability to change into the individual we yearn to be. At first, it can be challenging but soon we can look back with content. It is up to us to let go of our insecurities and seize our