Some cartoons are for entertainment and others try to evoke emotions connecting you to the illustrator. The cartoon tackles both of these at once, taking a sensible and serious concern in society and making it seem ridiculous. This satirical cartoon criticizes the serious concern in today’s society – obesity. The view taken from the illustrator is that it is a ridiculous problem made famous by the obese populations’ stubborn attitudes, and their complete reluctance to make a change in their lives for better health. The further you dig into this satirical cartoon, the more you understand the effort that was put into making this an extremely sophisticated illustration.
There are multiple examples of caricature in this cartoon. The overweight man is extremely large – his character is obviously exaggerated. Similar to the scrawny man serving the overweight person, he is very scrawny, and his mouth is exaggerated. The use of caricature in the cartoon makes the issue seem ridiculous, and it also helps to separate the different groups. Juxtaposition is also evident in the cartoon. You can clearly see an
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All of these features collaborate in order to create a highly effective satirical cartoon such as this one. By taking an issue as serious as obesity, and throwing it in a pot along with some obvious and underlying jokes to make it seem ridiculous. By exaggerating the characters, nobody can just look at it without laughing – nobody can take it serious. With the sarcastic tone, it’s impossible to take it as seriously as it is. And the caption. The caption at the top reads: “Tackling Obesity Today.” This one line completes the whole cartoon. It suggests that as ridiculous as this cartoon is, it is as real as it gets. This is a real life example of what is going on. This is the message that the cartoon is implying, and there is only one way you can discover this meaning – analysing the rhetorical and language
" The primary thing shown, is that fatness is a bad, temporary thing that leaves people forever traumatized. Negative characteristics of the character sends the very untrue message that all fat people are or should be ashamed to be that way, and do their best to shrink down their bodies as fast as
This cartoon was originally published by Jack Ohman for the Sacramento Bee in 2016. Ohman, finalist for the 2012 Pulitzer Award drew this cartoon to portray Americans and the inability to decipher what is truly dangerous. The cartoon about Ebola and other causes of death shows that the main concerns of our everyday lives should not be focused on the “breaking news story” of the newfound deadly disease, but it should be focused on the lack of effect that the everyday bad habits have on us. American awareness of the importance of living a healthy life is lacking, which is what Ohman was trying to achieve with the cartoon.
The problem at hand is that even with the opportunities to be educated and change their lifestyle, eating habits are ingrained into these communities. The Weight of Obesity frames this theory successfully by taking readers through the steps of the obesity epidemic, and using her experience to assist in understanding
In the article “The Fat Tax,” Jonathan Rauch ironically discusses the new public policy concern with obesity. Although the article is a satire, it’s economic analysis is actually valid. In order to get his point across, Rauch uses sarcasm, appeals to logos, and degrades the issue of obesity to help Americans better understand the “big picture.” Moreover, if the diet of American consumers does not change then maybe advertising more exercise to lose weight will cut down the obesity rate; but to be just as effective, enacting the fat tax will improve health as well.
Saletan gives more than enough information on how, when, and what is happening worldwide about obesity. Although he does not give a solution, he still made an eye opening experience while reading this essay. Obesity is now happening worldwide. Yes I said it, worldwide according to Saletan. “Egyptian, Mexican, and South African women are as fat as American”, he claims in the second paragraph.
Rhetorical Analisis of “Why Funny Animal Videos Are Good for You” In “Why Funny Animal Videos Are Good for You” author Elizabeth Heath argues that funny animal videos help our society with problems such as negativity and mental health issues. Heath examines how funny videos exhibit positive emotions, and allows a better flow in societies day to day life. As the article continues Heath shows how negative feelings such as anger, fear, and disappointment may also benefit us in our daily lives. Heath's primary purpose for this article is to inform the audience of the positives about funny videos and show that finding ways to bring out positive emotions may be the thing we need in order to help our society improve overall.
In Wil Haygood’s essay Kentucky town of Manchester illustrates national obesity crisis he turns a spotlight onto how obesity is affecting the nation. He discusses what it is like for one family in particular to deal with obesity. Haygood also writes about a study done by Jill Day, and gives a plethora of facts on the matter. Wil Haygood observes that the people of Kentucky Town, Manchester, like the rest of the nation, are overweight and suffering obesity. In this essay he talks about a family of three, a father and his two daughters, who live in this town, are affected by this.
In “What You Eat Is Your Business,” Radley Balko tackles the issue of who is responsible for fighting obesity. Balko argues that the controversy of obesity should make the individual consumers culpable for their own health and not the government (467). As health insurers refrain from increasing premiums for obese and overweight patients, there is a decrease in motivation to keep a healthy lifestyle (Balko 467). As a result, Balko claims these manipulations make the public accountable for everyone else 's health rather than their own (467). Balko continues to discuss the ways to fix the issue such as insurance companies penalizing consumers who make unhealthy food choices and rewarding good ones (468).
Every individual is different and unique in their own way, may it be their body size or the color of their skin. No individual is similar, which is precisely the point that Cheryl Peck makes in her essay “Fatso”. The essay portrays Peck’s view of the conflicts that she goes through in her life as an overweight person. She makes a point by point contrast to her imaginary life, repeating the phrase “I have never”, and her real life where she faces discrimination because of her weight. Peck’s use of tone and word choice highlights the purpose of her essay, which is to raise awareness about discrimination against overweight people to audiences who are thin and have not experienced any judgment from others.
In both David Zinczenko’s “Don’t Blame The Eater” and “ Radley Balko’s “What You Eat is Your Business”, the argument of obesity in America is present and clear from opposing viewpoints. Both articles were written in the early 2000’s, when the popular political topic of the time was obesity and how it would be dealt by our nation in the future. While Zinczenko argues that unhealthy junk food is an unavoidable cultural factor, Balko presents the thought that the government should have no say in it’s citizens diet or eating habits. Zinczenko’s article was written with the rhetorical stratedgy of pathos in mind.
The cartoon is fairly simple with an understandable easy to comprehend message behind it. The picture is supposed to resemble the nation’s debt in the year two thousand sixteen. The picture was illustrated by a Lisa Benson, who has several political cartoons. The details in the picture representing the debt consists of a donkey and an elephant, which represent the Democratic and Republican party politicians.
Obesity has gained a lot of attention in the recent years especially in the 21st century. Right now in America, there is an ongoing epidemic. The cause is not by viruses or bacteria, but by human nature. There is no one way to solve this serious problem. With growing body sizes and serious medical problems associated with obesity, it is a problem that needs to be addressed and changed.
Satire is nowadays found in many artistic forms of expression, including literature, plays, commentary, television shows, and media such as lyrics. In the text “My Satirical Self” the author explains “All these varied entertainments-human emotion on the web, on television, at the movies and between hard-lovers are attuned to the ridiculous in modern life”(Mason). This illustrates that no matter where you go in entertainments there is going to be satire. In today’s society people are accustomed to being around satire, they have accepted this fact by the passage of time. Also, according to the passage “In me straight faced language of a sermon, advocated solving me problem of poverty by selling children as meat - his made was perfect ironic”(Mason).
Obesity Proposal Obesity is a major problem in the United States. With the rates on obesity constantly rising we have to come up with a way to solve the problem somehow. Fortunately, there are some way that we can help and that includes helping the youth understand obesity, encouraging restaurants to improve their menus and nutrition facts and opening space for citizens so they can become fit and active. One of the main issues as to why America is obese is because of all the opportunities they have available to them.
The title of this cartoon is Obamacare Death Spiral. This cartoon is attempting to illustrate the argument that Obamacare is causing insurance companies to slash coverage, resulting in American patients not being able to afford the medical care that they need to live quality lives. In this cartoon, a man is visiting his doctor, who turns out to be Death. The man’s shirt says Obamacare, which helps to illustrate the irony of him supporting something that is causing him so much difficulty. He asks the “doctor” to give him his news, and, rather than reading a medical chart, the “doctor” is reading a chart showing Aetna’s, a major insurance company, plans for cuts.