In the book Celie is a young girl near 20 when she gets married. She is writing letters to God and going through her emotions, thoughts, and feelings on the way. By the end with knowing Shug Avery and Sofia she learns to embrace her womanhood and stands up to Mister. In the end she states, “And us so happy. Matter of fact, I think this the youngest I ever felt.”
Her faith is weakened at a certain point but then she starts to develop a new perception of God, she begins to see God as a universal being with no gender and race who is present everywhere and in everything that we love or do. She is now able to see God through people, nature, sex, and in the color purple. Alice Walker also gave importance to the value of female bonds and relationships or sisterhood as a means of coping and social support against the alienation experienced by Celie and other black female characters in the novel. Celie’s friends, mainly Shug and Sofia helped her to find her voice and stand up for herself. As the novel progresses, Celie develops strength and eventually gains her freedom towards the end.
There’s rape, death, and many other aspects covered in the book. In this first page, readers are immediately met with a rape scene. While this is shocking to many, Celie recovers and gets through it. She was born with all odds against her, but she is a strong and selfless woman. Celie becomes prosperous and content, and the book executes a joyful end that is satisfying.
Despite the fact that characters come across various challenges which uncover dishonesty in the family, lies since childhood, and parental negligence, most characters stay devoted to their families and older folks. Troublesome circumstances all through the novel frequently breaks love and trust inside families, but characters return to their life style to acknowledge the life God made for them. In a meeting with Library Journal in 1970, Walker clarified, “Family relationships are sacred,” a comment completely portrayed in The Color Purple 's intimate relationship in the family and characters ' loyalties to their families. In spite of the fact that Celie complies with her better half, advance father, and different other men who had abused her, Celie battles in splitting far from the individuals who hurt her without causing torment in those she leaves behind. One of the most grounded bonds in the story lies amongst Celie and her sister Nettie, a relationship encouraged by dreams, prayer, writing, and faith.
In Harriet Jacobs' “Incidents in the Life of a Slave Girl,” there is a reoccurring theme of women in bondage. The author reflects on what slavery meant to her as well as all the women characters in bondage. Through the character Linda, the deep expression for her hatred of slavery, and all of its implications is portrayed. She dreads such an institution so much that she sometimes regards death as a better alternative than a life in bondage. Slave Women in Harriet Jacobs' Incidents in the Life of a Slave Girl reflects a horrible institution that dehumanized the African American race as a whole.
It is a novel which can be read crossing all the cultural boundaries, as bell hooks praises “it is truly popular work-a book of people-a work that has many different meanings for many different readers.” (454) The color ‘purple’ teaches the world of women that they have endless potentiality not only to the black women but to all women who get ready to fight for their
Through Celie’s, Lieutenant Cross’s, and “The Moths’” protagonist’s hardships, they are all able to overcome their past and look forward for what is to come. Celie, from Walker’s The Color Purple, has an unfortunate life. Celie’s Pa rapes her.
In this view women are more open to the opportunities of improving their own status if overlooking the norms and rules set by society and rejecting submission to their male counterparts. Moreover, violence through male oppression is also evident in the objectification of females in the Color Purple. Celie and other women’s worth are valued by their purity and their ability to work within the homes and on the plantations. When Mr Albert comes to ask Celie’s stepfather to ask for Nettie’s hand he refuses, saying that ‘make a schoolteacher’ (Walker, 1986) out of her and offers him Celie as she is the oldest and isn’t ‘fresh’ (Walker, 1986) because she ‘spoiled’ (Walker, 1986)
These negative connotations associated with black women’s sexuality are translated and coded in both films. For example, The Color Purple draws audience attention to the fact the black women's bodies were not considered desirable during the slavery era as Celie struggles with her sexual identity due to being constantly abused by the men in her life. In fact, this was the beginning of her traumatic life experiences when she marries an abusive man who takes advantage of her body. The turning point in her identity is when she meets her husband’s ex-lover,
in The Color Purple, a period drama, based on a book with the same title by Alice Walker, women are categorised by the society they live in. Spielberg is able to convey Celie’s vulnerability though the use of camera angles. Whenever Celie talks to her father or her husband the angle either shows the men standing over her or her looking up at the men. This shows that the men have control over Celie. ‘one day my daddy come and say to me “We gonna’ do what your mumma wouldn’t,” now I got two children by my daddy’.
it creates a ripple effect as sofia revives from her repressed state back to her old vivacious self and Mary Agnes stands up to her husband and voicing her displeasure in her nickname “Squeak”. All throughout The color purple characters change due to their circumstances. Celie was very restricted and oppressed during the first part of the movie but she blossomed inspiring others to do so as well. Her change was taking control of her own life and choosing her own way after being ordered around all her life. Celie proved to have great courage for standing up for her human rights.
Literary Analysis: The Color Purple Every individual learns something new or different every day, whether it is somebody’s favorite color or learning something new about yourself. Many people can either learn from their hardships and past experiences, while others may learn from other people’s past through stories or guidance. Throughout the novel, The Color Purple written by Alice Walker, the main character, Celie, learned how to love herself, that everyone makes mistakes, and face her fears.
For example, Celie becomes socially, economically and spiritually free, she sins love, dignity, and respect. This paper has analyzed how the characters in The Color Purple arouse their self-consciousness, through sisterhood and encouragement, love and help from their partners. The author demonstrates how the characters escape degradation caused by mistreatment by men and finally win dignity. The paper recognizes that Celie utilizes sisterhood to gain liberation, sexual identity independence, and freedom. Works Cited Thyreen, Jeannine. "
"The color purple" is a reflection of reality in 20th century. The African American women isolated from the white society as Walker in The color purple talks about racism and discrimination of society in 20the century. Celie, the heroine was born in Rural Georgia where is known as a harsh place for poor and uneducated black women who were servants to their husbands and fathers. Throughout the novel, Celie tries to overcome her psychological anger and becomes independent. At the beginning of the novel, Celie appears like other women 20th century as they oppressed by men and lived under men 's dominance and violence.
It aims at building up a new ground for expressing female voice. The text is in complete conversational format rather than being a narration of events. Through her letters, Celie tells her audience something that they already know. She primarily subverts, deconstructs and eventually reconstructs the mainstream patriarchal discourse that has kept her and many of her kind at the periphery. The letters create a productive space where the hitherto oppressed voices are finally heard.