Ruby Moon Codes And Conventions
Ruby Moon
A mesmerizing and haunting tale, little Ruby Moon disappears without a trace from her Australian suburbia home and leaves her parents, Ray (Matthew Filkins) and Sylvie (Mary Eggleston), absolutely distraught. Written by Matt Cameron in 2003 Ruby Moon is a contemporary Australian play that explores dramatic forms, techniques and conventions from theatre styles such as Australian Gothic and Magical Realism. Although originally directed by Helen Howard for QMF, Dan Evans came along and took on the challenge as a director to make this Ruby Moon his own. Manipulating the magical realism conventions, symbolism and multiple role-playing, and australian gothic convention intertextuality, Dan presents with dark humour a disturbing yet intriguing remarkable piece of theatre.
A very obvious convention that Dan Evans has manipulated into this play is the use of magical realism’s multiple role-playing. With only two actors and eight different characters, we watch Ray and Sylvie progressively lose their mind as they visit each
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Mostly focusing on the fairytale Little Red Riding Hood, Dan has successfully manipulated this into the play near the start when Sylvie asks Ray to "tell her the story." However, unlike usual fairy tales there is no happy ending in this one and as Dulcie mentioned, comparing Ruby Moon's disappearance to Little Red Riding Hood, "... she wasnt missing this long." The use of this fractured fairy-tale element evokes the world of childhood innocence and the of the dangers of “woods and wolves.” Other childhood experiences are also blended into this dark story such as finding coins to buy an ice cream from Mr Whippy, the innocence of neighbourhood children to come out and have a treat has turned into something far more sinister then ever imagined at the start of the play. These small yet key features in the play creates tension, fear of the unknown and provokes questions for the audience to think
Analysis Of Jump For Jordan By Donna Abela
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Polarity In Cyrano De Bergerac
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How Is Fear Presented In The Crucible
491 Words | 2 PagesFrom a group of five people, two could be scared of spiders and bugs, one could be afraid of the dark and one could fear both of these things equally. Fear overrules people and can change their behaviour and can also change the behaviour of others. The emotion of fear portrayed in the play is evident through the use of stage directions, language. It can also be shown using camera angle, actions, lighting and choice of music as well as dialogue screen directions and expressions.
How To Stop Panic In The Crucible
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A Raisin In The Sun Film Analysis
1601 Words | 7 PagesWhile both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation. On the surface, the first difference noted between the stage and screen versions are the sets. The stage version describes the setting of the play, the Younger family living room, as a
Beach Burial Kenneth Slessor Analysis
1345 Words | 6 PagesWith every journey comes a destination which is dependent on the degree of the individual and their will to potentially better themselves. A journey offers travelers the opportunity to extend themselves physically, intellectually and emotionally as they respond to challenges. Ruby Moon by Matt Cameron is a contemporary fractured fairytale in the form of a play that explores the grim, Australian legend of the missing child. This text portrays real issues in an absurd representation which forces the reader on an imaginative journey as well as the characters in an inner journey to establish an identity. Beach Burial by Kenneth Slessor is a distressing elegy about loss of life through war.
Charlie Brown Christmas Play Analysis
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Gender Roles In Trifles
1014 Words | 5 PagesThe play “Trifles” by Susan Glaspell is largely based on stereotypes. The most prevalent one explores the difference between gender roles. Glaspell exerts the repression of women in the 1900s. During that time, women were highly looked down upon by men, and were only seen as the housekeepers and child bearers. This example is displayed throughout the play with the men, however, the women in this play prove that the stereotypes of gender roles held against them are completely wrong, which is shown through the characters, set design, and symbolism.
Examples Of Heroism In A Raisin In The Sun
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Trifles Gender Roles
823 Words | 4 PagesThe one-act play, “Trifles,” by Susan Glaspell, has several themes that are incorporated within it. There are several dominant ideas such as female identity, patriarchal dominance, isolation, and justice are themes that are all reflected in different ways throughout the play; however, gender is the main theme of “Trifles.” There is a considerable difference between the roles of the men and the women in this play. The men are expected to act in a more controlling, dominant way, while the women are expected to act in the typical ‘housekeeper’ fashion. The theme of gender is brought out through the play in many dramatic elements such as character, tone, and dramatic irony.
Black Women In Lorraine Hansberry's A Raisin In The Sun
714 Words | 3 PagesIntroduction Lorraine Hansberry’s “A Raisin in the Sun” led a great quest for the Younger household. Raisin is set in subsidized housing in Southside Chicago, in which three Black female relatives live and interact with their brother, husband, and son Walter. African Americans were frowned upon before the writing of “A Raisin in the Sun”. However, it her notorious story provided individuals of multiple races new hope for life. In 2006, Diana Adesola Mafe provided the world with her opinion of “A Raisin in the Sun”.
Similarities And Differences Between Red Riding Hood And Little Red Riding Hood
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Feminist Theatre History
1521 Words | 7 PagesThe construction of a self-conscious female gaze is the prime objective of feminist theatres everywhere. British feminist theatre practice as elsewhere is an attempt made by women to claim their rightful space in the creative realm of theatre that was deliberately denied to them by patriarchy. The public gaze on women was always the male gaze, one that always wished to see women as objects. It was an ideological position that patriarchy sanctioned as the normal way of looking at women. Women were always the secondary sexual objects for the gratification of male sexual fantasies.
Trifles Character Analysis
1108 Words | 5 PagesSmall lines and actions give clear insight to the theme of a struggle for power between genders. Through lack of following the script, ignoring stage direction, and undeveloped characters the production of Trifles directed by Nancy Greening is an insufficient presentation of a
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