In Frankenstein, by Mary Shelley, it scrutinizes the punishments when a man creates life, and plays the role of God. Victor Frankenstein, is at fault for the creature’s actions. Victor was looking for some honor and triumph, but when he accomplished his experiment, not only did it bring terror to Victor, but to the whole world. The monster never learned right from wrong and was never raised correctly, his first moment of life, all he experienced was the fear in Victor's emotion, and was abandoned right from the start. Victor selfishly isolated himself from society and ran away from his responsibilities which caused destruction to the people Victor cared for and loved deeply.
nurture through the character development, reactions, and decisions of the protagonist, Victor Frankenstein. Based on Frankenstein's nature to learn and have rash and irrational decisions, it certainly caused him to act inhuman in certain circumstances of the story, naturally. Nonetheless, his family bond, which was nurtured into him, also caused him to make monstrous decisions and actions in other situations within the plot. Therefore, Mary Shelly claims, through Victor Frankenstein that both human nature, and the environments that one is put in, can mold them into inhuman monsters, whether this person is the product of the nurturing, or the perpetrator, and in this case, Frankenstein was
The story’s about the creation of the monster, most readers will think it is Victor’s creation, however the transition of Victor Frankenstein throughout the book is the prove that he is the real monster in this story. As the novel goes, the peruser understands that the genuine terrible activities are made by Viktor Frankenstein: first he rejects his own creation, at that point he basically charges to overlook what has happened, then his brother is killed by the monster and he gives a blameless young lady a chance to get hanged assuming liability for this death. Victor 's outrage towards the monster he created is by all accounts his very own irritation towards himself as he understands the time he has squandered, the friendships and relationships that he ruined just to create something that will ruin his life. He accuses the monster for his compulsion. The feelings of trepidation and agitation the Victor is encountering are explained in his dreams.Subsequently, Mary Shelley 's "Frankenstein" is an appalling novel in which the fault of one individual prompts to the deaths of his loved ones.
Studying character within a form of literature includes looking at character development, characteristics, and how these lend themselves to the relationships amongst the characters. In Frankenstein, Victor and his creation have a rough relationship right from the beginning. Victor is hostile to the creature from the moment he first sees him alive. Victor and several other people the creature encounters make the assumption that the creature has an awful personality because of his his concerning physical features. If Victor had been willing to give the creature a chance, there is a large possibility that he would never have killed a young boy, Elizabeth, or sought to get revenge on Victor.
Unlike Victor Frankenstein’s birth, the creature searched for glory from a beginning of loneliness and a craving for love from the humans he wished to be. Even though he was unfamiliar with the typical childhood when he was first ‘awakened’, the monster knew he had “no money, no friends, no kind of property”, and he wished to change that (128). He wanted what everyone else got freely, and even with this unfairness, he tried desperately to earn these ‘normal’ assurances he didn’t already own—like acceptance. When the creature was furiously denied these privileges, he turned away from humanity and their prejudice and looked to his own race, demanding a similar undead wife from Frankenstein. “‘You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being.
The Ugly Truth About Beauty In Frankenstein, Mary Shelley excels at accurately portraying how social beauty standards, along with being alienated from society, affects one’s perception of oneself. For the most part, when people think of “Frankenstein,” they immediately think of “monster.” However, Frankenstein is the creator of the creature - a creature who in actuality is unfit to suit the label of “monster” and is not given a name. In the midst of the novel, the creature becomes aware of other people’s appearances, the beauty they possess, and how it is all so different from his own image. Attempting to comprehend the newly found information causes the creature to question his own appearance, and once he does so, the view he once had of himself is altered. To the characters in the book and to those in the world today who do not know the creature’s side of the story, Frankenstein’s creature is seen as the monster.
After analyzing Victor Frankenstein and his creation, it obvious that they both have an unbalanced subconscious. At the start of the novel, Frankenstein’s id was more prominent, and after he realized what he’d created, his superego took over with his sense of guilt. The creature on the other hand, primarily follows his id, and doesn’t feel guilty of what he’s done. Despite their hatred for one another, Frankenstein and the monster are very much the same. The monster is a product of Frankenstein; “Creator and created” (Hennessy).
Focusing on Victor Frankenstein and the monster he created, one can better understand their personalities by examining the three parts of their subconscious; and determining parallels between the two characters. Victor Frankenstein’s id is shown primarily at the beginning of the novel; he creates the monster because he wants to and he doesn’t consider the repercussions that would follow. The id is known as the “inner child,” there is no sense of consciousness when you’re satisfying the id. One whose id is superior simply does what they want to do. Furthermore, early in the novel,
First and foremost, the fictions teach us about the characters. In “Frankenstein” we are faced with a being created by a scientist. Both characters are shown as kind, misunderstood monsters, seeking knowledge. “The Outsider” creature sees no kindness, as the people run away from him. This is stated on CR27, “Scarcely had I entered...the whole company... evoking the most horrible screams... madly fleeing…” This is separate from “Frankenstein” as a mob chased the undead being away.
The Creature recognizes how Victor Frankenstein should treat him as his creation, but instead Victor Frankenstein treats him like an evil fiend. Because of the Creature’s rejection, he becomes angry and seeks revenge though he was originally a kind and gentle being. In Mary Shelley’s Frankenstein, by examining the nature and nurture aspects of the upbringings of Creature and Victor Frankenstein, a lot can be revealed about the origins of the personality of a child. The nature verses nurture controversy debates which factor is more influential in a child’s personality. Nature is the genetics in which a child inherits from their ancestors through DNA.