In addition to her newfound sexual freedom, the independence Edna shows from her husband and children, to be an individual, was seen as unusual. Unlike the way women are supposed to live only for their family, Edna wishes to live for herself. In the beginning of the book where all the Creoles had just started their vacation, Mr. Pontellier thinks,
In short, Mrs. Pontellier was not a mother-woman. The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels. (567)
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Being a woman who “idolized” and “worshiped” her husband and children would rid her of the “Otherness” that makes her more than just a tool for her husband and a life source for her children. He keeps referencing the women to angels, and as angels are the servants of God, women are the servants of their husbands. This follows the idea of women worshipping their husbands.
Edna does not play the role her husband expects, and sometimes goes against it. The same night of her awakening and the moment with Robert, Edna stays out on the hammock in front of the house. When Mr. Pontellier comes back and asks her to come inside she refuses. She thinks about that fact that,
Another time she would have gone in at his request. She would, through habit, have yielded to his desire; not with any sense of submission or obedience to his compelling wishes, but unthinkingly, as we walk, move, sit, stand, go through the daily treadmill of the life which has been portioned out to us.
While at the Grand Isle, Edna meets several contrasting characters who help develop her defiant thoughts eventually leading to her awakening. One of her closest friends, Madame Ratignolle, is described as the ideal mother and wife; she is attentive to her husband and cares for her children above all else. Ironically, Edna feels the opposite way; she would “give up the unessential; [she] would give [her] money, [she] would give [her] life for [her] children; but [she] wouldn’t give [her]self” (40). When she revealed this opinion to Madame Ratignolle “a rather heated argument [followed]; the two women did not appear to understand each other or to be talking the same language” (52). Edna’s attitude toward her children compared to Madame Ratignolle’s is the first of many rebellious
Edna Pontellier possessed something rich and unworthy. Edna’s disregard for the individuals and society’s opinion did not force her to remain oppressed in the parrot’s cage nor become reluctant to the ocean. Edna’s heroic individualism liberated the chains that plagued her from flying and swimming into freedom and the discovery of Edna’s identity. All individuals experience various sorts of transitions in their life, whether it’s emotionally, physically, or mentally. It was Edna Pontellier’s journey of a thousand miles, new experiences and beginnings that led to the benefit of self- rule and sovereignty.
Mr. Pontellier takes great pride in his household possessions, including Edna, so as his wife, she is obligated to perform her duties that are expected of her, which limits her free-will. After Edna and Leonce return to their home in New Orleans, Mr. Pontellier inspects his house, insuring that everything is in its rightful place.
Edna broke free from the mold of her society. She was trying to find her purpose and her worth in a world where she did not have many rights or individual stability. Edna Pontellier worked to disregard the influence and power of men and society as a whole to discover more about herself and what she really wanted out of life (Bommarito). She gave up the “unessential” such as her home, possessions, and reputation to do things for
Keir Nason AP English Literature and Composition Mrs. Schroeder January 3, 2018 Politics and literature are far from strange bedfellows. Social commentary and allegory have been tools in the literary toolbox since Ancient Greece, with Plato’s Allegory of The Cave being one of the earliest forms of the device. Science fiction is an entire genre that, at least to a degree, is based upon the premise of looking at the problems of today through the eyes of tomorrow. Oftentime, authors seek to tackle the issues of their time within their writing, and Kate Chopin was no different when she published her final work The Awakening in 1899. At the time of The Awakening’s release, many works strived to address the rights of women, with the Suffragette
By Edna conforming to society’s expectations, she was able to question what she truly desired. If Edna did not conform, then Edna would have not understood that she longed for independence and the novel would have no solidified
This daring, adventurous desire stemmed from her husband, Mr. Pontellier, and his overbearing, possessive nature. This rebirth occurs, and over time Edna feels like herself, able to make her own decisions. Feeling alone, the “space and solitude” of the ocean emphasizes how Edna is different from the others in her society and seems rebellious to her husband (55). The freedom that
Edna continually questions whether or not she is destined to live a life of subordination or if she can find her own freedom. Edna Pontellier’s defiant nature is brought out
Since he sees Edna as a valuable object, he expects her to be the perfect wife model in return- take care of the house, be very caring for their children, and keep up with the creole social standards that he sees necessary. “It would have been a difficult matter for Mr. Pontellier to define to his own satisfaction or anyone else's wherein his wife failed in her duty toward their children.” (9). Being the perfect husband in the Creole culture it makes it very easy to focus on his wife's character and her process of self
Edna Pontellier in the novel, The Awakening, is a self-driven woman determined to become independent and free whilst undergoing a significant change in behavior throughout the novel. She attempts to withstand societal expectations by doing certain things that were not socially acceptable during this time period. While doing so, she experiences many different struggles during her awakening. These struggles that Edna undergoes may be described as internal as well as external. In the awakening, there is a constant conflict between inner and outer Edna.
In Kate Chopin’ s novel, The Awakening, there are three identities inside of the female leading role, Edna Pontellier, being a wife, mother and own self. Edna was born in 19th century at the Vitoria period, a patriarchy society, women have low freedom to achieve personal goal. She married with Léonce Pontellier, a wealthy man with Creole descent. After having a child, her life is still unchangeable and as bored as before. Until she encountered Robert Leburn, Mademoiselle Reisz, and Alcée Arobin, her value of self-cognition has changed.
However, Creole women were expected to be chaste, and would behave in a unreserved manner. The exposure to such openness is what frees Edna from her previously repressed emotions and desires and motivates her to become more independent. Because they are women, Adele and Edna do not have much freedom, as in comparison to men. However, Edna gains more freedom that is much closer to that of men when she abandons her household and social responsibilities. Edna’s refusal to follow and obey social conventions, allows her to spend her time on painting and sketching.
Edna sets personhood limits on how much she would give up for her children through a recalled conversation with Adele where Edna spoke her views on motherhood: “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (47). Her statement is revealing because Edna goes against what society says a woman is supposed to feel towards her children. She would give up superficial things like money, or a even a vital thing - her life - for her children. However, Edna states her unwillingness to become a ministering angel where to reach divine status she would have to erase her personhood, who she is as an individual. Edna will not give up her self for anything.
For example, when the couple returns from Grand Isle, Edna begins to act on her own and refuses to show hospitality towards her guests and it begins to exasperate Mr. Pontellier. As the novel progresses, it is evident that the relationship between Mr. Pontellier and Edna is purely superficial; it lacks sentiment and is only picture perfect for society. Because Edna is portrayed as an object of her husband, it fits the the fact that marriages in the nineteenth century viewed women as an “object of others [rather than] the free subject of their own fates”
Kate Chopin’s The Awakening is a piece of fiction written in the nineteenth century. The protagonist Edna is a controversial character, Edna rebels against many nineteenth - century traditions, but her close friend Adele was a perfect example in terms of a role of a woman, mother and wife at that time. Chopin uses contrast characters to highlight the difference between Adele and Edna. Although they are both married women in the nineteenth century, they also exhibit many different views about what a mother role should be.