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Sehazade Mosque Essay

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Abstract Sehazade Mosque is one of the most elegant architects designed by Sinan Mimar authorized by Suleyman the Magnificent in the memory of his beloved son Sehzade Mehmet. Ottoman architect is the symbol of originality. Sehazde mosque is a masterpiece by Sinan Mimar. In this paper, I will review and summarize two articles that discuess Shezade Mosque critically. The first article by Erişmiş, M. C., & Gezerman titled “Architectural Criticism of Suleymaniye Complex in Context of Suleiman and Architect Sinan” geneally describes the properties and charectristics of the building. The second article by Takikawa titled “Hagia Sophia and Sinan’s Mosques: Structure and Decoration in Süleymaniye Mosque and Selimiye Mosque.”, discusses the Ottoman …show more content…

In 1453 after conquering Constantinople, the architect of Ottoman Empire Sinan Mimar changed the style of the mosques. The Ottoman Empire, in essence, adopted Byzantine architecture. Sinan Mimar was the chief architect of Ottoman Empire from 1489 to 1588. He focused on constructing the half domes of the mosques. Sehzade mosques also constructed with four half domes. But critics claim the originality of by refusing the impact of Byzantine architect. This article denies all the critics that suspect the originality of the Ottoman Mosque architecture. The spatiality of the most important buildings of Istanbul has been analyzed though the article. Hagia Sophia, Suleymaniye Cami, and Selimiye Cami are considered the prototype of the great Ottoman mosques. The article includes the comparison and contrast of two mosques thoroughly. The style and architect of all the great Ottoman mosques are inspired by Hagia Sophia. Sehzade Mosques is indeed on of the greatest architecture by Sinan Mimar. The idea of all the mosques is based on originality. However, the elements behind this idea are taken from foreign religion and foreign culture. Sehazade mosque is the accomplishment of this idea. This architect shows the multiracial, multicultural and multilingual aspects of the Ottoman

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