Unhuman, warzone, dangerous are just a few words that would describe the film Sicario. During the first day of Chicanos studies I got the privilege to see this film among my fellow classmates. While watching this interesting film many things came up to my head like does this really occur, why would people live in places like this. Overall, I would say that the movie was amazing from start to finish. From the music, locations, words, and actions I would say they captured the harsh reality of how it is to live in the borderlands. In the beginning of the film, the music of Sicario was sketchy. By the word sketchy I mean, like something mischievous was going on. Indeed, they were in a crime scene the music then started getting darker and darker. It was not until Kate the FBI agent, found the dead body. The director and producer did a great job in even disgusting the audience with what Kate had found, dead bodies all over the house. Not only did it disgust the audience, but in my perspective it gave me the chills. Throughout the movie the music did not get any happier from there it just got darker, like if you were being observed and you did not know. Scared to life, not secured, is what the music of the film made me feel. The location for this movie was precise, since I am assuming the director wanted to give one the Borderdlands feels. Sicario, did …show more content…
It is true living in the borderlands as what I have absurd is harsh, but I also know that it is not always the case. This movie I would recommend to everyone because at the end of the day we all learn something knew. It opens ones eyes up and realize that, “Hey the United States is also a corrupt country just like any other.” The director and producer as well did a phenomenal job in capturing and making one feel like if we where there all along. Sicario is a movie I will never
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
Overall, I think that this film not only shows what working your way from the bottom in the United States truly entails but it also shows a different side to these refugee programs. It is great that they are bringing them to the U.S., thus opening them up to various opportunities, but some suffer more in the U.S. than when they were at home such as those who couldn’t find jobs after the 4 months where the YMCA was providing for
Sound is very important in this film because of lot of sound is edited to fit in certain spots including music. During the activist movement, we can clearly hear the hurt in these people voices. Riots, shouting and clapping were all heard in most of the shots along with a voice in the background explaining exactly what is going on. Music was edited into some of the scenes to help give more of a scary or haunted approach. There was also sounds that were in scenes which sounded like someone or something huge is about to take place.
One of Alfred Hitchcock’s most famous movie scene is the ‘crop duster’ scene from North By Northwest. This scene demonstrates how the score and music of a film is incredibly important to build up tension in a classic thriller. The film’s music and scores were written by Bernard Herrmann, a well-known Hollywood composer (hitchcock.tv). In the infamous crop duster scene, Herrmann and Hitchcock used diegetic sounds to build suspense and uncertainty. The diegetic or natural sounds emphasized the distance of objects from the protagonist.
It is through her point of view where we notice how easily drugs are available to her and how susceptible teenagers are to addiction. Finally, a unique and different perspective is shown through Javier Rodriquez played by Benicio Del Toro. Depicted as a “good cop” in Mexico, Javier is actively fighting against criminals, drug traffickers/smugglers and the reality of corruption in the Mexican military. Between the 3 we view the film at the political level of the drug war, the social level, and law enforcement level, respectively. Soderbergh uses different colors to distinguish between the several storylines.
As with much of the novel, most of the film occurs in the Australian city of Melbourne. A personal favorite scene of mine was the car racing sequence which was actually filmed at the "Phillip Island Grand Prix Circuit, home to Australian motorcycle Grand Prix." Other filming sites included the Melbourne suburbs such as Frankston and Berwick. Kramer does a fantastic job in filming the scenes of the ghostly and desolate streets of Melbourne and San Francisco.
I chose the movie Cesar Chavez because is about an labor organizer and activist man of the civil rights. Scene ---In 1965 many grape farm workers march 300 miles from Delano, California to Sacramento. Demanding labor rights for farm workers and increasing their wages and to improve their work place conditions. Mexicans and Philippine’s got united and they strike for five years until they got to sing a contract were The scene that I choose is when growers were telling the workers in the vine yards that anyone that follow the strike will stop working there and they were not going to be higher from anybody else and workers were really afraid to strike against the growers.
As a producer/director it is hard to precisely depict genuine occasions that depend on a genuine story. Edward James Olmos went up against that test as he featured and coordinated the gang related motion picture in light of genuine occasions titled American Me. Brutal scenes go with the job when making films about packs and mobsters, and Olmos saved no cost with American Me. Olmos ' offered a reasonable delineation of how the Mexican Mafia started and in addition what it resembled for a youthful Chicano to experience childhood in Los Angeles amid the 1980 's, and the 1940 's. What can be troublesome about recounting the account of posse life is the way that on the off chance that you reveal excessively data about what truly happened, there can be shocking repercussions that accompany it. Robert Lopez composed a piece 1996 in the Los Angeles Times remaining that Olmos
It is most unsettling and illuminating in its honesty and humanity. See, you won 't like everything you hear, you 'll shield your eyes away because you won 't like what you see, but this is the real America. It is tailored made for 'winners ' as Michael Shannon puts it. It is only in a world like ours, in a nation like ours, that pits everyone against each other, in a 'fight to the death ' 'battle royale ', in which only the most deceitful, only the most unburdened by emotion and morality win. The film does well in highlighting how corporate america views homes as nothing more than dots on a map, ready to be reclaimed, and families as simply removable.
The director of the movie might have added locations to make the visuals more interesting. When a movie is set in only one space it can become boring for the viewer. Therefore,
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
It brought in great interviews, whether they were that of townspeople or official representatives, the interviews were solid and differed enough to make each one stand on it's own. The filmmakers found a way to follow the narrative with it's statistics and interviews blending in a way to keep my attention without me wanting to shoot myself in the face due to boredom, which is great. The way ethos, pathos, and logos weaved together for the end product was certainly admirable. I wasn't concerned with the issue at all when going into the interview, but if I'm going to be honest, I still don’t really care. I understand the issues and what they're doing to both the world and it's inhabitants, but I think bottled anything has become so integrated into society.
The film brings light to issues that the general public doesn’t really realize are happening. Drug and gang violence are large issues in America and this movie shows that. The largest example showing violence from the movie is when Ricky gets shot by the Bloods in the leg because of issues that Doughboy created (Singleton, 1991). This violent scene has the biggest effect on the audience and it truly educates people watching the movie. This also leads to another message that the director cooperating through the
INTRODUCTION This course requires an examination of the addicted person in terms of the systems that they interact with. Through the use of the Ecological Systems Theory, an examination will be made of the facets and factors that affect various systems depicted in the film Traffic (2000). For the purpose of this paper a short review of the movie will be depicted.
Night on Bald Mountain by Russian composer Modest Mussorgsky (1867) was written in 1867 during the Romantic period. This orchestral tone poem was inspired by Nikolay Gogol’s short story “St. John’s Eve” which chronicles the witches’ pilgrim to Bald Mountain to await the arrival of their lord, Satan. Mussorgsky’s A Night on Bald Mountain is a very dark piece which uses several musical elements such as dramatic contrast of dynamics, pitch, chromatic harmonies and discords to create an exciting and twisted story. It is a beautiful work that depicts the style and characteristics of 19th century Romantic music.