The Secret Life of Suitcases absolutely fascinated me, particularly in the play's use of a puppet and props. The puppet itself seemed rather simple, which was fitting for the main character, Larry. He didn't even have a mouth. As the play kept moving, however, it was clear that the puppet perfectly portrayed Larry in his quiet, average-like character. In addition to Larry was the amazing props that we used throughout the play. There were big suitcases, little suitcases, a receipt printer, a suitcase-boat, a shark, a rocket-the list seems endless. Yet, each of those props, though simple, added so much to the piece. The receipt printer, for example, was made from a suitcase, and all the performers did was slip a piece of paper up through the hole as Larry worked, and it was enchanting! These elements sucked the audience into the world and created complete belief amongst viewers. The Off the Map theatre company is …show more content…
How did they know when to stop devising? And how many ideas and proposals did they have to go through before getting to the finish line? Another question I have is what this performance has done to inspire other works, or has it? While I do still have lingering questions, I'm not disappointed that they're not answered. In many ways, I feel like these questions can only be answered through experience. The Secret Life of Suitcases incorporated several contemporary practices into the performance, including devising, physicality and technology. The whole piece itself was devised, based entirely on a curiosity about suitcases. The piece was also performed with a deep reliance on the physicality of the puppet and also the physicality of the puppeteers to help communicate the message of the play. Throughout the performance, the audience enjoyed seeing the many uses of technology, whether it was through the lighting or the music. Both were used to reflect the time and location of
The production ‘Chores´ had a fantastic impact on the audience. It successfully covered all elements of drama into the production
When an audience watches a play there are countless observations to be made, therefore it becomes unfeasible for every last detail to be noticed. While the audience quickly examines the backdrops and set pieces or the actors’ overall appearance, they often do not immediately notice the minute details which later prove to be vital to the play’s plot. For example, in August Wilson’s Ma Rainey’s Black Bottom, upon entering the stage for the first time, Levee reveals the new shoes which he has just purchased, but it does not become clear until much later just how important these shoes are. I feel that in order to maximize the impact the shoes have on the play, they must set Levee apart and look different than any other shoes seen on stage. In
Tg beneath the surface” (Weakland). Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Jerome Robbins was changing the face of musical theater entirely. West Side Story also broke the rules in a thematic way. West Side Story was the first show to portray that musicals could be based on painful stories.
One of the most important in this particular play is the acting. The actors are good at adapting from one role to the next and switching accessories quickly. The different use of British and other accents in a stereotypical but serious way. The director attempts to make the play successful by bringing everything to life and using the actors to do everything in a smooth and funny matter.
Secret in the Wings was a very interesting show. I left the play utterly confused on the overall plot of the show and how its individual parts fit together, but I understood each of the individual parts clearly. The individual fairytales were wonderfully told and held a certain childlike charm. Many of the fairytales were dark and sort of melancholy, but the show never retreated into darkness. It had an airy and light feel that brought attention to the grim parts of the fairytales but never allowed it to be its focus.
Besides providing a natural way to include exposition, they help the audience experience what is occurring outside of the apartment, without having to drastically change the setting. If their content would have been more engaging, I believe they would have been the strongest part of this play. Other than that, there were many other strong aspects of Lost In Yonkers. The mirroring, Louie’s role, the flexibility, and the setting of the play were all other bright spots. The play starts and ends with Eddie talking to Grandma in her room and the boys talking with Bella.
Backstage areas of the theater, dressing rooms, rooftops, corridors, and, of course, the stage all provide deeply detailed to perfectly contain the characters in the film. Printed couches, scrawled “congratulations” notes, flowers and flickering light bulbs adorn our hero’s dressing room. These spaces are each decorated to look authentic. Color also plays a large role in “Birdman”. The stage lighting shifts dramatically throughout the play within the film and this theme often bleeds into the backstage of the St. James Theater.
In my opinion, I think that the movie version and the play version, of Much Ado About Nothing by Shakespeare, are not very different. They have a lot of similarities for example; Hero and Claudio met and thought they should be together, Claudio thinks he saw Hero cheating on him with another man. So therefore at their wedding he demanded for her to die because of her relations with another man. Claudio realizes he was wrong about what she did and he had to marry her cousin without seeing her at all till they’re married.
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
I liked that Paula Vogel did not hold back and let all of the emotions of the play loose. I am anticipating that I will enjoy the play. I personally think I would like it more if the characters were portrayed by only people rather that people holding puppets, but they have too much symbolic meaning to be left out. I think the puppets are meant to resemble the fact that we really have no control over our own lives as children. The release of the real people from the puppets into adults symbolizes the freedom from their
Suitcases identify Holden in the novel The Catcher in the Rye. This identity of wealth shows an existential problem Holden, and everyone has. Let me ask you this; Are you secretly proud of something? Whether it be wealth or a sport. Something you do not brag about, but you are still proud of.
What to do if someone threatens you? Not all but the majority of the people have experienced threats in life. Most of the solutions for the threats are determined by situations. Levine writes a story called Hana’s Suitcase with the intention to teach the children how holocaust has the effect of Hana’s childhood. In the same way, White writes a story called Charlotte’s Web with the intention to show children how Wilbur saves from being killed.
By doing so, Thornton Wilder simplifies his play and further develops the Stage Manager’s definition of eternity. The props symbolize the small details of life since their absence does not affect the play, and characters recognize the small details of life after they transition into eternity; therefore, this absence conforms to the Stage Manager’s belief that eternity serves as a bridge between ungrateful and modesty. Audience members observe the missing props in the beginning of the play: “...he stops, setting down his-- imaginary-- black bag, takes off his hat, and rubs his face with fatigue…” (Wilder 24) along with Emily’s realization of smaller details, such as how young her mother is, in Act III, after she passes into eternity. Evidently, the events in the play concur with the Stage Manager’s definition of eternity and the purpose it
The few props mentioned in the stage directions include a second chair, a table with a lamp and tablecloth, a coat, a pocketbook, and a shopping bag (Kushner, Homebody 6). These props evoke a room in the house of a middle-class family, a setting with which the audience is sure to be familiar from their own lives. The whole first scene is static: it never leaves the room, and the only person on stage for about one hour is the anonymous woman to whom the first term of the play’s title refers: the ‘Homebody,’ an adequate label—at least initially—for the character, referring as it does to someone who prefers staying home to going out in the
The characters of many popular movies tend to have various mental and physical illnesses, but they are often romanticized and not portrayed correctly. In Silver Linings Playbook, both of the main characters have a mental illness and they are displayed fairly accurately. However, it is slightly romanticized and leaves the viewer with the impression that everything is okay after a kiss and that together, the main characters will both be much better with their illnesses. Silver Linings Playbook is about a man named Pat Solitano who has just returned from an eight month stint in a mental hospital and has been diagnosed with Bipolar disorder. He was required by law to be treated in the mental hospital because he had previously almost beaten a man to death after discovering he had an affair with his wife, Nikki.