Sacrifice In A Thousand Splendid Suns

“Me and Ruth done made some sacrifices for you – why can’t you do something for the family?” (Hansberry 1.1.118). The Younger family has grown up without much and when the father dies, he leaves an inheritance that can get the family into a comfortable living position. The only problem is that they all want to use the money for different reasons. Each character wants to make their own dreams come true. They do not want to sacrifice their own dreams to please the others. Unwilling to make a sacrifice proves to bring more animosity in a family as shown in A Raisin in the Sun by Lorraine Hansberry through conflict involving money and how the characters handle their actions.

Mariam is married off to a disgusting man named Rasheed and he mistreated her just like her mother treated her. Rasheed then gets another wife and things for Mariam and Rasheeds new wife, Laila , don't get off to a great start. Mariam is told to take Lailas orders, but upon one of Laila and Mariam's first conversations with each other Mariam gave a crude tone and let it readers know that “I was here first and I won't be thrown out” (225). Mariam believes that Laila will get rid of Mariam and this causes disagreement and tension between the two. Mariam later opens her eyes and realizes that Laila isn't an enemy and forgives Laila for trying to get her thrown out. Mariam allowing herself to forgive Laila leads to a bond that helps Mariam find meaning in their lives (250). Laila seems to have a better life than Mariam, but that all changes when Laila's parents are killed by a rocket. Laila was not mistreated as bad as Mariam was but still wasn't loved as much as her brothers were. Lailas mom loved her sons and once they were killed Mammy became distant towards Laila. Laila is aware of the change and knows that “She would never leave her

One similarity between Mariam and Laila is that both women, in one point of their lives, were aware of the things they could do in life. Mariam became aware when Rasheed took her out to Kabul for the first time they were married. While waiting for Rasheed, Mariam observed modern Afghan women and she thought how successful they all were. They made Mariam aware of how little she has accomplished and what she could if was given the opportunity. A quote from the list to support this is, " She imagined that they all had university degrees... these women mystified Mariam. They made her aware of her own lowliness, her plain looks, her lack of aspirations, her ignorance of so many things. (p. 75)". Laila was aware of her abilities, her aspirations and priorities were clear, since she was encouraged to study and her friends had high hopes for her. One difference between Mariam and Laila is that Laila did something significance in her life. For example, at the end of the novel, Laila open a classroom to teach the new generation of Kabul and landed in a newspaper. She came back to Kabul to help rebuild it. Laila and Mariam were aware of their endless possibilities as women, even under the never ending oppression but Laila was the one who acted

When Laila’s parents were killed and she was injured, Mariam took her in and sacrificed her time and space in order to take care of Laila (199). Mariam didn’t have kids of her own, yet took care of Laila as if she were her own daughter. She cared enough for the young girl’s well being to take her in and show her kindness. When Rasheed is about to kill Laila, Mariam hits Rasheed with a shovel so hard that it kills him (349). She viewed Laila as her own daughter, and she wasn’t going to let anyone hurt her daughter. She knew how much of an abomination killing her husband would be to society, but she loved Laila enough to risk the punishment. Instead of running away from Kabul with Laila, Mariam stayed behind so that Laila would never get in trouble for killing Rasheed. She was then arrested and later shot for murder (371). Mariam sacrificed her own life so that Laila could marry Tariq and live happily and freely with her family. She gave up everything, even her life for those whom she loved, even though they biologically were not her children.

In the novel A Thousand Splendid Suns, the author Khaled Hosseini emphasizes the importance of education in woman. With the importance of education in women comes the endurance of woman. Hosseini displays the endurance of hardships that women face in Afghanistan through his female characters in the novel.

In Gary Soto’s short story ‘Growing Up,” the main character, Maria, says, “‘I know, I know. You’ve said that a hundred times,’ she snapped.” Maria is acting ungrateful because she doesn’t want to go on vacation with her family and she is arguing with her father about it instead of being grateful for what she has. Being grateful is feeling or showing an appreciation of kindness and being thankful. In the story Maria argues with her father about not wanting to go on vacation with her family and claims that she is old enough to stay home by herself. Maria is trying to grow up too fast and she put her family to the side instead of being grateful. In this story, conflict, characterization, and symbolism all have an effect on the overall theme.

“The greatest sacrifice is when you sacrifice your own happiness for the sake of someone else”. In the book, A Thousand Splendid Suns, the author Khaled Hosseini writes a story about an Afghan girl name Mariam. Throughout the book it shows her life and growing up in Afghanistan. She learns about her country from events from her personal life and others. As these events grow throughout her life the color black appear more. As it grows it leads to her sacrificing herself for Laila and her children. A Thousand Splendid Suns develops the theme, human nature plays a factor in one who sacrifices themselves for the one they love through the archetypal uses of black, the mother figure, and the villain.

They make common cause and endure degradation, starvation and brutality at the hands of their husband until they are forced to take up a desperate, joint struggle". After being severely beaten, locked up and starved by their husband, Laila and Mariam's differences lead to a conflict that ends in Rasheed's death and Mariam takes the blame; and is killed by the Taliban for killing his husband.

Laila had to make physical and emotional sacrifices when it came to Aziza. An emotional sacrifice would be when she had to give her away to an orphanage. It broke her heart, but it was the only way to ensure Aziza would be fed and well taken care of during Taliban rule and the drought. Her physical sacrifices made was each time she tried to sneak away to see Aziza without Rasheed and was caught by the Taliban. Even though she was caught many times, she didn’t care, the love she had for her daughter was so strong she would die before she didn’t go see her,she even told Aziza “I’ll come and see you, all the time, I’m your mother; if it kills me I’ll come see you”(315). Tariq made some sacrifices when it came to his mother 's health at the refugee camp. He went to jail for years as a result of trying to smuggle drugs out of Pakistan. He felt the need to even take this risk because his mother had fallen ill during their times in the refugee camps. Considering the harsh times that they had to go through, especially during the winter, he even stooped down to threatening a little boy with a shard of glass in order to obtain his blanket. Readers learn this as he is speaking with Laila, “Tariq had cornered a kid. Twelve maybe thirteen years old, I held a piece of glass to his throat and took his blanket from him. I gave it to my mother””. The ultimate love filled sacrifice would be Mariam. Mariam’s sacrifice was made for the protection of Laila, Aziza, Zalmai, and Tariq. She knew what the punishment would be if she killed Rasheed, but she had to in order to keep him from killing Laila. The day after this incident Mariam says to Laila “ They will find us, sooner or later they are bloodhounds. When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” (337-338). She loved them so much, and didn’t want anything

Although the two are similar because they share Rasheed as their husband, they differ in the way they respond to situations. The explanation for their differences in behavior originates from how they grow up. Laila learns from her father at an early age to be independent and to be restless when it comes to achieving her goals, such as pursuing an education. Babi tells her that “Women have always had it hard in this country, Laila, but they’re probably more free now, under the communists, and have more rights than they’ve ever had before” (Hosseini 135). Despite the war and her abusive marriage with Rasheed, Laila has positive outlook on life that serves her in numerous situations. This includes her decision to return to Kabul, a place where her family once called home. Laila portrays her hopefulness for the future by becoming a teacher for both boys and girls in the orphanage to demonstrate that gender equality is the norm. She takes on the role of behaving as a motherly figure for the children in the orphanages because their parents are unable to support them or because they are dead from the wars in Kabul. The only family that they have is Laila and her family, which leaves Laila with the responsibility to raise the forgotten children of Kabul. She believes that it is her duty to teach the children about the past in order to restore the future since they will be the future adults living in Kabul; through her teachings, Laila is bringing hope back to her home. The pain and suffering that Laila endures throughout the novel inspires her to strive to make a positive difference in

They represent the plight which the Afghan women have been facing since ages. These characters give hope to the countless women who still suffer the dominance and hardships of the Afghan society. The actions of these characters symbolize their strength to endure things as they join together and retaliate against the man, and in turn the society, who has taken away their rights to live their lives according to their own choices. The ‘thousand splendid suns’ represent the thousands of Afghan women with immense potentialities who are still under the clutches of patriarchal domination and are forced to hide behind the walls. Khaled Hosseini has beautifully portrayed the cruel realities of the lives of Afghan women through Mariam and Laila and this is what separates A Thousand Splendid Suns from literary works that deal with Afghan women. The novel aptly portrays the fight of Afghan woman for her rights to education, health, freedom, choice and

Despite having the trappings of a hard sci-fi adventure story, Christopher Nolan’s Interstellar is a deeply humanist and spiritual film exploring philosophical and emotional issues in a complex way (Dean, 2015). Central to this are the concepts of bravery and sacrifice: as Cooper (Matthew McConaughey) and the rest of his crew take great risks and travel vast distances to save humanity from a dying Earth, the characters all display varying aspects of the human condition, especially related to these very big, complex ideas. As the characters of Interstellar go about their mission and weigh the risks and rewards of each and every decision, they each find their own definitions of bravery and sacrifice, weighing their own personal decisions against

What makes one willing enough to sacrifice her own life for others? How difficult can it be to willingly die for what one believes? What does it take to be a Christ-figure? Khaled Hosseini emphasizes the concept of sacrifice in A Thousand Splendid Suns. In this novel, Hosseini presents Mariam as a Christ-figure through her qualities and sacrifice.

In the progressive modern world, the ancient mindset of men’s superiority exists in many societies. Women who are opposed to such ideology are, in some cases, perceived as rebellious when words such as feminism has come to acknowledgement for over a century. Through the struggles that the characters of A Thousand Splendid Suns faced in the patriarchal Afghani culture, Khaled Hosseini delivers his feminist ideas. For her whole life, Nana endured the troubles given by men, and she is one of the “fallen female warrior” of the novel because she fought against the oppression and lost, due to the unfortunate circumstances of her life. Mariam also suffered the torments imposed on her by the men in her life, sharing a similar fate as her mother, Nana, in a way. Nevertheless, Mariam is not a fallen warrior but a victor. Contrasting from Nana, Mariam fought her battle with resistance rather than endurance. She broke free of the oppressive culture and realized her self-worth in the end. Fariba is one of first non-submissive females of the novel and was portrayed as the woman with a progressive mindset. However, after a long time of struggling against the society and the loss of her two sons in addition to that, her role as an ideal feminist challenger is no longer dominant. Much like Mariam, Laila is a victor. The difference between Mariam and Laila is Laila has been defying the norms of the culture throughout her life, unlike Mariam, who was submissive for the early years of her lifetime. Laila represents a hope for woman in the male dominated culture, as she goes on to escape from her abusive husband, finds happiness, pursues education, and contributes back to the society postwar. The male characters are also notable to observe from the novel because the patriarchal society, as well as for the comparison purpose. Hakim, Laila’s father, has an advanced

This highlights the importance of how these acts of cruelty Mariam and Laila faced; ‘fear of the goat, released in the tiger’s cage’ is what ultimately defines their inner feminist strength, ‘over the years/learned to harden’ which shows that Mariam and Laila’s past indirectly prepares them for The Taliban’s arrival. The Taliban take away the basic rights of Mariam and Laila ‘jewellery is forbidden’, but they fail to do so. Ironically, it is the society itself that gives them the strength and platform to strike back against Rasheed, who is a cruel, male-dominating character who symbolised and reinforced everything the term ‘anti-feminist’ stands