As an up and coming art critic walking in to the Carnegie Museum of Art, my eyes flitter from painting to sculpture to every medium of art in my sight. My eyes continue to be briefly captured by multiple art pieces until I come across a pitch dark room, with a singular video playing. The sign outside the room indicates the film is called Sidewinder’s Delta and it is by Pat O’Neill and it came out in 1976. I take a mental note to research more about the director and the film itself. The large, empty seeming room is intriguing so I walk a bit closer and peek inside. The first thing I see peering into the room, is a wide screen with random, vivid color blotches appearing on and off the screen. Maximum creepy vibes are being felt just peeking …show more content…
I tried to put all my thoughts together regarding the film. How could I critique something as obscure as this experimental film? Are there more film pieces similar to this? Or maybe similar as in one feels the same out of body experience? That out of body experience, seeing yourself in third person view, seems to go hand in hand with the film, Sidewinder’s Delta. In the beginning, watching Sidewinder’s Delta puzzled me. I did not have much background information regarding experimental film, so in that moment my biggest question, “Why?” could not be answered by simply watching the film. I thought there had to be a set explanation as to why the color schemes included those colors, or why the day was being sped up. I was looking for both symbolism and an explanation surrounding each clip of the twenty one minute film. The subjects of both English and Art seem to have acquired a reputation of delving deep in to the symbolism surrounding an object or medium that in reality may not have a second layer to be …show more content…
Does every object whether it be art or a book, need a reason behind it to exist? Not everything needs to go and challenge a belief or explain this and that. People will come to conclusions filled with reasons of why certain colors were used and why the colors changed the way they did in O’Neill’s Sidewinder’s Delta, but Pat O’Neill confessed, “I had only the vaguest idea how to use the footage I was collecting” (Fearless). The man behind the whole film, at once had no idea where or what he was doing with his footage. He had no new tidbits of information to explain to questioning people
the film the sapphire directed by wayne blair ,set in the 60’s explores the journey of four indigenous women who perform to the soldiers during the vietnam war. throughout the film director wayne blair highlighted the importance of family connection and having a sense of belonging through the characters of kay ,character relationship and the grandma. the film the sapphire highlights the sense of belonging though the character of kay ,kay being a part of the stolen generation ,trying to find herself and reconnect to her culture.she feels lost as she doesn't know what her identity is black or white ,an important scene in the film, a connection is made when Kay speaks Yorta-Yorta to ask the Vietnamese people who have stopped their car for permission
Down in the Delta was directed by Maya Angelou. This movie is based on many sociable changes. Many were emotional and cognitive. Most of the emotions and cognitive changes were structured by growth development and through life learning experience. Many of the characters in the story had a lot of change.
Strategies of Mis-en-scene in The Coen Brothers’ No Country For Old Men The Coen Brother’s films are always created in a particular way; a way that makes you look and think extra hard about what’s being presented, and how even the simplest of visuals and presentations could be connected to a broader picture or idea. Through their creation of films, the Coen Brother’s craft an unequitable mis-en-scene that captures the audience and draws them into the film itself unlike any other picture can. Through analyzation of the sets, props, lighting, and characters, this paper will show how strategies of mis-en-scene are overwhelming in the Coen Brother’s No Country For Old Men by way of “The Coin Toss” scene (No Country For Old Men), what elements
The documentary displays how a Texas established creator named Tim Jenison tried to unravel one of the extreme secrecies in art. The documentary explains that how Tim Vermeer accomplished so much by painting a scene so good that it looked like an actual photo 150 years before they invented photography. Tim Jenison arranged a simple research to test the idea that he had in mind. He does not know how to paint but in a few hours he
Looking at the contrast of the characters within themselves is very interesting and useful as well as how they contrast with other characters in the film. The contrast of things as seemingly black and
Welcome to cinematic studies, accredited by the national top radio station, 666. I’m your host, Gurki Gill and todays show will be featuring an Australian director, Wayne Blair. Today we’ll be taking about an Australian iconic indigenous film, The Sapphires and its historical context. |What made the film feel like it was real?
Film and Photography Film and photography both have the same purpose; to convey a message or emotion through the process if creation, they are simply done in different ways. The dramatic reenactments in the movie Thin Blue Line relate to the staged photographs in Gregory Crewdson: Brief Encounters through the purpose of conveying a message or emotion as well as the process of creation. Brief Encounters’ staged photographs convey deep and meaningful messages and are also created in a way which was incredibly close to creating a movie. Gregory Crewdson claims that he tells a story through his photographs, he says “the pictures are about creating a world” which are shown through his elaborately designed photographs.
Every now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the
but it also demonstrates how nature is unpretentious. This shows that a regular colour can be seen from a different perspective. It also uses juxtaposition because it uses a normal colour in a celestial place. Overall, the fact that the story begins by describing the setting makes
Kubrick’s 2001: A Space Odyssey is a film largely defined by a split between human visceral drives, and mechanical narrative detachment. The film appears to privilege visceral images (including the psychedelic Stargate scene in the film’s concluding segment, “Jupiter and Beyond the Infinite”) as a means of creating an enigmatic affective experience which prompts immersion in the film. Instead, Kubrick is more concerned with providing a strong visceral experience over narrative meaning, as evidenced in his assertion that the Stargate sequence’s “meaning has to be found on a sort of visceral, psychological level rather than in a specific literal interpretation When considering Kubrick’s 2001: A Space Odyssey, pensive spectatorship is particularly
In the film Extreme Measures someone can find ideas of Secular Ethics throughout the film involving Utilitarianism and its basic tenets along with Kantian analysis. The basic tenets of Utilitarianism include the principle of utility, Hedonism, and the viewpoint of a disinterested and benevolent spectator. While the tenets of Kantian Ethics, which include good will, the formula of universal law, the formula of the end itself, and the categorical imperative. These basic ideas setup arguments for and against the Utilitarian ideas set up by doctor Myrick. In the film doctor Myrick makes the claim that it is worth the deaths of unwilling subjects in order to help/save the lives of millions.
An Analysis of The Sound Track For The Movie Wall-E This essay will give an analysis of sound design used in the movies and how it is as important as the moving pictures to the movie. When you use the processes of recording, editing and mixing of sounds you greatly enhance the quality of the movie. This essay is an overview of producing high quality sound from elements like music, the recording of common every day sounds and the use of hi-tech equipment. Whether it takes place in the production stage or the post- production stage of sound design.
1. Identify the film’s title and production designer (or art/visual designer). The film that I watched was Doubt. It was directed by John Patrick Stanley, and I believe that the production designer was David Graupman.
John Nash’s emotions are expressed through various cinematography. The opening scene of the film shows shifting camera movement and this is done through physical displacement of the camera. The movements of the camera show John Nash is not confident in himself due to his schizophrenia. Different colours throughout the film express different emotions.