“One can choose to go back towards safety or forward toward growth. Growth must be chosen again and again; fear must be overcome again and again.” (Abraham Maslow) Even though Maslow 's hierarchy of needs starts from the bottom which is physiological needs and goes all the way to the top of self-actualization, in reality, the hierarchy of needs does not go from the bottom to the top in a systematic order. It can go all the way to the top and crash down to the floor. Fulfillment of needs can come and go, striving for it will get you there. In the novel, “The Secret Life of Bees,” by Sue Monk Kidd, the needs of Lily Owens, the protagonist, transitions from unmet to unabridged fulfillment by the end of the novel making her content with the life …show more content…
She was in the room, with him, on her birthday, and yet all she got was the silent scream that yelled at her saying that not T. Ray, not anyone cares or loves her. To build upon the lack of attention or the sense of belonging Lily got, it is essential to show how she thinks about herself. After all that Lily went through, even after leaving all the haunting environment, when Lily confesses everything to August it was as though she was reliving all the tragic events in her life. Her mind was racing with so many emotions all at once. Then she heard a voice in her say what she always believed, “It said, You are unlovable, Lily Owens. Unlovable. Who could love you? Who in this world could ever love you? I sank down, onto my heels, hardly aware of myself mumbling the words out loud. ‘I am unlovable.’”(pg. 242) The act of Lily sinking down on her knees shows how much of a deep cut the need of love and belonging has caused her because of it being unmet. These two excerpts from the novel illustrate how Lily’s need
In Tiburon Lily finds herself with August, the women who took care of her mother and knew the answer to Lily’s most asked question. When she and Lily finally have their conversation about her mother, August reveals the grand answer. August states “No, honey, she came by herself. ”(Kidd, 251) By the time August tells Lily the truth about her mother, Lily gets emotionally destroyed.
This passage shows Lily embracing the love of a mother in forms she thought impossible. For all she craved was a mother figure, but what she got was so much better. This is because Mary will stay with her for the long run. Giving love support and strength along the way. Being more of a mother than Lily could have asked for.
In hopes of discovering more about her mother, Lily travels to Tiburon but unexpectedly develops a maternal relationship with August, ultimately compelling her to lie about her identity and purpose in Tiburon because “[She] love this place with [her] whole heart” (225), and is certain that this is the life she wants.
Lily suffers from living with an abusive father. She also deals with the guilt of accidentally killing her mother, feeling unwanted, and not knowing the true reason her mother left. For example, “The gun shining like a toy in her hand, how he snatched it away and waved it around. The gun on the floor. Bending to pick it up.
Her mother died when she was 4, and Lily was the one to kill her. Her dad, T-Ray, was a terrible parent to her too, because he hit her. She also have to live with the guilt that she ended her mother’s life. “There's nothing like a song about lost love to remind you how everything precious can slip from the hinges where you've hung it so careful.” a quote by August, page 50.
After Lily confesses to August that Lily was the one who killed her mom, Lily says, “You will hear a dark whispering spirit, a voice coming from the center of things. It will have blades for lips and will not stop until it speaks the one secret thing at the heart of it all… It said, You are unlovable, Lily Owens.” (Kidd 242). Lily created the dark spirit.
Continuing, another theme that led us through Lily’s adventure of growing up was her discovering how important storytelling was. She was going through gruesome horrid things, and when she read things like Shakespeare she realized how important it was because it helped her escape to a fantasy world for a little bit of time. Lastly, Lily learns the power of the female community. Lily grew up without a mother, so for a large chunk of her life she didn’t know the real power the female community held.
Lily barely knew her own mother, and T. Ray, her father, abuses her and could care less. Lily gets to experience the parent-child love from Rosaleen. Kidd asserts that the interaction between different races can lead to loving
Lily ponders the idea of why it is so difficult for people to forgive. There is someone else Lily must forgive: herself. Lily's first reaction, when August tells her Deborah married T. Ray because she was pregnant with Lily, is that it was all her fault that Deborah was burdened with such a terrible husband. Then, when Lily tells August her story about how she happened to come to the Boatright house, she explains with tears and misery that she hates herself and is a worthless person who isn't worthy of love. Before she can become whole and love herself, Lily must forgive herself for killing her mother, and she must understand that this was an accident that she can't go back and fix.
In this passage, Kidd characterized Lily as immature, and a primary trace of this characterization can be spotted at the very beginning of the passage, where Lily questions “How dare she? How dare she leave me? I was her child.” (Kidd 259). The interrogative syntax in this monologue suggests that Lily is still confused as to why her mom left her, even after August spent time explaining it to her.
In the story, Kidd’s use of characterization successfully reveals the theme that people's lives are more complex than they appear. Kidd demonstrates this theme using the characterization of Lily, T. Ray, May, and Deborah. One character that Sue Monk Kidd uses to portray the theme, is the main character Lily. In the beginning of the story, the author shows that Lily can be both mature and immature at times. An example of her maturity in the text is when she says, “People who think dying is the worst thing don’t know a thing about life” (Kidd 2).
The Road: A Breakdown of Maslow’s Hierarchy of Needs In Cormac McCarthy’s post-apocalyptic novel, “The Road”, a man and his young son find themselves on a journey fighting for survival through a dark and desolate world. With no identity or any hope in the future, the characters are faced with many compromising decisions. Two levels of Maslow’s Hierarchy of Needs, the physiological and safety levels provide the most motivation and validation for the characters’ actions throughout the novel. There are 5 major levels to Maslow’s Hierarchy of needs; physiological, safety, emotional, esteem, and self-actualization (Maslow 1).
Love is an involuntary factor that many people have come across in life. In the novel The Secret Life of Bees, by Sue Monk Kidd, the main character Lily, has an internal conflict with her mother which affects how open she is to love. Lily grew up with her father and the culpability of her mother's death.(more info) She was raised with a harsh understanding of love due to the lack of love given to her all throughout her life, for she was more open to love because she hasn't doted as a child. However, Lily found love through the Daughter of Mary, the Boatwright sisters, and Rosaleen, who later taught her how to love herself.
Two of her sisters have this problem and it has genuinely affected August for better or worse. Lily’s father, T-Ray, deals with his mental illness by using violence and taking his anger out on Lily because of what happened with his wife Deborah. This causes Lily to feel unloved by her father. In the beginning of the story, Lily runs away from home to escape her tragic life with T. Ray.
She cannot constrain herself to the artificial behavior of those part of it. After being disgraced from the social circle, Lily could’ve easily used the letters to expose Bertha and reclaim her name. However, even though Bertha has antagonizes her throughout the novel, she cannot compel herself to do such a thing and burns the letters in Seldon’s fireplace. Lily’s righteousness also prevents her from finding a suitable husband-- the only way in which she can rise to the upper class. She refuses to participate in a loveless marriage that only acts as a business relation.