Research Paper – Ruth St Denis There are many famous dancers and choreographers who have shaped modern dance and how it is performed nowadays. Ruth St Denis was without a doubt one of the most influential choreographers in the modern dance business and was the teacher of many successful dancers, who themselves reinvented modern dance and established new visions as well. One of her most notable impacts on modern dance was bringing ideas from eastern cultures into the western culture by incorporating them into her choreographies and performances. This research paper will explain how St Denis managed to influence how modern dance was performed and experienced with the observation of two of her dances. To understand her introduction of Oriental …show more content…
St Dennis had the privilege to take ballet classes with Maria Bonfante, who was an Italian ballerina. She also studied the technique of François Delsarte, forms of social dances, and skirt dancing (Au 92). The latter one was the start of her professional dance career. In 1892, she moved to New York City with her family and she performed skirt dances in Worth’s Family Theater and Museum, which was a dime museum, where the male viewers were able to see the legs of female dancers under their skirts (Gillis Kruman, “Chapter 2: The Solo Dancers”). She performed her dance routine several times a day during her time in New York City. It did not take long for her to be noticed by David Belasco, who was a producer and director for many successful Broadway shows. Belasco convinced St Denis to join his company as a featured dancer. He also came up with the idea to change her name to St Denis because it sounded more artistic and spiritual (Gillis Kruman, “Chapter 2: The Solo Dancers”). She started to tour with Belasco’s company and while she was in Buffalo, New York to perform Madame DuBarry, her interest for the culture of the Orient was awoken. The story goes that St Denis was at a drugstore
Born in Fairfax, Oklahoma, Maria Tallchief was one of the America’s most known ballerinas from the mid 1900s. She was considered to be “America’s first prima ballerina.” Something very notable about this women was she was from an Osage tribe and she was the first Native American to start a dance career. Maria Tallcheif showed her passion through dance through her performances, her marriages to people of the dance world, and through her persistent teaching to other dancers. Maria Tallchief danced with the Ballet Russe de Monte Carlo in the 1940s and then became professionally known.
Ailey being an American choreographer shows how he was able to become a household name in the dance world. Ailey choreographed over 80 ballets which easily illustrates how Ailey became an acknowledged figure in his community. Ailey’s most popular show Revelations is being performed till this day which shows how Ailey was able to leave a historical footprint on the dance world. Ailey's choreographic masterpiece Revelations is believed to be the best known and most often seen modern dance performance in history.
She “slunk into the closet and practiced the Sausalito two-step in secret,” after dark some nights, because she was jealous that Jeanette could do the dance already (Russel 239). This shows Claudette’s determination to become a better, more proper human girl. If she can master this dance, she will feel like she can eventually master anything. Claudette also learns human speech rather well. At the ball, she says “My stars!’...
Early life Judith Anna Jamison had been born on May 10, 1943 in Philadelphia. Jamison's parents enrolled her in the Judimar School of Dance, where she performed in her first dance recital at the age of six. She had studied ballet, tap, acrobatics, and jazz. First Jamison had enrolled at Fisk University in Nashville, Tennessee, on a physical education scholarship.
The Alvin Ailey modern dance company is known internationally for their works and dancers but how they began is a very interesting story. The company formed in 1958 and just two years later one of the most memorable and notable performances of the company was created, “.Revelations”. Although Alvin Ailey was the creator and director of this company, Ailey’s style and the technique he used and that the company still uses stems from Lester Horton. Horton was a pivotal teacher for Ailey and inspired him to create a company and carry on this technique from Horton. This paper will illustrate the beginning influence Horton had on Ailey and how the company has grown overtime.
Later she and her family moved to Santa Barbra, California where she was introduced to dance. At the age of 17, Martha attended Denishawn School of Dancing and Related Arts. In 1926, around the age of 30, she was living in New York City and founded her own dance company where she created her own technique and revolutionized the dance world. She freed the art of dance by providing a new language and style. In 1991,
Martha Graham is an artist and choreographer who is a standout amongst the most powerful figures of advanced move. Her family was puritans, so Martha Graham was raised in a stern family. Graham got to be distinctly inspired by move in the wake of watching Ruth St. Denis' move execution. She needed and chose to wind up distinctly an artist, yet her dad didn't permit her to concentrate the move. Be that as it may, she started her learns at the Denishawn School of Dancing and Related Arts, established by Ruth St. Denis and Ted Shawn.
In America, Martha Graham (The Queen of Modern), Rudolph von Laban ( Time Energy and Space), and Alvin Ailey (Gospel or Lyrical Spiritual dance) developed and are developing for human movement and methods of instruction that led to the development of modern and expressionist dance. The reason that modern dance is so popular is because it 's the ability to move your body in a way that is comfortable to you. Also people in that time were trying to get out of the strictness of ballet and wanted to be more free in there dancing. The society change during the 20th century changed in the dance style.
In her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
“Power is at the center of dance's position in culture.” (14). Often times, dance is overlooked as a powerful form of expression. Choreographer, Alvin Ailey, has been greatly influential in both the dance world and society. He surpassed what he had hoped to accomplish by creating a unique style of movement, having a resounding impact on the world of modern dance, founding his dance company and accomplishing praiseworthy works that has inspired many to carry on his legacy.
Often called the Divine Dancer, Ruth St. Denis was one of the first people to explore the modern realm of dance, making her a modern dance pioneer. Ruth Dennis was born in Newark, New Jersey January 20th, 1879. Her mother, Ruth Emma Dennis (Hull)
Throughout her lifelong anthological studies and dance performances, Dunham has shown to be responsible for the exposure and establishment of dance as a cultural topic of anthological
C. Multiculturalism, Ethnicity and Race Before presenting the field work and in order to set the framework for this research about Multiculturalism in Classical Ballet Companies Nowadays, it is appropriate to define first of all the basic concepts of this study. The key terms, will be described briefly based on what is found in general theoretical works about these concepts and based on the course ‘Discours et Multiculturalité’, taught by Laura Calabrese at the Université Libre de Bruxelles (ULB). All the concepts related to culture and multiculturalism, such as diversity, ethnicity or race are very difficult to define clearly. Over the years many descriptions of these terms have been presented.
“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
The dancers were observed to be full of energy which showed through their movements and dancing. Every movement was sharp and clean. Furthermore, the action portion of the basic dance elements was seen through the dancer’s basic movements that turned into dancing. For example, in one scene, the actor jumped off the table and broke into a little skip-glide dancing movement.