But Is “Frankenstein” a prime example of the Gothic Literature Genre? Written by Mary Shelley the novel centers on Victor who wants to create a Creature. Are there Examples of the three main connotations of Gothic Literature in Frankenstein? Barbarous!, the term is defined as being Savagely Cruel or Excessively Brutal. In “Frankenstein” there are examples of this Horrific Term!
For instance, the horrible atmosphere, the existence of supernatural, the contradictions of characters, the complicated conflicts of morality and evilness. Chapter 2 The Fundamental Tone of the Gothic Elements in Frankenstein-- The Gothic Aesthetics The reflection of the gothic elements in the novel is mainly circled with the tone of gothic aesthetics. Gothic aesthetics was raised by Edmund Burke, referring to beauty of negative, gloom and even dark characteristics. Based on it, the individuals may acquire a total extraordinary experience in the novel. 2.1 The Manifestation of Characters The protagonists in Frankenstein are Frankenstein and the monster.
In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism. The first expression of nature and its effect on the mood of characters is portrayed with Robert Walton and the many letters that he sends to his sister.
It is fascinating how both writers, Milton and Shelley, created heroes with parallel position to their anti-heroes. The reader can be besides any of them according to his interaction and feelings towards the story. The same remark the critics, mainly the romantics, made about Milton’s principal character or hero in his poem: was it the source of evil or the divinity? Mary recreated the same debate but this time with intention to make the reader sympathize with evil. The reader is in reality not sure who makes harm to the other: the scientist or the monster.
Sexual allegory is combined with victorian culture and violent monsters, a dichotomy of human instincts. Stoker also captures the constant battle between traditionalists and supporters of modernity. Stoker wraps up this thought experiment in the trappings of a horror novel in order to best show off the monsters he designed. With its ability to have inspired countless vampire progeny across literature and film, Dracula is a work that combines fantasy elements with relatable thematic struggles in a way that will allow it to live
Mary Shelley's Frankenstein depicts the remarkable resemblance to the “modern” myth of Prometheus. The intertextuality used to connect these two stories, allow Shelley to bring out the most prominent themes of Power and suffering. As both of the characters deal differently with the struggle to resist the power that comes with creating life, the inevitable end for both characters are the same; they fall at the hands of their own creations. Shelley carefully utilizes the legend of Prometheus to express the connection between punishment and creation. In the myth of Prometheus, he creates man and steals the gift of fire to give to humanity.
What differentiates man from monster? The physical being or the heart and soul? In the case of the novel Frankenstein, the author Mary Shelley appears to be promoting that it is in fact the heart and soul that is distinguishable between the two. Shelly offers much insight on the reactions of society and tells the reader that judgement is not always the truth. The creature originally stands as a mental and physical being with feelings and good intentions whether for himself or for others.
The prevalent atmosphere is a doom and gloomy one, in order for incomprehensible situations to take place. Some of the most known Gothic novels are Frankenstein, Dracula, Wuthering Heights, stories written by Edgar Allen Poe. According to Crystal B. Lake, the Gothic literature expose and play with the unknown, hidden parts of society or of ourselves hence what makes it so terrifying is the fact that it brings into the light, it gives a voice to
Shelly’s text goes beyond that to change “[t]he architecture of fear” in women’s Gothic which is no longer dependent on “the conniving villain,” but rather on the physiognomy of the body (Judith Halberstam 28-29). Indeed, postmodern horror fiction is beholden to Frankenstein which has given the Gothic genre one of its most cherished freaks. Unlike her female precursors who create terror through the use of the sublime, Shelly locates Frankenstein’s body that is constructed from fragments of corpses as the locus of terror. In other words, “the peril of the night” that used to perform the role of the villain in the gothic novel,
Considered a precursor of modern psychoanalytical fiction as he carefully depicts the inner workings of the human mind - trapped in the grotesque nightmares of the irrational - Edgar Allan Poe masterfully combines literary elements and techniques such as diction, point of view, symbolism, allegory and personification adding also a series of gothic and macabre themes - death, decay, premature burial and incestuous relationships - in order to create memorable settings and imagery full of suspense, mystery and an overwhelming sense of darkness and despair. Written in 1893, Poe’s best-known fantastic novella “The Fall of the House of Usher” provides a vision upon a “world gone barren “. A tale of sickness, incestuous love between siblings,