Society is well-known for pushing those who are outsiders or strange away from society. This is prevalent to the examples in Mary Shelley’s novel, Frankenstein. The monster who was created by Victor Frankenstein who wanted to be the first to create life was appalled by the sights of the his creation. Frankenstein’s monster is judged based on his appearances and is often ostracized by society, just as anyone in modern day society can be shunned or pushed away due to their looks or how they think. The most outstanding example of ostracism that occurred throughout the novel is based on the monster’s physical features and structure.
They each show characteristics of being a monster, they are hostile toward others and inspire a sense of dread commonly associated with creatures of evil or those that are not fully human and care little for the nature of that which is good. The perception of what makes a monster is questioned as the more we learn about the scientists the more we question their humanity. Frankenstein takes on the qualities of a mad scientist robbing graves and desecrating corpses, and Nathan drowns himself in alcohol taking out his aggression on those around him. Frankenstein’s creation in novel is able to express compassion and is able to show remorse, caring for things beside himself. Nathan comments about in regards to Ava's brain that it is “Impulse.
Grendel and his mother are represented as monsters, through their physical appearance, as well as their horrific killings. The monstrosity of Grendel is directly seen through his physical appearance, as depicted when his hand is exposed in the hall as a trophy, after he was injured during his battle with Beowulf. During this scene, the beastly appearance
In Frankenstein by Mary Shelley, the main character Victor tends to show flickers of his own monster in his personality, leading the reader to believe they are one in the same. Victor may not outwardly portray his monster but his emotions and desires line up with that of the monsters actions. The anger Victor and the monster share brought about by society are traits of this deep emotional bond they have. A literary doppelganger best describes the two being, meaning a Victor's monster is another version of himself. The Creature is Victor's inner most emotions, those that are often hidden due to society's expectations; this madness is brought to the surface through the monster.
In the novel, Frankenstein by Mary W. Shelly, Victor Frankenstein creates a creature. The creature and Victor Frankenstein have conflicts between each other, which is why Robert Walton is necessary to help the reader relate to Frankenstein, by having many of the same attributes are Victor Frankenstein does. Robert Walton has many similar traits to Victor Frankenstein, ultimately helping the reader greater relate to Dr. Frankenstein. Even though Frankenstein is viewed as a monster himself and Walton is considered a normal person.
Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned” (138). Through the knowledge he acquired from spying in on the Felix family, he gained the understanding that his grotesque look doomed him to be marginalized within human society; therefore, his understanding of human history destined himself to be a monster. Although, this self-realization of a monster identity plays a huge role in the general plot and character development of Frankenstein’s Monster, it hints at a subtler interpretation of the nature of knowledge.
In Frankenstein, the reader spots the danger when Victor destroys the female monster where the monster proclaims “Slave, I before reasoned with you, but you have proved yourself unworthy of my condescension. Remember that I have power; you believe yourself miserable, but I can make you so wretched that the light of day will be hateful to you. You are my creator, but I am your master; -- obey!”(Shelley 157). The reader sees the obvious tension between Victor and the monster due to both of their lacks of responsibility for each other and themselves and can relate it to the United States and their global affairs with countries like North Korea where the countries leaders have resulted to name calling like “rocketman” and “mad man”(Stevens). Throughout Frankenstein the reader saw Shelley’s theme of the dangers in not taking responsibility like pain, death, the suffering of others, and now the reader finds out how one of the dangers is the risk of composing deadly
A Monstrous Metamorphosis “Monsters are real, and Ghosts are real too. They live inside us, and sometimes, they win.” (Stephen King). We, as human beings, are constantly inserting the ideas of the monstrous into our culture. If you would look across all the many people of the world you will find that much of their culture centers around monsters.
The Creature’s feelings of rejection from society and the abandonment from Victor compel him to use violence and seek revenge. In so, the Creature ends up killing a great many of people throughout the story, some of which include: Victor’s younger brother William, Justine Moritz, Victor’s close friend Henry Clerval, and Victor’s soon to be wife Elizabeth Lavenza. Many would say that the story of “Frankenstein” from the start sets out to make the creature seem to be naturally evil and a monstrosity of a thing which is directly the cause of its uncontrollable bloodthirstiness, but I believe this to not be the case. Although the Creature behaves viciously and murders several people, he is not inherently evil or malicious. It is because of the human relationships he endured and the consequences of a neglected psycho-social responsibility that drove him to do such
nurture through the character development, reactions, and decisions of the protagonist, Victor Frankenstein. Based on Frankenstein's nature to learn and have rash and irrational decisions, it certainly caused him to act inhuman in certain circumstances of the story, naturally. Nonetheless, his family bond, which was nurtured into him, also caused him to make monstrous decisions and actions in other situations within the plot. Therefore, Mary Shelly claims, through Victor Frankenstein that both human nature, and the environments that one is put in, can mold them into inhuman monsters, whether this person is the product of the nurturing, or the perpetrator, and in this case, Frankenstein was
Another great similarity between today 's and Frankenstein 's community is the judgement on how someone looks. Victor, passed his view on the monster based on how the monster, he created, looked. This hideous creature was stereotyped to be a mean , ignorant monster. "I beheld the wretch- the miserable monster whom I created. " This quote said by Frankenstein, gave proof that he believed that the monster he created, was pointless.
Grendel vs. “The monster” Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things. Grendel feels like an outsider because he knows he is different and he wants to know the truth of why he is what he is and why God made him that way. Grendel asks his mother “Why are we here?” which means that he is doubting his existence. Grendel kills humans in the mead hall while they are asleep.
In many novels throughout literature, enemies often share striking similarities. They push and pull at each other to the point where they lead to the each others undoing, yet they share tremendous likeness. In the novel Frankenstein, by Mary Shelly Victor Frankenstein and his creature are two sides of one person. Both despise each other, and in doing so they are despising themselves. There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone.
After society’s constant negative response to his physical appearance, the creature himself
However, this is harder than it sounds, especially when an, “every man for himself,” philosophy pervades the apocalyptic atmosphere. In a world where the human race is at risk of extinction, “communitarianism [or] the ideas that societies prosper most and best when citizens cooperate,” (Murray) seems the best solution when faced with the challenge of joining together as a force against zombies. Yet fear affects every individual differently, and the zombie apocalypse would certainly cause a healthy amount of fear. Society, while attempting to fight against an overwhelming enemy, would also have to fight those who would rather do what was best for themselves instead of the collective whole. These individuals, rejecting the communitarian’s ideals of, “[putting] the needs of the society above their own individual desires,” (Murray) are ultimately hurting the whole and themselves.