The Old Man and the Sea The Old Man and the Sea shows how an old unlucky fishermen becomes a legend fishermen in the small town he lives in. “Santiago is an old Cuban fishermen who has had some bad luck for the past eighty four days” (Marie 2). But that does not stop Santiago from going out fishing everyday to try to catch the next massive marlin even though everyone else in town has no faith in him. “On the eighty fourth day Santiago decides to go out into the ocean where no man has gone before to catch the next giant marlin” (Marie 2). He sails way out where no land is in sight and starts to fish. Santiago knew it was going to be a good day of fishing as soon as he started. Shortly after he started fishing, Santiago started seeing jumping …show more content…
Ernest is trying to show to everyone all the different critical interpretations that took place into making the book the way it is. Right from the beginning of the story, Ernest is trying to show everyone the tone he is wanting to set by just giving information throughout the story and not making any humors jokes or comments. By showing multiple themes throughout the story and each one of those important themes ended up relating to one of another to show the steps Santiago had to do to overcome to catch a fish. By showing these steps on how “Santiago went from the unluckiest fishermen in town”(Morgan 2) into becoming one of the most respectable ones that people looked up to. Ernest is trying to show people to never give up on their dreams and to work through and overcome what ever might be in there your way of achieving …show more content…
“EYES THE SAME COLOR AS THE SEA”: SANTIAGO 's EXPATRIATION FROM SPAIN AND ETHNIC OTHERNESS IN HEMINGWAY 's THE OLD MAN AND THE SEA. (Undetermined). Hemingway Review 28.2 (2009): 25-4. Humanities Full Text (H.W. Wilson). Web. 31 Mar. 2016.
Hemingway, Ernest. “The Old Man and the Sea”. New York: Scribner, 1952. Print.
Marie Rose Napierkowski and Deborah A. Stanley "The Old Man and the Sea." Novels for Students. Ed. Marie Rose Napierkowski and Deborah A. Stanley. Vol. 6. Detroit: Gale, 1999. 195-215. Gale Virtual Reference Library. Web. 31 Mar. 2016.
Melling, Philip. "Cultural Imperialism, Afro-Cuban Religion, and Santiago 's Failure in Hemingway 's The Old Man and the Sea." The Hemingway Review 26, no. 1 (Fall 2006): 6–24.
Morgan, Kathleen, and Luis Losada. "Santiago In The Old Man And The Sea: A Homeric Hero." Hemingway Review 12.(1992): 35-51. Humanities Full Text (H.W. Wilson). Web. 31 Mar.
It is not unusual for authors to make reference to events, literature, and people of the past. Hemingway constantly alludes to Christianity throughout the novel especially when referencing Santiago, the old fisherman, whose name in itself alludes to a biblical figure. For example, when Santiago’s hands are badly injured, the author is clearly alluding
In Hemingway’s work, The Old Man and The Sea, there are only a couple that you do not catch at first. The big one that you see right away is when Santiago is laying in bed just like Christ on the cross. “Finally collapsing on his bed, depleted and vulnerable after his long and arduous journey, Santiago lay face down on the newspapers with his arms out straight and the palms of his hands up.” (pg 122). A very Christ-like image, to be sure.
Like the Furies, they relentlessly pursue Santiago until divine vengeance is wreaked upon him. Clinton S. Burhans comments that “the sharks [are] not a matter of chance nor a stroke of bad luck . . . They are the direct result of the old man’s action in killing the fish” (75). ” We can gather other messages from the novella regarding the New Testament, such as the importance of work, discipleship and love and charity, all seen through the Old Man’s relationship with the
The theme of treasure appears very early on in the story. Santiago, a travelling Shepherd, has a dream one night telling him that his treasure awaits him by the pyramids of Egypt. This dream sparks his journey where along the way, the people he meets and the experiences he has shape and transform his idea and perception of treasure. In the end, Santiago finds his physical treasure but his journey is not over as he had once feared. Santiago’s perception of treasure has transcended the physical and now he has respect for the treasure of home, knowledge and love.
Though the “Old Man and the Sea”, portrays Santiago’s struggle, his experience from his journey betters him for the future. Ernest Hemingway’s novel is about an old man, who embarks on a journey to catch a fish. While on his journey, he struggles to keep himself together. He has to stay awake for long hours, on barely any food. Lacking energy, but not determination, Santiago pulls through and catches the great marlin.
The punishment of hunger, and that he is against something that he does not comprehend, is everything”. These two examples constitute part of his journey on the sea, by comparing things like the brotherhood between the fish and his two
They begin discussing the old man’s attempt at suicide. The story which seems to start off about the old man really becomes about the fear the old waiter has of becoming like the old man. The importance of the characters, setting, and symbolism of the story all help Hemingway to express the hopelessness and loneliness of the old man and the older waiter. The story’s characters consist of the young waiter who is confident but seems to be a bit naïve about what life is really about.
Ernest Hemingway’s characters are frequently tested in their faith, beliefs, and ideas. To Hemingway’s characters, things that appear to be grounded in reality and unmovable facts frequently are not, revealing themselves to be hollow, personal mythologies. Hemingway shakes his characters out of their comfortable ignorance through traumatic events that usually cause a certain sense of disillusionment with characters mythologies, moving them to change their way of life. His characters usually, after becoming disillusioned, respond with depression, suicide, and nihilism. However, this is not always the case.
His strength of mind is still strong like his youth. Therefore this essay will emphasize on the old man’s struggle against marlin, battle of willingness and his bravery which supports the theme determination. The old man Santiago struggles against marlin over day and night. Santiago travels far beyond from his home because he needs to reveal his strength and prove that he is still able to be the fisherman that he once was.
He is so poor that he sometimes does not even have food. Manolin brings him his supper, given to him by the owner of the Terrace (19-20). On the eighty-fifth day, Santiago goes far out into the Gulf Stream away from all the other fisherman to catch a big fish. He is “alone and out of sight of land” when he catches “the biggest fish that he [has] ever seen and bigger than he [has] ever heard of” (63). To prevent the giant marlin from getting away, Santiago holds onto the line using only his back, arms, and hands.
In The Old Man and the Sea, the old man serves as an archetypal Hero throughout the book and experiences a daunting and life threatening task to catch a fish and end an 84 day drought. To begin with, the old man possesses all the necessary qualities to be characterized as the Hero. During the 84 day drought in which he went without a fish, he was still confident in his abilities and wouldn’t give up. He even took the chance of going farther out into sea than any other boat dared.
Santiago is an old fisherman who goes out on a long, epic journey. He faces many challenges, both mentally and physically. On his journey he talks about many things, including the sea turtles; which he admires very much. At the beginning of his journey, Santiago is optimistic and has good mental and physical health. At the end of his journey, however he is beaten down both mentally and physically.
The novel, The Sun Also Rises, by Ernest Hemingway, describes the life of some people from the Lost Generation in post-World War I Europe, but mostly in Paris, France and Pamplona, Spain. This novel rotates around Jacob, or Jake, Barnes’, the narrator’s, life; which mostly includes drinking with his friends, Robert Cohn, a Jewish man who is often verbally abused by his “friends”, Ashley Brett, an attractive woman who Jake is in love with, Bill Gorton, a good friend of Jake’s, and a couple others. Their life in dull Paris seems to revolve around spending money and drinking, but when they go to colorful Pamplona, Spain, they have an amazing time during the fun-filled fiesta. Ernest Hemingway uses the “iceberg theory” when he presents Jake Barnes to the reader; he does not directly tell you a lot about Jake, but through Jake’s thoughts and emotions, one can tell that he was injured in the war, he is not a very religious person, he would rather do what he loves, instead of what he must, and he does not like to be honest with himself, despite the fact that he is one of the more honest characters in the novel. Ernest Hemingway does not directly let the reader know that Jake is injured in a special place; he allows the reader to interpret that from Jake’s thoughts and memories.
Hemingway accomplishes that outcome by making use of his iceberg theory - the ability to omit as much as possible from the context and interpretation of the story, leaving the reader to intuit its entire meaning.
Hemingway presents the elements of failure and suffering in The Old Man and the Sea by depicting several instances of suffering and failure which the Old Man, Santiago, has to go through throughout the course of the novel. According to Hemingway, life is just one big struggle. In the beginning of the novel itself, The Old Man, is presented as a somewhat frail old man who is still struggling with his life as well as his past failures. His skiff even had a sail which bore great resemblance to “the flag of permanent defeat”, with its multiple patches all over.