Santiago Nasar Machismo

As he forces Judy up the bell tower stairs, he realizes his crazed obsession has overcome his acrophobia. When they reach the top, he finally surmises that Madeleine had been Judy all along and that he had simply been pawn in Gavin Elster’s intricate setup to cover up his wife’s murder. Judy declares her love for Scottie and Scottie reciprocates with a kiss. In a response to all of the commotion, a nun appears to question the noise. Startled by her sudden presence, Judy falls from the bell tower to the death in a horrible scene of déjà vu for

Romeo did just that, showing up at the Capulet’s masquerade, even if he was a Montague. Tybalt directly sought out an audience with Mercutio, a friend of Romeo’s. He purposely instigated a fight while the Montague most definitely did not want to, and it resulted with the deaths of both Tybalt and Mercutio. Juliet forgave him just about instantly, forgetting her cousin’s murder for her husband’s survival, proving how blind love can make someone. “Shall I speak ill of him that is my husband?/But wherefore, villain, didst thou kill my husband?/That villian cousin would have killed my husband.” (3.2.97.100-101) In the gang fight, Bernardo and Riff were ultimately killed.

When she found out she was going mad. In document D "Get thee to a Nunnery" Hamlet asks where her father is and she says he is at home but he is really behind the mirror to spy on them. In the second excerpt Ophelia sings about 2 of Hamlet's actions which is he killed Polonius and rejected her. Then she drowns herself. For this I believe the way he treated Ophelia is not justified because that was the girl he

Marquez says he thinks Nasar died not knowing what he had done wrong, causing the reader to develop a sense of situational irony because if the Twins had simply pursued the action that the majority of the townspeople believed would happen, forcing Santiago Nasar to marry Angela to restore the family honor, they would have possibly found out that Angela lied about losing her virginity to Santiago, and instead found the person who was truly guilty of taking the family’s honor. The twins killed Santiago Nasar for taking the virginity of their sister, Angela, as well as stripping their family of its honor in doing so. Gabriel Garcia Marquez’s novella Chronicle of a Death Foretold, paints a society where honor is valued above all else and the murder of friends was accepted and encouraged by the people. Pablo and Pedro held the knives, however the anachronistic beliefs held by the townspeople plunged the blades into Santiago’s

This interpersonal conflict created a negative toll on the two characters and because they lacked the “strategies for managing conflict,” they ended up fighting in the “Pandoran War.” Another example of interpersonal conflict found within the film was when Jake Sully had to tell the Omaticaya clan and the girl he fell in love with, he was initially only there to infiltrate their clan and report to the corporals. Thus, they knew he was aware of the destruction that was coming to their home and the fact he betrayed their trust; he was then bounded by the Omaticaya clan and told he “[would] never be one of the People.” Thankfully, after proper conflict management, he was able to regain the Omaticaya clan’s trust and help aid in the Pandroan war against the

But he has no choice but to let Justine take the fall for the death of his brother because he fears being seen as a madman. Later when Victor is told by his monster that he would leave to South America if Victor makes a second creation, he agrees until he selfishly destroys the second creation. “You have destroyed the work which you began...Do you dare to break your promise?” (181). Victor knew the consequences. He failed his parental duty to take care of his child and his needs and as a result he got Elizabeth killed.

However, her husband did not have the same desires and chose to unfaithfully enter a relationship with another woman for political advantage. Medea was an instrument for executing a kind of divine or fated justice. Her behaviour could be seen as commendable because she was a character of action rather than a passive female character that would be owned and governed by a man. Medea goes as far to take the lives of her brother, father and her own children. Because Jason destroyed their marriage, Medea too, in a strange way destroyed the products of that marriage.

Macbeth is certainly by far the most evil character in the play. Macbeth evidently undergoes a mental process by which he come round to the idea or murdering Duncan. He does this as a result of his wife’s manipulation, her leverage being his manliness.Without the role of Lady Macbeth, the murder of King Duncan would never have occurred in the play. Lady Macbeth had already been plotting for the murder since she received the letter concerning the three prophecies by the witches. Although Macbeth had sinister thoughts about having the throne, Macbeth would have never dared to take it upon himself to kill King Duncan and steal the throne from

Heathcliff and Hindley have been acting very violently towards each other, and she was frightened for her life. She tells Nelly that Hindley had been trying to stay sober, but after he decided not to go to Catherine’s funeral, he began to drink heavily. In his drunkenness, he locked Heathcliff out of the house, and told Isabella of his plan to kill Heathcliff and acquire his fortune. Isabella warned Heathcliff, and when Hindley attacked, he ended up injuring himself. Heathcliff then broke a window to get into the house, and beat Hindley.

The trial pits the evidence of the white Ewell family against Tom 's evidence. According to the Ewells, Mayella asked Tom to do some work for her while her father was out, and Tom came into their house and forcibly beat and raped Mayella until her father appeared and scared him away. Tom 's version is that Mayella invited him inside, then threw her arms around him and began to kiss him. Tom tried to push her away. When Bob Ewell arrived, he flew into a rage and beat her, while Tom ran away in fright.