(Hamlet: I. ii). Shakespeare focuses primarily on the relationship between Lear, and the aged king and his daughters. Lear’s wish is to split his kingdom between his three daughters – after being assured of how much they love him. Shakespeare wanted to show the struggle between goodness and evil, inside of human and how evil changed man to behave bestially. Shakespeare’s King Lear, at the end, fulfil revenge, indeed, Lear divided his realm between two daughters instead three daughters because he followed flattery his two daughters.
In Act III, Scene 1, Shakespeare presents a scene in which Hamlet and Ophelia discuss their relationship. Hamlet speaks in puns and ambiguities and accuses Ophelia of being a seductress. He urges her to either join a brothel or a convent and after this conversation, Ophelia speaks to herself of the changes in Hamlet saying, “And I, of ladies most deject and wretched, that sucked the honey of his music vows, now see that noble and most sovereign reason like sweet bells jangled, out of tune and harsh; that unmatched form and feature of blown
Hamlet: a Feminist Perspective Hamlet by William Shakespeare is considered to be the apogee of canonical texts. Hamlet who is seen to be the hero, seeks revenge of his uncle for killing his beloved father and marrying his mother. In the finale, all characters find an unfortunate end and leave the kingdom of Denmark to prince Fortinbras who coincidentally passes through to invade Poland. The play Hamlet has received great stricture from feminist critics due to the actions and behaviors of many of the characters in the play. Feminism is “the advocacy of woman 's rights on the grounds of political, social, and economic equality to men” (Dictionary.com).
Hamlet turns the tables on her, accusing her of a most grotesque lust and claiming that she has insulted her father and herself by stooping to marry Claudius. In the course of their interview, Polonius hides behind a tapestry; at one point, he thinks that Hamlet is going to attack Gertrude and cries for help. Hamlet stabs Polonius through the tapestry, thinking he has killed Claudius. When he finds that he has merely killed a "rash, intruding fool," Hamlet returns to the business of "speaking daggers" to his mother. Just as Gertrude appears convinced by Hamlet's excoriation, the ghost of Old Hamlet reappears and tells Hamlet not to behave so cruelly to his mother, and to remember to carry out revenge on Claudius.
In disturbing Ophelia, Hamlet’s madness reaches the ears of her highly influential father, who says to her, “Come, we go to the King” (2.1. 130) . Their subsequent report provokes the interest of the royal couple, who send Rosencrantz and Guildenstern to learn more. Hamlet then ups the ante, persisting in his act around Polonius himself. This only serves to heighten the concerns of the king, so much so that he devises a plot to discern the cause of the prince’s madness for himself.
Firstly, as shown from her name, she realizes the only way to gain power is from Macbeth, and since she knows him well, she is able to puppet him. Throughout act one, she manipulates him by questioning his manhood and goading him into murder. While Macbeth and Lady Macbeth discuss the situation at hand, she voices her concern that his “nature is too full o'th’ milk of human kindness to catch the nearest way” (I.x.15-17) Lady Macbeth is alluding to the fact that Macbeth is too kind to really take over. A mothers’ milk is nurturing, associated with kindness and femininity, something Lady Macbeth fears Macbeth is too full of. Further, Macbeth points out that because of her manner, she should “bring forth men-children only” (I.xii.72), for she is too masculine and cunning to raise a girl.
Lady Macbeth persuades and manipulates Macbeth by pointing out his insecurities successfully and pressuring him into murdering the king. Along with this, Lady Macbeth also questions Macbeth’s manhood and masculinity when he does not want to carry out the plan when she says “When you durst do it, then you were a man;//And to be more than what you were, you would//Be so much more the man” (Shakespeare 1.7.49-51). By saying these things, Lady Macbeth persuades her husband to believe that murdering the king will be his redemption from being a
King Hamlet remarks to the Hamlet, this revealing his guilt conscience of both his desire and delay: “Do not forget! This visitation, Is but to what thy almost blunted purpose” (lines 111-112) Death of Gertrude (Hamlet’s mother) In the end in act, 5 scene, 3 Hamlet is finally able to kill to Claudius because Gertrude has now died, because She was the
He acted strange when he was around the king and his attendants and this is evident when he tells his friend Guildenstem that "his uncle-father and aunt-mother are deceived" (Shakespeare). In addition, when they enter the court party, Hamlet tells Horatio that "I must be idle," meaning he is trying to feign his madness. He also confesses to his mother that "I essentially am not in madness, but mad in craft" (Shakespeare). For Hamlet, he had to pretend to be mad in order to plan and execute his revenge against Claudia. Hamlet’s madness played an important role in the play because he later on became insane after he had feigned his insanity.
Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation. Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to