In Sandra Cisneros vignette Louie, His Cousin & His Other Cousin (1991), Sandra Cisneros is trying to express the fact that sometimes criminals do not have bad intentions when they commit crimes. Sandra supports her view by describing Louie’s cousin with details that are not normally characteristics of an actual thief. Sandra’s purpose is to challenge the assumptions that people have for criminals. People who would benefit from this story are those who continue to make assumptions about others when they do not know much about them. Sandra focuses on the dreams that are not achieved by those who live in an unfortunate society. Sandra’s tone is innocent, responsible, and human, which is meant to reach the intended audience. I had a good understanding of the text due to Sandra’s deep visuals of the situation, for instance, “We were playing volleyball in the alley when he drove up in this great big yellow Cadillac with white walls and a yellow scarf tied around the mirror.” When Sandra added this visual, it helped me think of a cause and effect of stealing a car. This quote also shows Louie's cousin attitude slowly giving up on his dream of owning an attractive car; and that the only way he will get close to his dream is by stealing other people's’ dreams. The reader can possible gain the knowledge of not …show more content…
Sandra supports her claim by describing the motives of the younger girls, then describing the motives of the men the girls are attracting. Sandra’s purpose is to show the importance of younger girls keeping their sexuality hidden at a young age, so that they’re are protected from the mentality of men. Sandra targets younger women that do not know that certain things can attract the wrong audience, and to the adults who freely lead them
1. The comparison between grain elevators to Greek temples is how the Greek temples are like the elevators but way before tourists reach them. Capote uses imagery to get his point across that the land in Holcomb is extraordinary. 2. To emphasize that they didn't really know who their neighbors were.
One little move on a girl or guy can turn you into becoming a mother or father. This isn't the only “pornographic” detail Luis states in his book, there are much more. He writes these details in his book because it is the reality of what teenagers do and he wants to teach teenagers life lessons about sex. Luis faced discrimination, arrests, gangs, drugs, and all kinds of street crimes. But, within all this Luis continued to go to school and opportunities popped up for him.
She employs many literary devices that support her specific claim in this passage as well as she provides many clear examples of how stereotypes have shaped young girls’ lives throughout the book. Through these examples she succeeds to use them as evidence so the audience does not conform to
Sexuality in adolescence Sexuality is the most notorious and common sign of development in adolescence. “The House on Mango street”, by Sandra Cisneros is a coming of age novel, where Esperanza transitions from a girl into a young teen. In her journey, Esperanza comes across many challenges, she is forced to grow up by life’s adversities. In the short story “Girl” by Jamaica Kincaid, a mother advises her daughter and scolds her into becoming a decent woman. In her guidance, the mother is worried about her daughter’s sexual activity and warns her about the consequences of improper behavior.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
A texan woman, named Sandra Bearden was looking for a maid to complete housework and look after her son, so she traveled into a poor village in Mexico and met Maria. Maria, being only twelve years old, saw this as an opportunity to move to the U.S. and receive better education which produced a better life. Sadly, Maria’s dreams were crushed because Sandra began to take advantage of her both physically and mentally. Her punishments for not working included: pepper spray in the eyes, a bottle broken against her head, jamming garden tools up her private areas,
The title of the book “Virgins” communicates more than the first sexual act. It depicts the inability to make personal decisions without basing off other people’s opinions and beliefs. The story is an analysis of the progression of two females and their interaction with men. Though different, each girl has a different perception of sexual anatomy and hence Evans is able to communicate his message that virginity or sexuality is something that is a sole decision of someone despite whether they have had vaginal sex or not. Throughout the story, Erica is unsure with men.
In Sandra Cisneros’ The House on Mango Street, a young, impoverished girl with Hispanic origin, named Esperanza adapts to her new life in Chicago, on Mango Street. Throughout her time living on Mango Street Esperanza observes how other people are living around her, especially women and young girls like her. Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own.
Much like a bad dream where one cannot move, Esperanza has no power or voice; her entire life resembles this nightmare. She is discriminated against, not only for her race, but for her gender and social status as well. Dealing with all this unfair treatment, she is easily taken advantage of, leading to a desperation for a better life. She craves for a “real house” but, due to her family’s poverty, they are forced to move frequently into dingy apartments. In The House on Mango Street, Cisneros’s use of rhetorical devices like imagery, analogies, and motifs, helps to create the text’s longing tone.
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
Melinda is deserted by her peers because of a phone call that, unbeknownst to them, was only made because of a rape crime that had occurred minutes before it was made. To begin, Melinda is forced to sit alone on the bus because no one will take the seat next to her. “As we leave the last stop, I am the only person sitting alone.” (3) Melinda resides in a lonely seat on the bus because no one wants to sit with the individual who ruined the party of the year, as they conclude that it means she is a killjoy. They do not, however, question why she had to make that call.
Agnew’s General Strain Theory in There Are No Children Here Introduction Throughout this semester, we have covered various criminological theories along with their strengths and limitations. These theoretical perspectives provide possible explanations to why individuals commit crimes. In addition to, these theories are indirectly woven within cultural objects such as song lyrics, movies, books, and television.
Eliza Haywood writes the cautionary tale Fantomina in order to instruct women against pursuing their sexual desires. The protagonist, an unnamed “Lady of distinguished Birth” (41), secretly pursued her desires for Beauplaisir under the guise of four different personas, ultimately leading to the ruin of her reputation and being sent to live in a monastery. I will refer to the main character when she is not disguised as the protagonist to avoid confusion. I will be discussing female sexuality, where I will be focussing on certain aspects including sexual identity, sexual behaviour, and how social and religious aspects affect this sexuality. I will argue that Haywood uses the cautionary tale in order to represent female sexuality as distinguishable
Mean Girls, set in Illinois, depicts the socio-political climate of an American high school, with it’s protagonist, Cady Heron moving from Africa and homeschooling to be socialised in her new society. The antagonist throughout the film, Regina George, is portrayed as an authoritarian woman who has total control of the school (Mean Girls 2004). Regina is shown to engage with numerous sexual partners at the same time and promotes her liberation through wearing a tee-shirt with her bra protruding out the front when she finds two holes cut at her breasts; motivating a new fashion trend throughout the cohort (Mean Girls 2004, Robinson-Cseke 2009, p. 45). This depiction of a strong, independent woman aligns with ‘Post-feminist texts-films, books, magazines and television programs characterised by a model of young womanhood that is empowered, successful, entitled, independent, socially mobile and free to choose her destiny’ (Toffoletti 2008, p. 72). Post feminism is further reflected in the film through the power change which occurs, transferring from Regina to Cady, mirroring the transfer of power from second wave feminism to post feminism.
First, the theme demonstrates the dangers of female sexuality. In the story, the other is worried about the way her daughter is acting even though she has not hit adolescence yet. She says that if her current behavior continues it will lead to a life of promiscuity. Kincaid wrote, “this is how to behave in the presence of men who don’t know you very well, and this way they won’t recognize immediately the slut I have warned you against becoming” (180).