Nowadays, movies portray stories in which either a male or a female character can assume the leading role. Unfortunately, this was not the case on the year 1975 as most movies and TV shows targeted a masculine audience. The Bollywood film, Jai Santoshi Maa, might be considered as an early representation, in media, of feminism. There are many factors that might influence one’s decision in categorizing this film as feminist. Some of the elements present in the movie, which confirm the previous claim, are: relatable characters, the establishment of a role model for women to see as their guide and symbol of Female empowerment. Perhaps, Jai Santoshi Maa is a film that represents several aspects of the, nowadays widely-recognized, feminist ideals. …show more content…
In the film, the character that serves as a role model to other women, is no other than Santoshi Maa. This character possess many qualities which other women can learn from. The most important traits that Santoshi Maa showed in the movie were: Solidarity, Forgiveness, and Trustworthiness. Santoshi Maa was kind to her followers and worshippers, she intended to help them when they needed her help by either saving their lives as she did with Birju and Satvyaty, in the film, or granting her followers their wishes as she did with satvyaty when she helped Birju to recover his memory. Even after satvyaty’s sisters in law made stavyaty’s life feel like hell on earth, she forgave the sisters after frustrating the ceremony on her honor, after teaching the sisters a lesson. She was capable of forgiving those who intended to harm her followers. Later on the film, satvyaty was accused of poisoning children. Everyone thought she was guilty. After everything seemed to be falling apart in the ceremony, she trusted Santoshi maa. She knew that her prayers were to be heard by the goddess. These three qualities made Santoshi Maa a great role model for other women to follow as she is often seen as “an emblem of love, contentment, forgiveness, happiness and hope” (Jaisantoshimaa.com). This goddess “inspires an individual to cherish family values and to come out of the crisis with one 's determination,” as parvyaty did by trusting Santoshi Maa and herself at the time when the world seemed to be conspiring against her
Her ability to forgive and persevere is rooted in the lessons learned from her past, making her a strong and compassionate character in the
She strives to create realistic and relatable characters who face challenges and overcome them with courage and
Given the oppressive rule of the Taliban, how could women survive without men in their family? The book The Other Side of the Sky by Farah Ahmedi and Tamim Ansary, answers that question by the journey of Farah and her mother. Their journey goes from Afghanistan all the way to America. On this trip, Farah and her mom face many hardships, including their physical injuries and losing their family. In Afghanistan and Pakistan women lacked various rights under Taliban rule that limited their freedoms, but conditions have improved since the Taliban relinquished their power, which shows that given the opportunity women can become independent.
She is the main female character of the novel and is the leader of the family. She would never let the family spit up. In Chapter 16, Tom suggests that the family should go to California while him and Casy stay behind and fix their car. Ma responds with “‘On’y way you gonna get me to go is whup me.’… ‘An’ I’ll shame you, Pa.’”
Firstly ,Elena Vilkas. A selfless, hardworking, fearless mother who installed strength and determination to those around her who may not have survived without. Also known for her unselfishness which she exhibited in many situations of the novel. For example,when Elena gave up her bread ration to a starving boy who was already dead but had his hand outstretched as if he was asking for food. The incredible thing about it was that she herself was also very sick and that bit of food could’ve ended up being very critical between life or death.
In the introduction “Come Closer to Feminism” Hooks describes the conversations she tends to have with people who are interested in what she does. The misconception that feminism is hatred towards men by women is one that is constant according to her. As she explains most men and even women have the idea that feminist hate men, that they are all lesbians and they take jobs away from white men to make their lives harder, but when asked what they have read or know of feminism most will answer saying that they have never read a book. Their ideas of theories have arrived from that of what others say or mention. Before reading Bell Hooks “Feminism is for Everybody” I did not understand what feminism truly meant, I had the definition that I had seen online of feminist women being what they called "feminazi".
In contrast to the twentieth century we still see some of this in our current day and ages. Contrasting portrayals of men and women in films leave us with the fact that we haven’t changed. Men and women are sought to have different gender roles within
Lorraine Hansberry’s A Raisin in the Sun presents the rise of feminism in America in the 1960s. Beneatha Younger, Lena Younger (Mama) and Ruth Younger are the three primary characters displaying evidences of feminism in the play. Moreover, Hansberry creates male characters who demonstrate oppressive attitudes towards women yet enhance the feministic ideology in the play. A Raisin in the Sun is feminist because, with the feminist notions displayed in the play, women can fulfil their individual dreams that are not in sync with traditional conventions of that time.
In Sundiata, women played many roles from Mothers (raising their children) to ones filled with jealousy and hatred, to hard-working and at times oppressed beings. The responsibility of a woman being a mother comes or should come natural. Therefore a mother would do any and everything to protect their child. Sologon, whom is the mother of Sundiata portrayed this trait of a woman by fleeing with her son Sundiata to Timbuktu to avoid him being killed. Sologons fleeing was brought about by the jealousy of Sassouma Béréte, who had plotted on her son being heir to the throne.
They confide in her for the strength they need to stand up to the male leaders. This shows a big change in gender roles because previously women were too fearful to stand up to
Friends are required for encouragement and sharing. At the end of the story of Sula, it has been clarified that Sula needed Nel, and Nel helped her. Mother is the basic building of the child’s life. Children behave like how their mothers do. In Tony Morrison’s novel of Sula we can analysis different kinds of mother.
As feminism and gender equality are becoming more important to society, the way gender roles are depicted in literature and media are shifting to conform to society’s views. This usage of gender roles can be seen in two popular contemporary animated movies: Frozen and Spirited Away. Both of these films are geared for younger audiences and attempt to teach important life lessons, like friendship and growing up. Through closer examination of how each film portrays gender, however, Frozen appears to not be as egalitarian as many have come to believe. Comparing both films, Frozen is not very feminist as it continues to perpetuate traditional gender roles and fairytale tropes, such as love at first sight and damsels in distress, whereas Spirited
She is one of the most important characters in the story. The Antagonist is the woman’s role in marriage.
Throughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.
Abstract: In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it.