Sherlock Holmes Baffled (1900), directed by Arthur Marvin, is considered to be the first screen adaptation of Sherlock Holmes`s character. It is a silent film which lasts only 30 seconds. Besides, it is the first officially recorded movie in the detective genre. The fact that no one else but Sherlock Holmes was the first book character who started the development of detective films is definitely very significant and symbolic: "…it is an early trick film clearly made for viewing on a mutoscope or peepshow machine. Although a tiny, trivial piece, it is historic as being the earliest known use of Sherlock Holmes in moving pictures…”(Wolff 27). Moreover, this movie is probably the only one where the famous sleuth is shown as a loser against the background of a criminal: the burglar disappears and Holmes is “baffled” (Zecher 461). The movie was considered to be lost but after it was rediscovered in 1968 in the Library of Congress. The plot develops around Holmes who finds out that some of his goods were stolen. The thief, who apparently mastered the trick of disappearing, appears again, and while Sherlock is trying to give a good lesson to the burglar by firing a pistol at him, he vanishes in the window with …show more content…
Nostalgia for the adventures of Sherlock Holmes recently appeared in a contemporary Russian version Sherlock Holmes (2013) directed by Andrey Kavun and starring Igor Petrenko as Sherlock Holmes and Andrei Panin as Dr. Watson. The film series, which consist of 16 episodes, features the famous duo solving mysteries in Victorian London (Review: New Russian
Although race relations in the United States between whites and African Americans have significantly improved since the abolishment of Jim Crow laws, director Spike Lee’s socially conscious satire, Bamboozled shows that discrimination has only evolved. Released in 2000, the film sought to edify the African American population about the racist and stereotypical treatments blacks endured during the Jim Crow era when they were used to entertain the white masses. Moreover, it also shows how that culture is still propagated today, with African American film makers just as guilty. From the time the first African set foot in the North American colony of Jamestown, Virginia, in 1619, race relations have always been whites’ superiority over blacks.
When analyzing the spatial relations of The War on Drugs’ “Holding On” and Sherlock Jr., the audience can explore the continuity and discontinuity within each film that will later suggest different messages and ideas. In “Holding On”, there is a clear line between continuity and discontinuity. There are many instances that the film offers continuity between shots by utilizing the 180-degree line and eyeline match. The 180-degree line can be seen by the audience when the man in the film walks from the left to the right side of the frame when in the pasture headed toward the woods. Then later in the film, the camera makes the 180-degree turn, making the man go from the right to the left side of the frame.
In the year 1945 Fritz Lang directed Scarlet Street, a truly classical film noir. The screenplay consists of two criminals who take advantage of a middle-aged painter in order to steal his artwork. Absolutely one of the finest of all film noirs, Fritz Lang’s Scarlet Street is a remake of Jean Renoir’s La Chienne. These two films share essentially the same structure. “The ineffectual nebbishy cashier and protagonist, Maurice Legrand in La Chienne and Chris Cross in Scarlet Street, demonstrates a level of cowardice and naiveté in grown men that is simply unforgivable, thereby resulting in a fate that must be tragic” (Hassannia Para. 1).
1940 in America brought us Bugs Bunny in “A Wild Hare,” president Franklin Delano Roosevelt for a third term, the discovery of Stone Age paintings, and And Then There Were None. Over the Atlantic in Victorian England circa 1902, Lord Salisbury retired from being Prime Minister, King Edward VII and Queen Alexandria were coronated, the Olympic Games were held, and Sir Arthur Conan Doyle published The Hound of the Baskervilles. And Then There Were None by Agatha Christie and The Hound of the Baskervilles by Sir Arthur Conan Doyle are two top examples of mystery thrillers.
One must find the influence and the aid of others to overcome challenges. The movie and book “Wonder” directed Stephen Chobosky by composed by R.J Palacio is a story about a boy named August Pullman who has a face deformity called Treacher Collins Syndrome. This causes his face to be irregular and look different compared to others. Auggie is starting his first day of school after being home school by his mother. As Auggie walked in the school, people were walking away and avoiding being near him.
The movie chosen was “On Golden Pond.” The life transition and developmental issue present in the couple are the father 's cognitive decline and age-related memory loss, familial conflict and divergence between father and daughter. Norman and Ethel appear hunched and infirm which is a sign of osteoporosis or general bone density decline, and their hair is gray and thinning. Ethel seems to be in better shape than Norman. The movie is filled with conflict and resolution.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
When most people feel like they are close to God; they usually make good moral decisions. In Doubt by John Patrick Shanley; Sister Aloysius tells Sister James that “In the pursuit of wrongdoing, one steps away from God. Of course, there’s a price.” When stepping away from God someone is committing sins and they are doing things that are usually not accepted. As the main characters stepped away from God, they had to pay the price of making wrong choices and the price of being pressured by those choices.
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.
Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her perplexed teenage and finally realizes she is interested in Josh, her stepbrother.
N00145563 The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor.
Suspicion can be fascinating but haunting. Since Victorian times, the suspicious death case of Sir Charles Baskerville in The Hound of the Baskerville has intrigued/compelled vast amounts of readers. However, recent audiences are more compelled to stories with a modern twist of horror and gruesomeness. Because of less main characters, a fast-paced plot, and the differing point of view of Atwood’s The Hound of the Baskervilles film adaptation, the film has a frightening, intriguing mood with a new perspective compared to Sir Arthur Conan Doyle’s original novel.
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.