“The planet of the apes” (1968), reflects a satire of the society, because it mocks human behavior in more than one aspect. This science -fiction film, which is set in a far future time, uses animals (apes) to resemble human roles in society. While humans depict very primitive, non-linguistic, and inferior person-like creatures.
The first scene that ridicules man’s action, is when the astronauts (the sole developed humans in the story) land in an unknown territory, and one of them, Landon (Robert Gunner), places the American flag, to which Taylor (Charlton Heston) responds with a strident sneer laugh. To me that simulates different invasions throughout history, when explorers from more “technologically advanced cultures” arrive to new places,
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These apes ride horses and use arms to violently chase and subjugate humans.
Throughout the movie we can see how the organization of the apes mocks our social organization; for example, in the levels of hierarchy, the top positions are held by the same class of light skin apes: the main leader, Dr. Zaius, the priest, and the judges are all orangutans.
Then come the chimpanzees, they are in the middle: the guards, and professionals like Cornelius and Zira, who need the approval of the leader before taking any action, and sometimes have to obliterate their beliefs, and do not contradict the leader in order of preserving their positions. Last and least humans, the oppressed class: creatures without any rights or benefits.
The movie also addresses religious topics, and evoke times when intellectuals, scientists, and whoever questions the status quo were chased, accused of heresy and killed. In this story, Zira and her boyfriend are accused of heresy because they are close to find the truth about previous human existence. Also the orangutans use religion to hide the truth about the “forbidden zone”, and to keep the rest of the apes under
The 1970s exemplified many changes in American society that for many citizens was unlike what they had seen before, and for Black Americans this was especially true along with the many contradictions that came with it. Mel Brooks’ Blazing Saddles (1974) and Jack Hill’s Foxy Brown (1974) subverts the character archetypes of African Americans and apply the broader experiences of Black Americans in the 1970s, through their protagonists Sheriff Bart (Blazing Saddles) and Foxy Brown (Foxy Brown). Mel Brooks’ Blazing Saddles (1974) is a satirical, western, comedy that tells the story of Bart (Cleavon Little) a railroad worker, who is appointed by Gov. William J. Le Petomane (Mel Brooks) to become the sheriff of Rock Ridge. The town is about to be destroyed to make way for a new railroad, a
Look around you. That old lady buying papayas at Whole Foods? She’s an evil, blood-sucking alien. Nice Mr. Jenkins next store? A heartless murderer from Mars.
The ability to parse through bullshit from politicians can be difficult, and it is not made easier by the news networks. The news has become notorious for being untrustworthy according to all sides of the political spectrum, with each point of view criticizing different networks for different reasons. This has led to an industry of satire calling out the news’ handling of stories, which includes popular programs like South Park and The Daily Show. Analyzing South Park’s and Jon Stewart’s satire shows how the news media utilizes bullshit to benefit a certain narrative and not the viewer. To begin, one episode of South Park that deals extensively in bullshit from the news is “Quest for Ratings”, which shows the boys trying to earn high ratings
Literature acts as a vehicle to position readers in varying scenarios, catalysing social reform. S.E Hinton’s bildungsroman novel, “ The Outsiders” ( 1967 ) builds on 60s social constructs to challenge audience’s viewpoints on the maturity of youth and the misleading nature of the American Dream. Opposing 60’s dismissal of adolescents, the author highlights the impact of such ignorance to establish empathy in the audience, forcing them to reconsider the validity of supposed “teenage recklessness”. Furthermore, Hinton employs Ponyboy as an archetype of a juvenile delinquent/low socio-economic status to dispute common notions surrounding similar disenfranchised groups, encouraging readers to consider the futility of the American Dream. The
The Invisible People John Boorman’s film The Emerald forest contrasts two traditional societies, the Invisible People and the Fierce People, with Modern Western Society. I will compare and contrast the culture of the Invisible people with that of the contemporary American society.
As humans we are all not created equally. We have our distinct unique qualities that make us who we are. Yet despite this in today’s society we are constantly pointing out our differences. These differences can take on a variety of several different forms. Race, gender, income are significant differences that we are often defined by.
The thrilling horror of a masterful social satire that is “Get Out” discuss’ about a ‘post-racial’ America. Young ``African American photographer Chris Washington (Daniel Kaluuya) who accompanies his white girlfriend, Rose Armitage (Allison Williams), down to the country to ‘meet the parents’. Her neurosurgeon father Dean (Bradley Whitford) and therapist mother Missy (Catherine Keener) claim to be open-minded, however as the movie goes on, Chris senses a sinister wave in the secluded family residence. Jordan Peele sculpt the movie not only for intimidation and laughs but for the woken mind. His tightly-written, consistent tonal, crafts the perfect script with layered meanings.
Director Paul Haggis challenges views on race and the prejudices in today’s society through his Oscar award winning film, Crash. Through the use of highly effective cinematography, Haggis creates an emotive film opposing these racial stereotypes. In particular, techniques such as camera angles and shots, mise en scène, symbolism, dialogue and sound are used in considering prejudices. These techniques are used to challenge initial judgements, portray emotion in scenes and demonstrate the consequences of racial stereotyping. Haggis skilfully uses a variety of techniques to challenge the audience to reconsider their prejudices.
Beginning from the first episode, ‘The Dawn of Man’: The first thirty minutes of the film, which is in nearly complete silence, follows a prehistoric ape gathering. Out-of-the-blue (quite literally), the apes are visited by a
Throughout the history, different medias-(Movies, tv shows, novels, songs) tackle the topic of teenage society. Jerad Hess, the director of the film Napoleon Dynamite, used many satirical device such as Exaggeration, Parody, irony, to interpret the life of a teenager in Idaho . The representation of teenage society in Napoleon Dynamite express the ups and downs of teenage life and mock/ exaggerate the life of teenegers and other contemperoty problems and situations. The director's main objective is to exaggerate and to reveal the covel changes of the country through a point of view of a teenager and the impact of those changes in their life. The immigration of Latin Americans to America and from urban areas to more rural areas are portrayed through the character Pedro and his interactions with protagonist-Napoleon Dynamite and other characters.
The definition of satire is a work that ridicules its subjects through the use of four techniques such as exaggeration, reversal, incongruity, and parody in order to make a comment or criticism about it. The book Cat’s Cradle is a great example of satire being portrayed. In Kurt Vonnegut's Cat's Cradle, he creates his own religion “Bokononism” to satirize all of the other religions that are in the world. Bokononism is made from and built on lies (foma).
Planet of the Apes, by Pierre Boulle, is a science fiction book that was published in 1963. This book tells an innovative story of apes and human in another planet, where the roles of humans and apes have interchanged. In this world, the apes have the ability to speak and have higher cognitive, while the humans do not have the same level of reasoning nor thinking. The apes and the humans cannot coexist in this planet and only the fiercest will prevail. Since the existence of humanity, societies have been separated in the midst of race and religion.
The source connects to imperialism because Europe lays claims on land that belonged to indigenous and non-indigenous people, often resulting in war and later on political control. Next, the intended audience for Source #1 is for the
Since the beginning of American culture, it has been tradition for rich white men to oppress and dominate in order to gain and maintain power and control. This oppression began with the conquering of the United States and continued on for centuries. In the modern world, these men, many generations ahead, seem to be similarly programmed, and are still hungry for the things that fuel their ego: A healthy appearance, powerful social status, superior educational background, and a high-powered profession. These things are key ingredients for modern social superiority, a kind of superiority that seems to be the key for success in American society. And a kind superiority is something that the most power-driven men would kill for.
The film “The Gods Must Be Crazy” shows the difference between the culture of the Bushmen and modern society through the interactions between socialized members of each of the cultures. The differences can be noticed in the characters’ actions, values, views, etc. The film shows the differences between human cultures, as well as the ethnocentrism. The bushmen culture is basically of simplicity and contentment.