Silat Lagenda Analysis

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In this journal written by Hassan Abd Muthalib in 1998 narrate about the design of the key settings in Silat Lagenda. Therefore, to show that animated is iconic and also effective symbols and index. This function is to support the story and served the needs in the film’s narrative. He also argued that there are many principles in the making of this animation such as semiotics, archetypes, binary opposition and Gestalt psychology. This principle is used to show how these theories relate to the design stings and how to use them to contribute to an effective visual storytelling. This principle also serves as a tool to communicate from the beginning earliest cinema until today. In addition the story making art provides emotional responses that underlie both the entertainments and the understanding of meaning through the use of visual language film that local creative industries can compete in the global arena. According to Hassan, in a story is the basic of everything created. Everything is designed contributed to storytelling and the results of the production design is formed when the director in collaboration with production design is formed when the director in collaboration with production designer convey the story and meaning to the viewer. After the story was turned into a screen, the setting along with …show more content…

The background will be designed taking into account the position of the characters in the frame. After that, the shadings of blue pencils made to affect the lighting in each scene. The background of the then painted and scanned into a computer for compositing with animated characters. Here are some examples of them in the form of picture settings and the meaning behind the design elements associated with the story, characters and

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