Music Appraisal
The two areas of study I have chosen are Texture and Melody and Rhythm and Metre. The strand is Popular Music of the 20th and 21st Centuries and my chosen link to this is the blues scale.
I have chosen melody and texture because I think that it can add character to a piece and I have strengths that lie in this area. There is also a wide range of techniques that I can use to enhance the piece including sequences and articulation. I believe that rhythm and metre makes a piece sound exciting and it also adds contrast to different sections in my piece by changing the metre. I think that a range of rhythms are essential for any successful piece of music.
The link to the strand within my piece is the blues scale. I chose this because
…show more content…
To overcome this difficulty, I thought about what chords were both in C minor and G major. So, the chord I used was D major which modulated the piece nicely into G major as it created an imperfect cadence.
My composition successfully exploits the Areas of Study I have chosen. I have included sequences in bar 9 and 11 and ornamentation in bar 24. The melody of the piece is conjunct and it follows the notes of the G major scale. In the B section, there is a chromatic scale in bar 21 and sequences in octaves in bars 29 to 31. The texture of the piece is homophonic throughout with the split chords and then, Alberti Bass is brought in to the A2 section but this still stays as homophonic texture.
To satisfy the requirements of choosing Rhythm and Metre, I have included dotted rhythms during the A section. Also, there is the use of syncopation in the melody in the B section and the compound time signature change to 12/8. In the A2 section, I changed the time signature again to ¾ therefore; I decided to change some rhythms in the piece to fit this.
The focus of the given strand in my composition is the blues scale. It is successful because jazz and blues music emerged during the 20th and 21st centuries. The blues scale gives my piece the jazz style in the B
…show more content…
In the A sections, it features strong components from the classical era whereas the B section has a much more relaxed bluesy feel to it.
The A sections have equal four bar phrases which is a typical feature of classical music. The ternary form was also a popular because it allowed variation in a piece which was used a lot during the era. To mimic this style of music, I included sequences, imitation and subtle dynamic with crescendos and diminuendos. I also used Alberti Bass which is a popular Classical texture to use. The use of Alberti Bass is typical to a piano piece because it is difficult to play on any other instrument.
In the B section, it sounds bluesy and jazzy because the melody has a syncopated rhythm; this makes the mood of the section more relaxed because the rhythm is less strict. The blues scale creates an unexpected effect as the flattened notes are not part of the usual major or minor scales which again make the piece feel more
Elijah Wald published the book Escaping the delta in reference of the music genre of the blues, in which he explains some of the myths that surround the blues genre, in which according to him were misleading about the culture of the genre. Derived from a lot of history, the foundations in which were perpetuated to promote the genre according to Elijah Wald were not accurate, and he tries to explain in detail the misconceptions in the book. One of the main ideas that Elijah Wald tries to explain is the concept of the blues being described as a definite genre. According to Elijah Wald, the genre exists but also does not exists (Wald, p 23 ).
In the article, “Blues as a Literary Theme,” Gene Bluestein asserts that the theme of Ralph Ellison’s Invisible Man is the blues. Not in the literal sense of the feeling, but in the sense of the musical genre and all that it has to offer. Through emphasizing the American mold “without a past or anterior folklore which will serve to define his national values and literary expression,” Bluestein argues that the narrator fit this mold and, therefore, depicted a lot of bluesy ideals. In other words, he argues that the narrator of Invisible Man incorporates little of his past life to show his creative expression through speech, and this parallels with the ideal American man that is emphasized in blues music.
The Chicago blues is a subgenre of blues music local to Chicago, Illinois. It 's foundation is revolved around the sound of the electric guitar and its enhancer. In this paper, I will investigate what made is the essentialness of Chicago blues and what prompt to production of this subgenre in the city of Chicago and it 's legacy in the present setting. The blues initially started to show up close to the end of the 1800s after the Emancipation Proclamation.
The pitches are getting higher, while the song is going to the end. From 32:25 to 30:10 the flow is gaining momentum and the song has more powerful sounds until 44:25. The atmosphere of the work is entirely powerful and strong. The other hand, as the song is progressed, the flow loses momentum, and at 58:41, the atmosphere is changed into placidly mood. Ratio-based tuning system has intimately relationships between the other scales and notes.
Close your eyes and try to imagine a melding the history of the Irish and Scottish tunes, of the twang of country music, and the reverence of a gospel message. Enter a touch of the blues and the spirit of generations who played music to express themselves with this unique genre of music. Each of these components brought with it instruments steeped with tradition. Country music built the foundation with the guitar and bass guitar, the Scottish and Irish influences added the mandolin. The Africa American 2/4 beat contributes the banjo and the washboard adds the finishing folk music touch.
It can be said the film start with a new style in this field. The orchestral tone is not only broad complex, the sound effects have great boldness, and the music start with strongly compact speed and explosive force, so that both the exciting science fiction music movie and action film music is full of these black colors. The whole film music development based overture describing the action and suspense, gradually the variations become the later tracks in the strange sound. The strong various percussion instruments burst out of the high energy music and bizarre sound effects, the transmission of a peculiar type of future science and technology hallucinations. In addition, the use of the color is also very vocal.
This piece consisted of two different movements. The second part of it was a lot more allegro, upbeat, and energized. It symbolized the eternal love that no one, not even a powerful king, could take away. The whole orchestra had more active roles and a polyphonic texture. Together they made a beautiful
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
This orchestral composition is a skillful combination of these elements that makes this classical piece one of my favorites. The instrumentation
1.4) underwent several thematic transformations in this movement, first being treated in rising sequences. The ‘antagonist’ leaping figures (see fig.1.4) outline accents on weak beat, giving the whole section a sense of metrical disruption. The second theme appeared in B-Flat major, followed by a closing
This is then followed by a sing-song like eight-note figure that features a pointed forward momentum. The rhythmic building blocks of the theme is constructed in two bar phrases which then sequences upward by step (Example 1). The accompaniment to the theme is sustained half notes played by the second violins, Violas, and Cellos The home key and the harmonic content of the exposition is also very clear in its presentation. The opening of the movement is in A major and remains primarily diatonic in its harmonic content, with only the occasional passing tone. The primary theme is played twice having a four-bar transition in between each quotation (Example 2).
2. The Rite of Spring music makes me think about powerful cultural groups dancing, marching, celebrating and pursuing their ideals. Stravinsky achieves that way of thinking in me by the way he changes the music tones constantly; presenting sounds of joy, mystery, passion, and aggression. I also heard some instruments I am not sure what they were but they make me think about Indian tribes. 3.
Reason to listen: I think it’s safe to say that all of you have listened to or heard music at one point of your life, but did you know music influences and manipulates us more than we know? III. Thesis Statement: Today I am going to tell you about an aspect of human culture that appears just about everywhere you go: music. IV. Credibility Statement: Being a big music lover, I was curious about how much music really affected me, and hence my research began.
First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.
The first movement, Allegro ma non troppo, is very fiery and powerful. After an initial flourish of piano solo, the violin brings forth the main theme, a romantic, almost heroic melody. As the theme is developed fast passages create a sense of urgent drama. The middle movement is very unique because of its title Improvisation: Andante cantabile. The tranquil violin passages give the impression of improvisational material.