Im glad I got a second chanse to be smart becaus I lerned a lot of things that I never even new were in this world and Im grateful that I saw it all for a littel bit” (Keyes, 305). On the contrary, Charlie does not truly show that he is glad he got to be smart, as stated on July 28, the same day: “That’s why Im going away from New York for good … Im going someplace where nobody knows that Charlie Gordon was once a genus and now he cant even reed a book or rite good” (Keyes, 305). Although he did mention that he was grateful that he got to be smart for a little while, he is so ashamed he does not want to see any of his friends. He thinks they will laugh at him and make fun of him like before. He is telling Miss Kinnian that everything is good, but when you really analyze the text, Charlie is only doing that so she will feel better.
The brother showed more pride for helping Doodle then concern for Doodles health. “Pride is a wonderful,terrible thing, a seed that bears two vines, life and death.” (p.419) The quote shows that he did not know the effect of pride till it was to late. “Renaming my brother was perhaps the kindest thing I ever did for him, because his first name only sounds good on a tombstone.” (p.417) The Brother tells you that the pride he had in renaming his brother because no one expected anything from him. This is another reason why his brother caused his death by having little concern for what he done and he left Doodle in the rain. The narrator from "The Scarlet Ibis", causes Doodles death because he left him off in the rain.
Big Bucks Ballard was an idiot … he … leaves all the real work to the little guy and… sits back and enjoys the prophets,” (Okay For Now, pg. 152) says Doug’s dad. Doug expects Mr. Big Bucks Ballard to be a jerk and cheap-skate the way his dad describes him to be, but the expectations could not be more opposite of the real thing. While Mr. Ferris and Mr. Powell show Doug kindness by teaching him lessons to get him through life, Mr. Ballard, just as important, acts simply nice to Doug. By giving Doug an orchid to give to his mom, and a new jacket to wear, Mr. Ballard shows Doug only only politeness, but how to give, without expecting anything in return.
This goes off the sense that most good deeds have evil roots. For instance, The reader knows that the narrator is a bad brother when the brother renames him Doodle. The brother says,"It was perhaps the kindest thing I ever did for him because nobody expects much from someone called Doodle" Hurst 8. Renaming a loved one would be an act of kindness but not renaming someone a rude name. He renames him Doodle because his little brother is weak and doesn't do anything; he is invalid.
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud?
Innocence can be depicted as blind trust and ignorance to the world. In William Golding’s Lord of the Flies (1954), he shows this ignorant side of innocence. The boys that were placed on the island were mainly children under the age of ten and Golding slowly begins to strip away their humanity as time on the island lengthens. In The Count of Monte Cristo (1844), Alexander Dumas takes a different approach. Instead of focusing on ignorance, Dumas a naïve and trusting young man named Edmund Dantes.
It was like a good book that you can not but down. In the beginning I was fascinated with how simple the Navi live. They appreciate nature and find the good in the smallest things. In the year 2154, Jake Sully decides to carry on a mission his deceased twin brother had been working on for years. He takes a trip to Pandora with hopes of negotiating the Navi to relocate their home in order for the humans to access the valuable minerals underneath their deep-rooted home tree.
Thus the use of cuts, slow dissolves and flashbacks effectively convey both Kane’s public and private life. The public life is representative of the Great American Dream and the private life represents the isolation which an individual experience as a result of the dream. According to critic Roger Ebert 1998, “Rosebud is the emblem of the security, hope and innocence of childhood, which a man can spend his life seeking to regain.” By viewing the film, we as the audience are able to understand that happiness of childhood cannot be gained through
Cecil B. DeMille, one of the highly regarded trailblazers of American cinema long ago has mentioned that “The greatest art in the world is the art of storytelling,” and for all one knows it has come to pass as a well-founded pronouncement. Humans have forevermore been daresay a storyteller. Subsequent to the inception of the first civilization, artists have taken advantage of antithetic orders to be a source of an account of a story. In addition to, music, painting, poetry and literature the immediately prior contraption for storytelling have been motion pictures. Accordingly, from the early years of the twentieth century to the present day, feature film has burgeoned as one of the foremost mediums for storytelling.