The Handmaid’s Tale, a science fiction and dystopian novel, is set in the near future in the Republic of Gilead, a totalitarian Christian theocracy within the present borders of the United States of America. The Republic of Gilead consolidates power by creating a hierarchical Christian regime which follows social and religious conservatism inspired by the Old Testament. The novel is narrated by a woman named Offred, who describes her life as a handmaid. Due to extremely low reproduction rates and high rates of sexually transmitted diseases, Handmaids serve as a vital function in Gilead. Handmaids are assigned to elite couples to conceive children. Offred describes the structure of Gilead society, including the different classes of women and
Often, we see a society’s cultural values reflected in its citizens. For example, the United States values equality, a standard that is shared in all facets including gender. The opposite is true of Gilead, a fictional society in Emily Bronte’s The Handmaid’s Tale. The novel’s main character, Offred, is subjected to degrading treatment simply because she is a woman. It becomes apparent that this repeated degradation has affected the protagonist’s mind.
The protagonist of The Handmaid’s Tale is referred to as Offred (of Fred). Through the manipulation of literary devices such as juxtaposition, allusion, and descriptive diction, Margaret Atwood voices her concerns about our future, and reveals just how quickly and completely our present could transform. As chapter 33 begins, the Handmaids are off to the Women’s Prayvaganza (a portmanteau of pray and extravaganza). The event, juxtaposed to the ‘fun festival’ it resembles, is really a mass wedding with girls as young as fourteen married off to Angels (troops).
According to Alanna A. Callaway, Gilead’s entire power structure relies on the disunity of women. Although Gilead’s system oppresses women, it is the few women in power that make the caste system dangerous for Handmaids. The patriarchal power structure of Gilead needs women to regulate each other, suggesting that gynocentric misogyny, or women hating women, is far more dangerous than traditional misogyny (Callaway 2008). This being said, the genuine threat in Gilead is not from the men in power, but the
“No woman can call herself free who does not control her own body”. When Margaret Sanger spoke these words, she was expressing her belief on a woman’s right to have an abortion. This quote, however, speaks to the fact that women are oppressed on more than just abortions. In the novel, The Handmaid’s Tale by Margaret Atwood, Atwood portrays the dehumanization of sexuality through both the characters and events within the novel, therefore proving that women will always be considered less than men will. Margaret Atwood was born in Ottawa, Ontario in 1939.
The suffocating society of Gilead is presented where individualism is completely taken away from them, and what it means to be human has been completely eroded away from what we know today. To be human today means, to be honest, affectionate, caring, understanding and to have passions. However, being too passionate for something only leads to chaos as seen through Victor 's overpowering desire for knowledge that led to chaotic results. Offred 's identity and individualism have been completely stripped away from her as he legal rights, name and clothes have been destroyed. She 's just another cog in a machine as she is labeled as a handmaid, only valued for her "viable ovaries".
In the 1980s, United States was experiencing the rise of conservatism. Under the presidency of Ronald Reagan, conservative religious groups were gaining popularity. In response to the social and political landscape, Canadian author Margaret Atwood published a fictional novel The Handmaid’s Tale in 1986; a genre of dystopian novels. The storyline projects an imaginary futuristic world where society lives under oppression and illusion of a utopian society maintained through totalitarian control. Dystopian novels often focus on current social government trends and show an exaggeration of what happens if the trends are taken too far.
In The Handmaid’s Tale, Margaret Atwood demonstrates a quizzical protagonist, Offred, in a dystopian, totalitarian society where fertile women are only a mere vessel for child birth. Every month during Offred’s menstrual cycle her Commander, Fred, and his wife Serena Joy perform detached intercourse while Serena holds Offred’s hands. The handmaids of the Republic of Gilead are not allowed to use their mind for knowledge nor take part in formal society. They are but the vacuous-minded property to their Commanders and their infertile wives. In The Handmaid’s Tale, Offred discloses the day to day moments and her commicalOffred had once lived in a world where she was her own person with a job and a home with a family of her own but now she lives under unfortunate circumstances that disable her from being a true, soulful human.
She knows that there are laws, but she is so desperate that she is willing to break them by suggesting this to Offred, “Maybe you should try it another way”(Atwood 204). She encourages Offred to break the law and have sexual intercourse with another man and plant it as the commander’s child. Her desperation make her take desperate actions and how she achieves to rebel against the government. The Commander the one above all and on top of the official classification of Gilead-Men. He has power and in control of the household.
Works of literature often portray ideas relating to Marxist theory, this is why in a dystopian society, class distinctions dominate the social climate, using Marxist ideologies as a tool to define the lives of the narrator and those around her. In Margaret Atwood’s novel, The Handmaid’s Tale, ideologies from Marxist theory dominate the society in which Offred, the narrator, lives in, evidenced by the strict class systems and limited interaction between them. In writing the novel, Atwood makes a point to create a world that could exist using technology and ideas already accessible in today’s society, meaning the events that take place in The Handmaid’s Tale could happen in present day. Offred lives in a reality where class distinctions dominate society, and women, especially fertile women. These women are displaced downwards, although there are those women who attempt to resist the grip of society.
This year is the 30th anniversary of the publication of Margaret Atwood 's dystopian classic, The Handmaid 's Tale. The novel is told from a first person account of a young woman, Offred. In an age of declining births, she is forced to become a Handmaid in the Republic of Gilead, the imagined future in the United States. The Handmaids are to provide children by the substitution of infertile women of a higher social status. Through the creation of different characteristics of female characters – ones who are submissive yet rebellious, and like to take advantage of their power - Margaret Atwood portray themes of love, theocracy, rebellion, and gender roles.
In this written text, the emphasis will be on Margaret Atwood’s novel, The Handmaid’s Tale and as well as the way Atwood portrays women and how it can be argued to show the oppression of women. The main purpose is to analyze the way women are treated throughout this book and depict why they are represented this way in the society in Gilead. Then, comparatively, observe the men’s domination over women and how they govern this society. In The Handmaid’s Tale, women are stripped of their rights, suffer many inequalities and are objectified, controlled by men and only valued for their reproductive qualities. The Gilead society is divided in multiple social group.
The Handmaid 's Tale is one of Margaret Atwood most famous novels written during the spring of 1984, when the Berlin wall was still standing. Atwood creates a dystopia, which mostly consists of gender gap and oppression. The Handmaid 's Tale effectively portrays the United States as the modern-day totalitarian society of Gilead, which was illustrated as perfect by using the book of Genesis. Although the authors ideas are inherently and completely fictional, several concepts throughout his book have common links to the past and present society which the author herself calls a speculative fiction. The author uses a totalitarian system which includes aspects of Soviet system, to describe, deprivation, repression and terror with the use of
In Margaret Atwood’s novel, ‘The Handmaid’s Tale’, Moira is depicted as the symbol for resistance to authority and represents hope to the Handmaids. Atwood presents her as a polar opposite to Offred. She is independent, strong-willed, and outspoken. Conversely, the pair can be argued to be doubles in the fact that they both ‘resist’ to the oppressive Republic in Gilead.
Furthermore, the author displays a dystopian society completely dominated by a totalitarian and theocratic state. The main subject of this novel is the role assigned to women, mainly represented by the handmaids. In Gilead, the made-up country where the novel takes place, women are completely subjected by the government, and especially by men, who clearly have a higher status than women. Moreover, women’s freedom is entirely restricted, as they cannot leave their house at their will, they are forbidden to hold properties or jobs, they cannot read or write, and they are treated as sexual slaves whose only purpose in life is to bear children for elite spouses. The other option is a miserable, short life at the Colonies (a type of concentration camp), and death.
These texts demonstrate the societal issues involving oppression of women, women’s sexual role and their status. The Handmaid’s Tale depicts the rigid societal structure whereby women are forced to serve in various aspects and functions in the society. The boundaries of the context set are in Gilead, a totalitarian state dominated by Christian fundamentalists, indicating that Gilead enforces conformity among its citizens. In a simply put manner, one’s social position is fixed. The permanent social statuses are clearly evident from the colour-coding of the women wherein “some [are] in red, some in dull green of