Because of this, the daughter has turned into a disobedient girl and will do anything to go against the wishes of her mother. This disobedience only adds to the conflict which is not good for either of the two. The mother then finds out that she has breast cancer. Lola, the daughter, has no sense of empathy towards the mother. They still fight like crazy.
Her body and the bodies of many other women were used as a battlefield. Being that Salima is a woman, she did what everyone women would do: blame herself. This is why the iron pot has a huge significance within the play. It represents Salima’s pain and regret. She feels as, if she didn’t tell Fortune to go get that pot then they’d be a chance that she and her child would be
She states that sexism comes from how women have been perceived sexually throughout history and that this heavily influences pornography. McClintock sets up this argument by saying “Women’s desire, by contrast, has been crimped and confined to history’s sad museum of corsets, chastity belts, the virginity cult and genital mutilation” (113). She is saying that women were never given the chance to define their sexual wants and sexual desires because they have always been decided for them. Her main argument is based on her belief that men and women have formed the way that women’s sexuality is portrayed, even before the porn industry existed. McClintock disputes that society wrongly accused women of not wanting to participate as sexual beings and therefore that assumption is why pornography is focused on satisfying the needs of men over the needs of
Gender stereotypes have been around for hundreds of years and still are today. The stereotypes for women are strict in regards to jobs and homelife, behavior, and even attire. They keep a firm hold on women 's daily life, so whenever women get the opportunity for power, they will take it. Ken Kesey’s novel, One Flew Over the Cuckoo 's Nest, strongly features the stereotypes of women and, adversely, women in power; Kesey displays his opinion that women in power will abuse their status to manipulate men. One aspect of Kesey’s display of his distaste for influential women, is displayed through the character, Nurse Ratched (Big Nurse).
The Feminine Mystique (1963) examines the dehumanizing conditions of middle class American women who were excluded from social and political life to be anchored in their wifely and motherly roles. The book marks the Second Wave of American feminism. Friedan writes, “Their only dream was to be perfect wives and mothers” (61). This meant that the whole of an American woman’s life was meant to attract and keep her husband and serve his and children’s needs. She deals with this painful ordeal of women and clearly brings out the ennui, unhappiness, and the lack of companionship experienced by women in their marriages.
Sanger was a feminist who believed women would never be equal to men until women were able to decide when they would become a mother. Because of her feminist views, she put a lot of blame on men in her essay for unwanted and failing pregnancies, arguing that women are enslaved by men's desires because the women are left on their own once they are pregnant and have a child. With pregnancy, Sanger argues that the women suffer more greatly than the men. Sanger says that, “In an ideal society, no doubt, birth control would become the concern of the man as well as the woman.” Throughout her entire essay she constantly portrays women as the victims, because their feminine spirits are “bondaged” by men’s desires. Her arguments are based more on her opinion, than absolute facts.
Half the Sky by Nicholas D. Kristof and Sheryl WuDunn discusses women’s issues around the world, specifically focusing on sex trafficking, violence against women, and female mortality. While this book covers many issues on a global scale, everything relates back to a single central argument: that women are not treated like humans in the “third world.” The authors argue that because women are seen as subhuman in many places, they and their issues are invisible to much of the world. When women are not treated with common humanity, they are subjected to innumerable cruelties. These cruelties towards women that are explored throughout the book are accepted for the same reasons that brutalizing slaves was accepted; the victims are not human and
By the end of the story, she rips off the yellow wallpaper and kills her husband. Similar to this is the story of Edna in the novel ‘The Awakening’ by Kate Chopin. This story highlights the life of a woman who is trying to gain independence in a trapped society where it is impossible for women in that type of culture to be free. Society plays a major role in her story as the society oppresses her in such a way that results in a tragic ending. The story of the women in the ‘Yellow Wallpaper’ and Edna in the novel ‘The Awakening’ share the same type of a story.
Margaret Atwood’s novel, The Handmaid’s Tale (1985), presents several controversial yet realistic themes that can be linked to many social justice issues in today’s society. One central point that is highlighted throughout the novel is the objectification of women. In Atwoods novel women transition from normal citizens in society, to baby birthing machines. Women no longer acquire the respect, authority, freedom, and power that men have in the world of Gilead. This objectification that the handmaids are exposed to can be seen all throughout our environment, and there is no limit to where it can occur.
During the 1900s, even after the civil rights movement passed, women continued to be objectified and dismissed. Socially, women were projected as the idealistic housewife, and were given unrealistic beauty standards. Views of women were conflicting, because in the media women could be sexualized, but could not openly talk about sex or have complete authority over their bodies. However, during the 1960s and 1970s, female artists fought to reclaim their bodies and dismiss these sexist ideas. One way women took authority over their bodies was by challenging stereotypes through performance art.