From the very beginning irony is used. Jenifer Hicks brings out the point of irony when she quotes that Mrs. Mallard “would have no one follow her to her room”. Mrs. Mallard might have also meant that she would have no one interfere with how she lives her life again (Hicks). Another source of Irony is at the beginning when Mrs. Mallard’s sister thinks she is deeply saddened by Mr. Mallard’s death. “Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission.
However, because society is cruel and who never approve of a woman so independent, she creeps around the room to hide her escape. When John arrives at the nursery-like room, he sees what has become of his wife. His wife explains she has ‘gotten out, in spite of you and Jane,’ before John faints and his wife continues to creep around the room, trying her best not to step on the fallen body. In conclusion, the narrator of the Yellow Wallpaper, is what happened to a woman in an oppressed society.
While her daughter is being slapped she simply observes and does not even slightly intervene to protect her only child who is begging on her knees. The Nurse, however, demonstrates her true love for Juliet as she steps in and confronts Capulet. The Nurse says, “God in heaven bless her” while pleading, “You are to blame, my lord, to rate her so” (3.5 176, 177). Such a statement to the person that has allowed her to stay long after Juliet finished breastfeeding is one that could cost her the loss of a second child. The Nurse continuously claims that Juliet is like her daughter, and defying Lord Capulet could lead her too far worse consequences than what Juliet gets for defying him.
The two kids never did anything against their mother, but she holds are grudge that stands firm while she drowns. In an essay, Suzanne Green describes Edna's state of mind at the end of the novel as, "incensed that her husband and children presumed that they could “drag her into the soul's slavery for the rest of her days. "".(Green) Green writes that Edna is "incensed" with her children, and quotes that Edna believed the kids were holding her soul as a slave. Edna was doomed to unhappiness from the beginning of her children's lives because of these thoughts.
A African girl that explains her life with growing up with an abusive father in her home. Chimamanda Ngozi Adichie created the book Purple Hibiscus it speaks on the life of having an abusive father in the house. In the beginning papa beats mama for having symptoms from her pregnancy which cause her to miss church. He also hit Jaja,Kambili,and Mama for letting Kambili eat while suppose to be fasting but ate because of cramps. Then beat Kambili for having a heathens painting in the house; which caused her to go into a minor comma.
Do You Know Where I Am? consists of a dark and bleak tone as David, the narrator, describes the journey of life with his wife, Sharon. Going in depth about their hardships and the unforgiving nature of their marriage, the mood of the story remains heart-wrenching. When David lies as the cat incident occurs, Sharon still agrees to marry David since that relationship is all she knows; however, she realizes in her heart that he is not the man she desired to marry originally. Sharon states, “I am going to marry a liar”, and on her deathbed, she still exclaims, “You’re a liar”.
By doing something her father wouldn’t approve of. It says “Father Amadi’s musical voice echoed in my ears until I fell asleep.” Now knowing a song that she couldn’t keep out her mind. Kept a secret from her dad, which was she sleeping under the same roof as her grandfather. ” And “ He poured water on my feet slowly, as if he were conducting an experiment and wanted to see what would happen.”
“The Yellow Wall-Paper” which was published in the late nineteenth century shows that the women of that time did not have much cultural value. In the story the husband acts more like a father to his wife than a husband. Throughout the story he calls her ‘little girl’ and like a father has rules that must be obeyed. He has locked her up in a nursery room that she hates in a large castle and ordered her not to move from the bed, because she is on a ‘rest cure’ that is supposedly going to help her get over her post-partum depression. Because she is stuck in a room that she despises, she becomes very lonely and even more depressed which causes her to start staring at the wallpaper and slowly become crazy from the isolation.
Mildred’s constant addiction to gadgets represents her denial towards her problems and the little desire she has towards a better life. Her ignorance is another of her great weaknesses since she lives in a world where her feelings don’t matter and is easily influenced by tv and propaganda which explains her obsess towards hair dye and a soap opera family, even when Guy tries to talk to her all she seems able to talk about is her “family”, he tries to talk to her into reading some of the books he has found but she’s just worried that Captain Beatty might show up and “burn the house and the ‘family’” and asks him “why should I read?” “what for?” (34, Bradbury). Mildred doesn’t understand what she’s feeling and therefore prefers little amounts of superficial happiness that only give her joy for a little while, instead of reading and exterminating her ignorance because she’s too afraid to understand what is really happening inside of
Think I like to stick in that house alla time?” (Steinbeck 77). Curley’s wife expresses her need of speaking to others; she is tired of staying in the house all the time and having no one to talk to but Curley, whom she openly despises The way the men describe her, as a whore, only adds to her loneliness and depression. It brings her to the point in which she angrily cries out at Lennie,
Some included devotion, education opportunity, to be abstinent and to escape their lives at home. In the book Marissa knew she would never marry because she walked with a limp and was not beautiful enough, so she asked to be taken to the convent. She explains to Will her reasoning, “‘I am just the kind of spare girl who moulders away and everybody’s relieved when they die. Even if you give me a dowery, who’s going to marry me? I’ve got no land
In Clark 's flashback, he was looking through her old music books when she put her hands over his eyes and tells him to not "love it so well, Clark, or it may be taken from you. Oh! dear boy, pray that whatever sacrifice may be, it be not that." This shows how attached she was to music and how she wholeheartedly never wanted to part from it by the way she tells Clark that it is unwise to love something so much. When Clark takes her to the Wagner matinée, she is at first passive, but then tender-hearted.
Another thing that led the narrator close to insanity was basically being isolated in the house. She spoke many times about wanting to see cousin Henry and Julia but John said he would only let her see them when she gets well and anytime before that he would rather "put fireworks in her pillowcase" than let her see those "stimulating people." After awhile she thought it was "discouraging not to have any advice and companionship." John spent most of his time in town because of serious cases and Jennie let her be alone when ever she wanted to be. When she was alone she said she would always cry I 've nothing and started to imagine things is the wallpaper.
When I started the interview with Margaret she stated that, “I can’t deal with this anymore. Something has to change.” I tried to get Cedric involved, but he was too unfocused to participate in the interview session. Cedric seemed angry and screamed to me that, “Everybody thinks I’m stupid. Why don’t the kids at school like me.
My mother had her demons. Things of her past would keep her up at night, and at times I would hear her sobbing, incoherently babbling about a man named Tom. She would forget these night terrors by morning, I learned that after one particularly horrid night that I had spent by her side comforting her. I asked her about it the next morning, and she had no recollection of the previous night’s events, or at least that is what she led me to believe. From an early age, I knew not to ask her about the man named Tom, or the blood would drain from her already pale face and she’d spend the next few hours locked in her room.